Composers

Christopher Shultis is a Regents' Professor of Music at the University of New Mexico. His early musical life was as a performer, specifically a percussionist and conductor specializing in the interpretation of experimental music. His first compositions were experimental in nature. Beginning with an exploration of sound and the world in which those sounds occur, Shultis's current work is an examination of self in that world and the sounds that he hears as a result are what he writes down.

James Shrader is a composer, conductor, author, and retired academic administrator. He holds degrees from Bradley University (Music Education), The Cleveland Institute of Music (Opera Direction), and Texas Tech University (Fine Arts/Conducting). He was Director of Music and Fine Arts at The First Baptist Church of Greater Cleveland, Associate Director of Choral Activities at Texas Tech and Oklahoma State Universities, Chair of the Music Department and Director of Choral and Opera Studies at Northwestern Oklahoma State University, and Head of the Department of Music at Valdosta State University. He was Chorus Master for Tulsa Opera where he prepared nine productions.

Benjamin Shorstein is a composer of classical and jazz music and a founding member of the creative music collective Madre Vaca. He has been named a finalist for several national and international competitions, including the Franz Schubert Conservatory World Championship in Composition, the American Prize for Chamber Music Composition, and the Ernst Bacon Memorial Award for the Performance of American Music. Shorstein’s music has been performed at the New York Musical Theatre Festival, recorded for film, and featured in concerts and recordings. His jazz arrangement of Franz Schubert’s song cycle Winterreise was named one of the best jazz recordings of 2020 by the Chicago Tribune, with critic Howard Reich writing that “Benjamin Shorstein has created the best kind of jazz-meets-the-classics merger, the two worlds intermingling rather than crashing up against each other.”

Clare Shore the second woman to earn the Doctor of Musical Arts degree in Composition from The Juilliard School, has received critical acclaim for her works, with reviewers from The New York Times, New York Post, Boston Globe, Washington Post, and others hailing her works as "provocative," "immensely dramatic," "unpretentious," "ingenious and evocative," "intriguing," and "romantic to the core."

Melissa Shiflett’s career began as resident composer for the experimental Dream Theatre in Chicago. She is a composer, librettist, and pianist whose operas have been produced by the American Chamber Opera Company, Peabody Chamber Opera Theatre, New York City Opera’s Vox Festival, Nautilus Music-Theater, New Dramatists, and the Pennsylvania Opera Theater. 

When Bill Sherrill (b. 1939) departed for college with piano and voice scholarships, there were fond hopes within his family of a musical career for him. College tennis and the study of Chemistry soon displayed and delayed those hopes. After college and during a working career which included stints as a Naval Flight Officer, Intelligence Officer, and Chief Administrator for large law firms, he kept in touch with music by singing in varied oratorio and symphonic choruses. He retired early to study music and has been composing ever since. He also serves as a Church Musician which provides a ready venue for conducting, composing, and arranging.

Laurence Sherr is recognized for his uniquely interconnected work on music related to the Holocaust, uniting his activities as composer of remembrance music, researcher, lecturer, producer of remembrance events, author, and educator. He has presented this work in the Czech Republic, Germany, Poland, England, Norway, San Marino, Israel, Australia, New Zealand, Brazil, and across the United States. Containing “sacred beauty and abundant lyricism,” and “moments that convey energy, lyricism, drama, and bravado” (EarRelevant), Sherr’s album – FUGITIVE FOOTSTEPS: REMEMBRANCE MUSIC – was awarded a Gold Medal in the Global Music Awards. He designs events that feature remembrance music enriched by stories of Holocaust-era creators and concurrent musical and historical developments.

Scott Anthony Shell was born in Omaha Nebraska USA but grew up near Chicago IL. He earned a degree in music composition at DePaul University while studying voice and singing in choirs. Instead of pursuing academic degrees, he immersed himself in the Chicago indie rock scene and created a record label and rock band (singer / songwriter / guitarist) called Cats & Jammers that released several recordings and toured all over the USA. S.A. is fluent in Spanish and has spent quite a bit of time in South America. Currently he resides in in Patagonia AZ.

Jonathan Sheffer is a Grammy-nominated composer and conductor whose diverse career in music spans the worlds of classical, opera, dance, and film and television. Born in New York City, Sheffer graduated from Harvard University, where his teachers included Leonard Bernstein, and later attended The Juilliard Extension School and the Aspen School of Music. Sheffer’s range of works comprises television and feature film scores, works for orchestra, solo piano, concertos, musicals, and short operas. In addition to several scores for Hollywood films, including Encino Man, Pure Luck, A Shallow Grave and others, his most recent films include the documentaries Mann v. Ford (HBO) and the German/Israeli film, The Decent One, which premiered at the Berlin Film Festival.

An explorer of sonic realms, Judith Shatin is equally known for her acoustic, electroacoustic, and digital music. Called “highly inventive on every level” by the Washington Post, her music has been commissioned by organizations including the Barlow Endowment, Fromm Foundation, Carnegie Hall, the Library of Congress, Wintergreen Performing Arts, and the Lila Wallace Reader’s Digest Arts Partners Program.

Barry Seroff was born in Flushing, Queens on July 4th 1978. He earned his Bachelors Degree at the Aaron Copland School of Music where he studied theory with Joe Strauss, composition with Paul Alan Levi, Jeff Nichols, and Bruce Saylor, and musicology with Henry Burnett. At the same time outside of school, he studied classical flute with Michael Laderman and Petina Cole, modern and traditional jazz guitar with Joe Giglio and Bern Nix, and shakuhachi with Ronnie Nyogetsu Seldin.

Sophia Serghi (b. 1972) was born in Nicosia, Cyprus and is now a resident of the United States. She has written works for stage, orchestra, and chamber ensembles, along with her vocal and multimedia works, and her compositions have been performed throughout Europe and the United States.

Sami Seif is a Lebanese composer and music theorist. His music is inspired by the aesthetics, philosophies, paradigms, and poetry of his Middle-Eastern heritage. His work has been described as “very tasteful and flavorful” with “beautiful, sensitive writing!” (Webster University Young Composers Competition).

Jim Scully (b. 1979) is a composer, performer and educator in the fields of contemporary classical music, electroacoustic music and jazz studies. He is currently a member of the music faculty at CSU Bakersfield, where he is tasked with teaching an array of courses in the fields of Music Theory, Jazz Studies, Composition and Music Technology. In addition, he serves as Director of the CSU Bakersfield Guitar Arts Series, Director of Small Jazz Ensembles, Director of the Audio/MIDI Lab and Assistant Director of the Bakersfield Jazz Festival.

Australian composer Andrew Schultz studied at the Universities of Queensland and Pennsylvania and at King's College London and has received various awards, prizes and fellowships. His music, which covers a broad range of chamber, orchestral and vocal works, has been performed, recorded and broadcast widely by many leading groups and musicians internationally. He has held numerous commissions, including from the major Australian orchestras.

Pierre, a French native, came to music as a child, studying classical piano and transcribing themes from movie composers on the family’s piano. Emotions are in the center of his work, and reviewers have often noted cinematic elements in his music, while describing “an imaginative musical craftsman at work, capable of evoking real wonder, mystery, reverence, and celebration.”

The music of Phillip Schroeder (b. 1956, Rancho Cordova CA) for soloists, chamber ensembles, live electronics, orchestra, band, and choir has been described by critics as "wonderfully evocative," "ethereal," "rich in subtle detail," and "full of elegant nuance." He has appeared as a guest composer, lecturer, and performer at venues throughout the United States and Europe and has been very active and dedicated New Music advocate as performer, producer, and festival/conference host.

A native of Houston, Andrew Schneider is a composer, pianist, and vocal coach whose virtuosic technique and daring interpretation has cemented his reputation among clients as a fearless musician. His extensive collaborative activity encompasses early music, standard operatic and art song repertoire, as well as contemporary music. Proficient for coaching purposes in French, German, Italian, and Latin, as well as adept with less frequently encountered languages, especially Slavic ones, Schneider enjoys using his considerable linguistic skill to help make challenging texts accessible to his clients. His wide ranging musical activities also include harpsichord and organ performance and conducting.

Christopher Alan Schmitz composes solo, chamber, and ensemble music that has been described as “sublimely gorgeous” (Fanfare) and “pensive…hard-driving…and whimsical” (American Record Guide). His compositions have been performed and recorded internationally, featuring a broad range of musicians and styles from the London Symphony Orchestra to the USAF Airmen of Note, in venues ranging from New York City (Carnegie Hall) to Alaska (Denali National Park) and London (St. Luke’s Church). Schmitz’s educational music has appeared in concert programs at all levels of development and his recent solo and chamber works have been performed by artists such as the Cortona Trio, Svyati Duo, Terell Stafford, Amy Schwartz Moretti, and Denson Paul Pollard, among others.

Martin Schlumpf (b. 1947) was born in the Swiss town of Aarau, where he was raised and educated through his high school graduation in 1966. During these years, he played double bass in various jazz groups, along with studying classical cello. Schlumpf also began writing essays on composition during this time, beginning with his discovery of the music of Austrian composer Anton Webern.