Catalog

The aptly-titled HEAVY PEDAL VOL. 2 from Navona Records is the second installment of an organ-centric series of albums. Featuring the music of composers Christopher Hoh, Deon Price, Richard E Brown, and John Rommereim, the collection lives up to its name; these organ works are some of the most powerful that classical music has to offer. From Hoh’s Concertino Corona, inspired by the hardships and seeds of hope from COVID-19, to Brown’s Six Chorale Preludes on Favorite Hymn Tunes, which were composed using Brown’s encyclopedic understanding of historical hymns, HEAVY PEDAL VOL. 2 brings the organ down from the choir loft to allow all listeners a greater appreciation of this incredibly dynamic instrument.

Navona Records presents HEDGEHOG'S HOME, a classic tale centered on the importance of caring for our natural habitat. Based on the original children’s story by Bosnian Serb author Branko Ćopić, this adaptation for the Zagreb Philharmonic Orchestra was originally premiered in September 2019 at Zagreb’s Vatroslav Lisinski Hall under the baton of then maestro David Danzmayr. A time-tested narrative in an all new form, this presentation of Hedgehog’s Home serves as a gentle and artistically driven reminder not to take our respective abodes for granted.

Henley Heyn’s self-titled HENLEY HEYN VOL. 1 was born from two important aspirations of her early career: to be seen and to be heard. Raw authenticity and artistic freedom drive this operatic multimedia release, performed by Heyn herself and the Slovak National Opera Orchestra. Heyn has roared onto the operatic stage in recent seasons, making her Straussian and Wagnerian debuts as Salome & Brünnhilde, followed closely by a harrowing portrayal of Magda Sorel in Gian Carlo Menotti’s Pulitzer Prize-winning drama, The Consul. Now, she has collaborated with an 85-member orchestra to bring the impassioned vision of HENLEY HEYN VOL. 1 to life.

Lovers of Early Music are in for a huge treat with IGNACIO JERUSALEM: MASS IN G, a tribute commemorating the 250th anniversary of the composer's death. The little-known, Italian-born, galant creator, who spent much of his colorful life in Mexico, receives long-deserved attention from the Chicago Arts Orchestra under the baton of Mexican-American conductor Javier José Mendoza.

New York-based Anthony Piccolo leads a vibrant and varied career as composer, choral director, pianist and conductor. Drawing on decades of performing and composing experience, he crafts clear and colorful scores in a variety of genres.

Lewis Spratlan composer

THE KEY OF C-SPAN, Vol. 1 is the premiere release of the digital music collections featuring works from PARMA Recordings' audio catalog which have been used in C-SPAN's programming. PARMA and C-SPAN's collaborative relationship stems back to January 2013, when the two companies teamed up on C-SPAN series First Ladies: Influence & Image, for which PARMA produced a customized theme song. In May 2013, PARMA signed on as C-SPAN's music provider, placing content from its audio catalog across the network's original programming, promotions, and Senate quorum calls.

Composer/Performer John Alan Rose presents INEFFABLE TALES, an album of four of his ensemble compositions, recorded at Reduta Hall in Olomouc, Czech Republic. In addition to renowned soloists Jungwon Choi (cello), Moni Simeonov (violin), the recording features the composer’s wife Sing Rose (soprano), and the composer himself (piano). The album also features the Moravian Philharmonic, under the direction of Miran Vaupotić.

Hot on the heels of its first edition, INVITING WORLDS VOL 2 follows in the footsteps of its predecessor with the rhythmic dexterity and textural nuance of today’s orchestras paired with a new roster of composers. New sounds and expressions burst with emotion and uplift us through dark days, navigating uncertainty and delivering us to tranquil resolution. From the frenetic energy and hair raising harmony of Chasse Noir to the soothing solemnity of When Quiet Comes, INVITING WORLDS VOL 2 delivers a colorful palette of orchestral virtuosity sure to please any listener who lends an ear.

INVITING WORLDS VOL 3 offers a fresh look into the Navona Records series with a new roster of modern composers. Building on the canon of orchestral works presented thus far, this edition of the series features works inspired by historic poetry, iconic stories, and memories, tied together and brought to life by the raw power of today’s ensembles. From whimsical and uplifting passages to deep stirring nostalgia, the works featured on INVITING WORLDS VOL 3 are unrelenting in their emotive qualities.

Journeys after..., the debut release on Navona Records by Welsh composer Brian Noyes, features two orchestral works that reference the life and works of John Clare-a Northamptonshire peasant-poet from the early 19th Century. Inspired by Clare's Journey Out of Essex - a poignant account of his escape from a mental asylum and his 80-mile walk home looking for his imaginary love, Noyes has sought to reflect the poet's real and illusionary worlds as depicted in his evocative text.

Lawrence Siegel’s Kaddish is an evening-length cycle of fifteen original songs for chorus, soloists, and chamber ensemble that serves to find a common ground with those who survived the Holocaust. The choral masterpiece’s libretto is drawn from interviews with Holocaust survivors and incorporates elements of folk songs and traditional Klezmer music. As a whole, Kaddish brings us on a journey through the cultural identities of pre-Holocaust central Europe, reflections of the atrocities that occurred during those years, and the victims’ desire for ordinariness.

Life can sometimes seem like an infinity mirror of colors reflecting off of themselves, each tint deeply distinct in its own right, yet profoundly beautiful when viewed as a whole. This sentiment is thoughtfully expressed in KALEIDOSCOPE from composer Craig Morris and Navona Records. Morris’s compositional strengths are far-reaching and dynamic, and aptly showcased here with orchestral and chamber works written in a variety of orchestrations. Sentiments of gentle reflections, care and acceptance, and love are echoed throughout this release, a cohesive collection of works written from powerful emotions that tie into the kaleidoscope that is the human experience.

LEGENDS AND LIGHT VOL. 2 from Navona Records leaves no stone unturned. From the vast expansiveness of the open sea to the microscopic particles of our world's chemical makeup, this follow-up to 2018’s LEGENDS AND LIGHT is an ambitious collection of new works for large ensemble performed by the Royal Scottish National Orchestra and the Brno Philharmonic. In this album, seven composers offer their insights into the components of our world through music, with works highlighting cultures, locations, forces of nature, and human life. While many of the pieces are arranged for orchestral ensembles, listeners will also find Scottish Great Highland bagpipes and Irish Uilleann pipes featured on the album, offering a deeply rewarding listening experience.

Navona Records is proud to present LEGENDS AND LIGHT VOL. 3, an ambitious collection of new works for large ensemble performed by the Janáček Philharmonic Ostrava. Several modern composers assemble on this album to deliver new expressions in classical music, highlighting stark contrasts of darkness and light and the other-worldy experiences that charge our artistic spirit. Inspired by art, mystical experiences, and the wonders of our universe, this edition of the LEGENDS AND LIGHT series casts a serene spotlight on the compositional innovation and orchestral ferocity of today’s composers and performers, an exhilarating showcase of the current and exciting state of classical music.

Light and Shadow is an all-new collection of modern orchestral works from composers Adrienne Albert, Daniel Perttu, Rain Worthington, Rebecca Oswald, Russ Lombardi and Tadd Russo. The works on this disc range from a musical depiction of the imagery of war to the representation of the impressionistic logic of dreams to a bold, tonal piece inspired by a property dispute. With all tracks shorter than nine minutes, this collection offers a succinct and powerful view into the world of modern orchestral composition.

Mark John McEncroe, who started his musical training in his late 30's, had always exhibited a varied, profound interest in music – one that led him to work as a major music label manager over the course of two decades. No doubt that it was partially this section of his professional career which formed the basis of his personal compositional language. Unimpeded by the constrictions of a musical academic career, he developed a style which is unapologetically concrete and evocative.

Symphony No. 1, Living Breathing Earth, inspired by the rhythms and shadings of the earth, represents our planet in its radiant fullness, pulsing with breath, and alive with all variety of creatures and plants living in symbiosis with each other. Tekeeyah (a call) is Warshauer's call for an awakening to our true essence as human beings.

Eight exceptional composers, eight premiere recordings with a legendary orchestra, and one spectacular soloist: LONDON CELLO CONNECTION is a captivating compendium of contemporary compositions by celebrated cellist Ovidiu Marinescu and the London Symphony Orchestra with conductor Miran Vaupotić. Marinescu’s emotive, lush sound and superb technical command provides the continuous thread throughout the program, from the elegant “Sarabande” by Marvin Lamb to Arthur Gottschalk’s regal “Brunetti Meditations” to the shimmering, pulsing “Soul Dance” of Diane Jones, connecting and contrasting each of these works and others by John Robertson, Katherine Price, Joanna Estelle, L Peter Deutsch, and Keith Kramer. Recorded in June 2022 at the LSO’s St. Luke’s Church, the historic site on London’s Old Street which dates to 1733 and was restored to become home to the orchestra’s recording, community, and music education programs.

Contemporary symphonic music tends to fall into either one of two categories: hopelessly cerebral concert hall material that is difficult (if not impossible) to understand – or background music for motion pictures. Neither classification would be much to the liking of New York native Anthony Iannaccone, who sets out to prove that one can have the best of both worlds on LOOKING BACK, MOVING ON. Both his third and fourth symphonies make a strong case: spirited, organically structured, and imaginative, they are formidable displays of American verve. The Concertante for Clarinet and Orchestra, more subtle but no less energetic, drives home the point.