Composers

Scott Anthony Shell was born in Omaha Nebraska USA but grew up near Chicago IL. He earned a degree in music composition at DePaul University while studying voice and singing in choirs. Instead of pursuing academic degrees, he immersed himself in the Chicago indie rock scene and created a record label and rock band (singer / songwriter / guitarist) called Cats & Jammers that released several recordings and toured all over the USA. S.A. is fluent in Spanish and has spent quite a bit of time in South America. Currently he resides in in Patagonia AZ.

Laurence Sherr is recognized for his uniquely interconnected work on music related to the Holocaust, uniting his activities as composer of remembrance music, researcher, lecturer, producer of remembrance events, author, and educator. He has presented this work in the Czech Republic, Germany, Poland, England, Norway, San Marino, Israel, Australia, New Zealand, Brazil, and across the United States. Containing “sacred beauty and abundant lyricism,” and “moments that convey energy, lyricism, drama, and bravado” (EarRelevant), Sherr’s album – FUGITIVE FOOTSTEPS: REMEMBRANCE MUSIC – was awarded a Gold Medal in the Global Music Awards. He designs events that feature remembrance music enriched by stories of Holocaust-era creators and concurrent musical and historical developments.

When Bill Sherrill (b. 1939) departed for college with piano and voice scholarships, there were fond hopes within his family of a musical career for him. College tennis and the study of Chemistry soon displayed and delayed those hopes. After college and during a working career which included stints as a Naval Flight Officer, Intelligence Officer, and Chief Administrator for large law firms, he kept in touch with music by singing in varied oratorio and symphonic choruses. He retired early to study music and has been composing ever since. He also serves as a Church Musician which provides a ready venue for conducting, composing, and arranging.

Clare Shore the second woman to earn the Doctor of Musical Arts degree in Composition from The Juilliard School, has received critical acclaim for her works, with reviewers from The New York Times, New York Post, Boston Globe, Washington Post, and others hailing her works as "provocative," "immensely dramatic," "unpretentious," "ingenious and evocative," "intriguing," and "romantic to the core."

Benjamin Shorstein is a composer of classical and jazz music and a founding member of the creative music collective Madre Vaca. He has been named a finalist for several national and international competitions, including the Franz Schubert Conservatory World Championship in Composition, the American Prize for Chamber Music Composition, and the Ernst Bacon Memorial Award for the Performance of American Music. Shorstein’s music has been performed at the New York Musical Theatre Festival, recorded for film, and featured in concerts and recordings. His jazz arrangement of Franz Schubert’s song cycle Winterreise was named one of the best jazz recordings of 2020 by the Chicago Tribune, with critic Howard Reich writing that “Benjamin Shorstein has created the best kind of jazz-meets-the-classics merger, the two worlds intermingling rather than crashing up against each other.”

James Shrader is a composer, conductor, author, and retired academic administrator. He holds degrees from Bradley University (Music Education), The Cleveland Institute of Music (Opera Direction), and Texas Tech University (Fine Arts/Conducting). He was Director of Music and Fine Arts at The First Baptist Church of Greater Cleveland, Associate Director of Choral Activities at Texas Tech and Oklahoma State Universities, Chair of the Music Department and Director of Choral and Opera Studies at Northwestern Oklahoma State University, and Head of the Department of Music at Valdosta State University. He was Chorus Master for Tulsa Opera where he prepared nine productions.

Christopher Shultis is a Regents' Professor of Music at the University of New Mexico. His early musical life was as a performer, specifically a percussionist and conductor specializing in the interpretation of experimental music. His first compositions were experimental in nature. Beginning with an exploration of sound and the world in which those sounds occur, Shultis's current work is an examination of self in that world and the sounds that he hears as a result are what he writes down.

Lawrence Siegel brings to the writing of KADDISH twenty-five years of experience creating and directing music and music theater projects using texts from oral histories, interviews, and community dialogues. His music has won awards from the McKnight Foundation, the New England Foundation for the Arts, Mid-Atlantic Arts Foundation, the New Hampshire State Council on the Arts, and many others. He has been a fellow in composition at the Tanglewood Music Center and the MacDowell Colony in Peterborough, NH.

Amintas Angel Cardoso Santos Silva (b. 1977) is a composer, singer, songwriter, writer and diplomat whose passion is expressing himself through art, especially music. He refers to the radio, soundtracks of old Brazilian soap operas, and of course, his mother’s singing as his first musical experiences. He also mentions his father’s old school musical taste as an initial and permanent guidance.

Mark G. Simon received a Doctor of Musical Arts degree in composition from Cornell University, where he studied with Karel Husa, Steven Stuckey and Robert Palmer. His compositions include orchestral, chamber and vocal works, many featuring the clarinet. His musical history Jennie’s Will was commissioned for the bicentennial of the Village of Dryden, New York in and revived in 2015 for the sesquicentennial of Cornell University.

Carlos Simon is a versatile composer and arranger who combines the influences of jazz, gospel, and neo- romanticism.

Eric Simonson's music has been heard in concerts across North America, including SEAMUS (Society of Electroacoustic Music in the United States), ICMC (International Computer Music Conference) and SCI (Society of Composers Incorporated) performances.

Hailed by The Australian as possessing a “rare gift as a melodist” and by Limelight as expressing “both exquisite delicacy and tremendous power,” Australian composer Lachlan Skipworth writes across the mediums of orchestral, chamber, vocal, and experimental music. His vivid musical language is colored by three years spent in Japan where his immersion in the study of the shakuhachi bamboo flute inevitably became a part of his muse.

Michael K. Slayton is an American composer who has written works in a cross-section of musical genres, with specific emphasis on chamber music. His continuing dedication to the value of artistic exchange has afforded him opportunity to partner with distinguished performers all over the world. His music, published by ACA, Inc. (BMI), is regularly programmed in the U.S. and abroad, including Chemnitz, Seitz, Leipzig, Droyssig, and Weimar, Germany; Graz, Austria; Paris,Tours, and Marquette-lez-Lille, France; Kristiansund, Norway; Aviero, Portugal; Brussles, Belgium; Johannesburg and Potchefstroom, South Africa; London, UK; and New York, NY.

Gary Smart’s career has encompassed a wide range of activities as composer, classical and jazz pianist, and teacher. Always a musician with varied interests, he may be the only pianist to have studied with Yale scholar/keyboardist Ralph Kirkpatrick, the great Cuban virtuoso Jorge Bolet, and the master jazz pianist Oscar Peterson. A true American pluralist, Smart composes and improvises music that reflects an abiding interest in Americana, jazz, and world music, as well as the Western classical tradition.

Pianist and composer Vytautas Smetona was born in Cleveland OH. His parents, Birute and Julius, and paternal grandparents narrowly escaped the 1940 Soviet invasion and subsequent occupation of Lithuania. Smetona’s grandfather, Antanas Smetona, was the last President of independent Lithuania. The family arrived and settled in the United States in 1941 via a route through Germany, Portugal, and Brazil. Vytautas’ father, Julius, was an attorney, and his mother was a musician.

Kile's frequently performed music is praised by audiences and critics for its emotional power, direct appeal, and strong voice. He is Curator of the Fleisher Collection of Orchestral Music in the Free Library of Philadelphia, co-host of Discoveries from the Fleisher Collection, and host of the contemporary American music show Now is the Time on WRTI 90.1 FM in Philadelphia.

Scott Solak (b. 1961) has written works in a wide variety of genres, including solo piano, orchestral, and chamber music. The bulk of his output has been in the realm of vocal and choral music, both sacred and secular. Choral commissions include two full-length oratorios for church performance (Healing of the Blind Man and Welcome to Thy World, O King [Chevy Chase Concerts and Bradley Hills Presbyterian Church]; Velvet Shoes and This Music [Reston Chorale]; and The Day of Pentecost [private commission]. Instrumental commissions include Canzona for Oboe and Orchestra [Reston Community Orchestra]; Sonata di Gloria for two violins and piano [commissioned for the Chamasyan Sisters]; Slant of Light [Washington Saxophone Quartet]; and Sicilienne for viola and piano [private commission].

David Warin Solomons (b. 1953) began his musical career relatively late, taking up the violin at the age of 14 and the classical guitar a few years after that. Most of his musical expression in composition has been based on the principle of "learning by doing," liberally seasoned with musical collaborations. The first of these collaborations, as far back as 1969, was with two pen-friends in France and Germany, which gave rise to several trios for the unusual combination of violin, trumpet, and piano. Solomons moved on to Christ Church at Oxford University in 1972 to study French and German and also began to sing there on a regular basis, eventually settling on alto as his preferred range. At Oxford he met lots of great musicians, many of whom had important influences on his compositional style.

Composer Dawn Sonntag translates the experience of being human into music that has been called “hauntingly lyrical” (Schaumburg-Lippe Landeszeitung), “visceral,” and “freshly relevant.” Her operas have been featured at the Cleveland Opera Theater’s New Opera Works festival, the Hartford Women’s Composers Festival, the Hartford Opera Theater’s New in November festival, and the Opera from Scratch festival in Halifax. Based on the true story of World War II refugees, her first opera, Verlorene Heimat, for which she wrote the libretto and music, won Honorable Mention in the 2021 American Prize for composition. Her settings of Sara Teasdale’s poetry are included in the new Modern Music for New Singers: 21st Century American Art Song.