Artists

Lauded for being “positively mesmerizing at the piano” by The Times-Tribune, Korean-American pianist Minju Choi Witte has performed throughout the United States, Canada, Europe, and Asia as a recitalist, soloist, and chamber musician. Witte presented recitals in cities in the U.S. and abroad, including Paris, New York City, Philadelphia, and Myra Hess Memorial Series in Chicago. She has performed solo concerts in prestigious venues such as David Geffen Hall, Chicago Cultural Center, Schola Cantorum in Paris, and Steinway Hall.

Betty Wishart and music are synonymous. Her earliest memories involve singing in church choirs and playing the piano. She was introduced to contemporary music while studying with Richard Bunger at Queens University. At the end of her junior year, she wrote her first composition, submitted it to a music fraternity and was invited to perform a mini-recital of her music at their international conference. That event inspired her to continue composing while earning an M.M. degree in piano performance at the University of North Carolina at Chapel Hill.

John Winzenburg is a professor of music at Hong Kong Baptist University, where he conducts the Cantoría Hong Kong. He and the Cantoría have actively promoted Chinese choral music in dialogue with international repertoire since they first earned a Gold Medal at the Czech 2010 Festival of Songs Olomouc and they presented a Weekend Concert at the National Centre for Performing Arts in Beijing in 2012. Winzenburg performed as Choral Director of the premiere of Hong Kong Odyssey at the 2017 Hong Kong Arts Festival and served as Chorus Master of The Suppliant Women in collaboration with the Actors Touring Company (UK) and the Royal Lyceum Theatre Edinburgh at the 2018 Hong Kong Arts Festival.

John Christopher Wineglass is a multiple ®EMMY Award-Winning Composer who has performed on five continents, before U.S. presidents since Ronald Reagan, and with several ®OSCAR and ®GRAMMY Award-winning artists including Aretha Franklin, Whitney Houston, and Jamie Foxx to name a few. He has written several scores and incidental music for shows on MSNBC, CNN, NBC, CBS, and ABC as well as documentaries on Headliners & Legends for The Brady Bunch, Kathy Lee Gifford, and Farah Fawcett. Having scored mainly independent films, several of his nationally syndicated commercials include music for the United States Army, American Red Cross, and Texaco as well.

Arcadian Winds was founded at Boston University in 1987. Originally a woodwind trio consisting of flute, clarinet, and bassoon, the ensemble expanded to a wind quintet in 1989. Since its formation, Arcadian Winds has premiered almost 50 new works and championed many others. With a strong commitment to education, the group has brought chamber and contemporary music into the public, private and community schools in the Boston Area.

Anthony Wilson (b. 1962) developed a strong interest in music from an early age. He spent many hours at the piano as a child,  experimenting with various combinations of sound. His parents’ record player also provided the wonderful experience of being able to enjoy both the world of classical music and popular music.  

Mark Edwards Wilson, currently a member of the faculty of the University of Maryland, began his productive career in his native California. He studied with Henri Lazarof and Leon Kirchner at the University of California at Los Angeles, where he received a Ph.D. at the age of 25. He has received many prizes, awards, and other honors for his orchestral and vocal works, as well as his chamber music and electro-acoustic compositions, many of which have been commissioned and performed by major institutions and performing organizations.

Michael Glenn Williams' music and piano performance is featured on productions such as the "Chicago Hope;" "Wicker Park," "The Limey," "King of the Hill," "Younger and Younger," "House of Yes," "Through the Door" and "Wonderland." His concert transcriptions of video game music are featured in the game "Crabs and Penguins" from Coke, and performed by the Video Games Live orchestra.

Flutist Linda Wiley studied at Sam Houston State University in Huntsville TX, earning a B.M. Education degree in 1975 and an M.A. in performance in 1977. While at SHSU, she studied flute with Jan Cole, who had studied privately with Jean-Pierre Rampal for five years. Unrelated to flute performance, Wiley earned a Ph.D. in interdisciplinary education from Texas A&M University in 1986.

Osias Wilenski was born in Buenos Aires, Argentina. From an early age he studied piano with Professor Vicente Scaramuzza and harmony, counterpoint and composition with Dr. Erwin Leuchter, who had been a pupil of Alban Berg. From Leuchter comes his early interest in 12-tone music, a system that Wilenski has abandoned since. During the 1950s and through the suggestion of pianist Arturo Rubinstein, Wilenski won a scholarship to study at the Juilliard School of Music in New York, where he resided for several years. There he studied composition with William Bergsma, William Schuman and Vincent Persichetti. He also had private piano lessons from virtuoso Simon Barere, of which he was the only pupil. He started a solo pianist career and played concerts in New York in Hunter College and Town Hall.

Chris Wild (b.1983) was born and raised in Vancouver, Canada. He is now based in the United States where he is active as a cellist, conductor, and music educator.

David F. Wilborn has emerged as an internationally acclaimed composer, trombonist, conductor, and music educator. He is an award-winning composer whose compositions are enjoyed for their creative use of rhythmic development and innovative musical style. Occasionally, these features intersect with passages of main-stream jazz or Latin jazz, thus making his music accessible to many listeners and performers. Overall, his style may be regarded as contemporary classical while borrowing from traditional music forms.

Beth Wiemann was raised in Burlington VT, studied composition and clarinet at Oberlin College and received her Ph.D. in composition from Princeton University. Her works have been performed nationally and internationally by the ensembles Continuum, Transient Canvas, Earplay, Guerilla Opera, and others.  Her compositions have won awards from the Orvis Foundation, Copland House, the Colorado New Music Festival, New York Treble Singers, and regional arts councils. She teaches clarinet, composition, and music theory at the University of Maine. 

Elements of Gregorian chant, Indian raga music, gamelan, rock, and progressive rock are frequently present in Bill Whitley’s work. Western composers who continue to influence his work include Brian Eno, John Cage, Laurie Anderson, Meredith Monk, Tetsu Inoue, Giacinto Scelsi, Morton Feldman, Lou Harrison, Pauline Oliveros, and Paul Dresher.

Alastair White (b. 1988) is a Scottish composer and writer currently pursuing a Ph.D. in Composition at Goldsmiths, University of London with Roger Redgate. In 2018 he wrote and composed the opera WEAR, an immersive sci-fi which combined contemporary music with high fashion and abstract theater; it was described by Mark Berry as “spellbinding...an opera of rare imagination - and success” and has since been shortlisted for a Scottish Award for New Music.

William White is a conductor, composer, teacher, writer, and performer based in Seattle, WA. Equally known for his original music as for his bold interpretations, White is an innovative programmer and conscientious leader in the musical community. White currently serves as music director of Orchestra Seattle and the Seattle Chamber Singers, a unique performing ensemble comprised of a chorus and orchestra that concertize as one.

Iris Graffman Wenglin is from a distinguished musical family. Joseph Graffman, Wenglin’s father, played the string bass in The New York Symphony Orchestra under Walter Damrosch, and her cousin is pianist Gary Graffman. Wenglin made her first professional appearance as a pianist at age 13 on the Jinx Falkenberg TV program, and at age 16 she started working as a rehearsal pianist for NBC Opera Theatre. As a teenager she performed several times on WNYC’s “Young Artist” series. She graduated from Music and Art High School and holds a B.A. and an M.A. from New York University and a M.Ed. from the Manhattan School of Music.

Allyson B. Wells began composing and arranging as a teenager, when her name was Allyson Brown, and was 18 when her first arrangement, for choir, was commercially published. Two years later, one of her compositions was commercially published. She has earned her bachelor’s and master’s degrees and Ph.D., all in music composition, and has taught music theory and composition at the university level since the 1980’s.

Nicholas Weininger (b. 1978) is a composer, singer, software engineering manager, and leadership coach. Weininger's works for a cappella chorus have been performed by ensembles across the United States, ranging from the International Orange Chorale of San Francisco and the NYC-based ensemble Choral Chameleon to the West Genesee High School Chorale, the Germantown Friends School Concert Choir, and the festival ensemble Coro Mundi. In March 2023, the Empire City Men's Chorus premiered his cantata Hakol Hevel (All is Mere Breath) for TTBB chorus, orchestra, and soloists. Weininger's works are published through Personage Press and ArrangeMe. 

David Watkin has made a wide range of acclaimed recordings including Sonatas by Vivaldi (Hyperion), Beethoven (Chandos), and Francis Pott (Guild), Haydn’s Sinfonia Concertante with OAE (Virgin), and Schubert Quintet with the Tokyo Quartet (Harmonia Mundi). He has been a soloist at Wigmore Hall, Barbican, Royal Festival Hall, Queen Elizabeth Hall, Carnegie Hall, New York, and performed the Schumann Concerto with Sir John Eliot Gardiner and Orchestre Révolutionnaire et Romantique at Lincoln Center, New York. As a guest artist he has collaborated with Robert Levin and Fredericka von Stade. As a founder member of the Eroica Quartet he has performed all over Europe and the United States and their recordings of Beethoven, Mendelssohn, Schumann, Debussy, and Ravel have astonished critics.