Composers

R. David Salvage (b. 1978, Boston MA) is a composer and pianist whose piano, chamber, vocal, and orchestral works have been performed by many of America's most gifted musicians, including the Arcturus Chamber Ensemble, the Rosetta String Trio, the Monticello String Quartet, the Cygnus Ensemble, Miranda Cuckson (violinist), Christopher Swanson (tenor), Thomas Meglioranza (baritone), David Thomas (clarinetist), and the Newark-Granville Symphony Orchestra (OH).

Praised as “strikingly original” (NY Times) and “new voice from whom we will surely be hearing more” (LA Times), Kamala Sankaram writes highly theatrical music that defies categorization. Recent commissions include the Glimmerglass Festival, Washington National Opera, Houston Grand Opera, Shakespeare Theatre Company, and Opera on Tap, among others. Awards, grants and residencies include: Jonathan Larson Award, NEA ArtWorks, MAP Fund, Opera America, NY IT Award for Outstanding Production of a Musical, the Civilians, HERE, the MacDowell Colony, and the Watermill Center. Known for her work with emerging technologies, her recent genre-defying hit Looking at You (with collaborators Rob Handel and Kristin Marting) featured live data mining of the audience and a chorus of 25 singing tablet computers.

Considered by the international press as one of the most active and recognized composers of the musical scene, Felipe Perez Santiago has received several prizes and recognitions in Europe, United States and Latin America. His compositions have been played and commissioned in more than 40 countries by internationally renowned orchestras and ensembles and has been invited as resident composer to conservatories, universities and institutions all over the world.

Jonathan Santore is composer in residence with the New Hampshire Master Chorale, and professor of music at Plymouth State University. He has won prizes and awards for his work including The American Prize in Composition (Choral Division), the American Composers Forum Welcome Christmas! Carol Contest, and an Individual Artist Fellowship from the New Hampshire State Council on the Arts.

Charles M. Savage (b. 1958) born in Coshocton, Ohio and a longtime resident of Muskingum County, Ohio. He graduated from Ohio Valley University, Harding University with a B.A. in Music Education, and Ohio University Athens with masters degrees in Music Theory and Composition, and in Music Education. He studied theory and orchestration with William Holloway, and composition with Mark Phillips, voice with Erle. T. Moore and Ira Zook, and conducting with Kenneth Davis, Jr. and Peter Jarjisian.

Heather Niemi Savage’s music explores universal questions of essence and finding beauty and joy in the midst of suffering, resulting in evocative pieces that take listeners on a journey which nourishes the soul, stimulates healing, and builds empathy. Savage draws on her own experiences, her love of the natural world, literature, and faith; her compositional style is informed by her training in classical, jazz, musical theater, sacred music, and life-long interest in world music.

Like many composers, I have a hard time classifying my music. My unconscious influences undoubtedly include the 20th c. Russian composers that I so enjoyed as a young trumpet player, the vocal music of the Middle Ages and Renaissance I discovered when I started singing, and the 20th c. French and American music I came to love in college. That aside, I often draw inspiration from visual sources, including the Pre-Raphaelites, Japanese animation, and abstract expressionism, as well as literary sources, such as poetry and the genres of fantasy and science fiction. I am fascinated with how these art forms make the normal seem strange and the strange seem normal.

Marvin Schluger (1923-2004) was born into a poor immigrant Jewish family in Philadelphia PA. His father had been a coppersmith in the Old World but found it difficult to make a living in America, so Schluger's mother worked to sustain the family. It seemed, however, that there was always an extra dollar-and-a-half for Schluger and his sister to take weekly music lessons. Piano studies with Joseph Levine, and subsequently with Maria Carreras, were the focus of this early music education, while Schluger's explorations in composition were largely self-taught.

Martin Schlumpf (b. 1947) was born in the Swiss town of Aarau, where he was raised and educated through his high school graduation in 1966. During these years, he played double bass in various jazz groups, along with studying classical cello. Schlumpf also began writing essays on composition during this time, beginning with his discovery of the music of Austrian composer Anton Webern.

Christopher Alan Schmitz composes solo, chamber, and ensemble music that has been described as “sublimely gorgeous” (Fanfare) and “pensive…hard-driving…and whimsical” (American Record Guide). His compositions have been performed and recorded internationally, featuring a broad range of musicians and styles from the London Symphony Orchestra to the USAF Airmen of Note, in venues ranging from New York City (Carnegie Hall) to Alaska (Denali National Park) and London (St. Luke’s Church). Schmitz’s educational music has appeared in concert programs at all levels of development and his recent solo and chamber works have been performed by artists such as the Cortona Trio, Svyati Duo, Terell Stafford, Amy Schwartz Moretti, and Denson Paul Pollard, among others.

A native of Houston, Andrew Schneider is a composer, pianist, and vocal coach whose virtuosic technique and daring interpretation has cemented his reputation among clients as a fearless musician. His extensive collaborative activity encompasses early music, standard operatic and art song repertoire, as well as contemporary music. Proficient for coaching purposes in French, German, Italian, and Latin, as well as adept with less frequently encountered languages, especially Slavic ones, Schneider enjoys using his considerable linguistic skill to help make challenging texts accessible to his clients. His wide ranging musical activities also include harpsichord and organ performance and conducting.

Pierre, a French native, came to music as a child, studying classical piano and transcribing themes from movie composers on the family’s piano. Emotions are in the center of his work, and reviewers have often noted cinematic elements in his music, while describing “an imaginative musical craftsman at work, capable of evoking real wonder, mystery, reverence, and celebration.”

The music of Phillip Schroeder (b. 1956, Rancho Cordova CA) for soloists, chamber ensembles, live electronics, orchestra, band, and choir has been described by critics as "wonderfully evocative," "ethereal," "rich in subtle detail," and "full of elegant nuance." He has appeared as a guest composer, lecturer, and performer at venues throughout the United States and Europe and has been very active and dedicated New Music advocate as performer, producer, and festival/conference host.

Australian composer Andrew Schultz studied at the Universities of Queensland and Pennsylvania and at King's College London and has received various awards, prizes and fellowships. His music, which covers a broad range of chamber, orchestral and vocal works, has been performed, recorded and broadcast widely by many leading groups and musicians internationally. He has held numerous commissions, including from the major Australian orchestras.

Jim Scully (b. 1979) is a composer, performer and educator in the fields of contemporary classical music, electroacoustic music and jazz studies. He is currently a member of the music faculty at CSU Bakersfield, where he is tasked with teaching an array of courses in the fields of Music Theory, Jazz Studies, Composition and Music Technology. In addition, he serves as Director of the CSU Bakersfield Guitar Arts Series, Director of Small Jazz Ensembles, Director of the Audio/MIDI Lab and Assistant Director of the Bakersfield Jazz Festival.

Sami Seif is a Lebanese composer and music theorist. His music is inspired by the aesthetics, philosophies, paradigms, and poetry of his Middle-Eastern heritage. His work has been described as “very tasteful and flavorful” with “beautiful, sensitive writing!” (Webster University Young Composers Competition).

Sophia Serghi (b. 1972) was born in Nicosia, Cyprus and is now a resident of the United States. She has written works for stage, orchestra, and chamber ensembles, along with her vocal and multimedia works, and her compositions have been performed throughout Europe and the United States.

Barry Seroff was born in Flushing, Queens on July 4th 1978. He earned his Bachelors Degree at the Aaron Copland School of Music where he studied theory with Joe Strauss, composition with Paul Alan Levi, Jeff Nichols, and Bruce Saylor, and musicology with Henry Burnett. At the same time outside of school, he studied classical flute with Michael Laderman and Petina Cole, modern and traditional jazz guitar with Joe Giglio and Bern Nix, and shakuhachi with Ronnie Nyogetsu Seldin.

An explorer of sonic realms, Judith Shatin is equally known for her acoustic, electroacoustic, and digital music. Called “highly inventive on every level” by the Washington Post, her music has been commissioned by organizations including the Barlow Endowment, Fromm Foundation, Carnegie Hall, the Library of Congress, Wintergreen Performing Arts, and the Lila Wallace Reader’s Digest Arts Partners Program.

Jonathan Sheffer is a Grammy-nominated composer and conductor whose diverse career in music spans the worlds of classical, opera, dance, and film and television. Born in New York City, Sheffer graduated from Harvard University, where his teachers included Leonard Bernstein, and later attended The Juilliard Extension School and the Aspen School of Music. Sheffer’s range of works comprises television and feature film scores, works for orchestra, solo piano, concertos, musicals, and short operas. In addition to several scores for Hollywood films, including Encino Man, Pure Luck, A Shallow Grave and others, his most recent films include the documentaries Mann v. Ford (HBO) and the German/Israeli film, The Decent One, which premiered at the Berlin Film Festival.