Catalog

WARRIOR MONKS is a collection of two clarinet concerti and a trumpet concerto by Carl Vollrath that span topics of war, solace, fascination, and reverence among many others. “And Bugles Sang” drew inspiration from the unique juxtapositions in Benjamin Britten’s “War Requiem” and explores the many ways the trumpet is used as a symbol throughout human history. At times the trumpet is brash and lyrical, expressing ecstasy; in other instances it is strident and rhythmic perhaps reflecting charges into battle; and yet in an instant it reappears low and mellow in what could be heard as a faux-lullaby. The virtuosity in this piece is not to be understated.

The violin concerto is a challenging setup to write for: it beckons with promises of both might and fragility. Composer Christopher Alan Schmitz is well-versed in both the theoretical and practical aspects of composition: his resulting VIOLIN CONCERTO AND SYMPHONY NO. 1 gets the balance just right. The tonal language is reminiscent of Bruckner and Mahler, as raw emotion mixes with splendor. The ultimate success of this precarious, heady concoction rests on the shoulders of conductor Stefan Sanderling and particularly, violinist Amy Schwarz Moretti, member of the acclaimed Ehnes Quartet. Stirringly written and performed to perfection, a success it is.

The creation of VIOLIN CONCERTO by Alicia Terzian marked the beginning of her 65-year (and counting) compositional career. Originally composed in 1954/55, this important piece of her repertoire was brought to life thanks to a collaboration between Navona Records and the Siberian State Symphony Orchestra. This album also features Terzian's Three Pieces, which listeners can remember from their previous Navona release, OFF THE EDGE.

TRIPTYCH REVELATION, composer Sergio Cervetti’s seventh album with Navona, presents works from across four decades of his extensive career. Though a fair bit of time separates these pieces, the album’s three works all feature unique explorations of apocalyptic themes, inspired by themes drawn from the New Testament, nineteenth century French literature, and Flemish art of the sixteenth century.

On his Navona Records release THREE PASTELS FOR PIANO & ORCHESTRA, composer Carl Vollrath presents his three piano concerti, written between 2012 and 2015. Representing some of his most recent work, these concerti are connected to each other thematically, and in a way portray a different hue of the same color.

Renowned composer Gustav Hoyer comes to Navona Records with an ambitious and harrowing seven-part orchestral setting of Samuel Taylor Coleridge’s THE RIME OF THE ANCIENT MARINER. Hoyer melds the spoken word and musical text-setting traditions into a hauntingly atmospheric narrative concerto, the Budapest Film Orchestra coming to life as supernatural forces and creatures in the text. Meanwhile, the narrator speaks of the Mariner’s eternal penance, a stark contrast to the roiling orchestral timbres that puts listeners in the shoes of the frightened wedding guest fated to hear the Mariner’s tale. An undoubtedly ghoulish but incredibly sophisticated musical illustration of Coleridge’s famed narrative, Hoyer is no-holds-barred in his talent for the narrative orchestra, producing a musical journey packed with all the intensity and horror of the text from which it hails.

On his debut solo Navona Records release, THE REAL BEELER, composer Alan Beeler presents his refined and distinguishable orchestral voice, exploring various harmonic and melodic forms and structures as well as the serial techniques of the Second Viennese School. In Symphony No. 1 and No. 4, the composer creates intricate atmospheres and moving textural soundscapes, generally derived from the composer's preset tone rows.

Through his Argentinean tango-infused classical works, composer Alejandro Rutty has carved an original, unique niche in classical music, blending tango, electronic, and classical elements into a cohesive whole. On the multifarious THE CONSCIOUS SLEEPWALKER, his first album on Navona Records, Rutty presents works for saxophone quartet and orchestra that explore concepts ranging from explorations of tango within pop culture of the future to half-dreams versus fictional reality.

Saxophone Concerto is the latest release from renowned composer Lee Actor, featuring five compositions: Concerto for Alto Saxophone and Orchestra (2009), which exploits the considerable dramatic and expressive possibilities of the saxophone; Dance Rhapsody (2010) for orchestra, which consists of several strongly rhythmic dance sections interspersed with two slower, nonrhythmic interludes; Concerto for Horn and Orchestra (2007), a work of compact dimensions, consisting of three movements; Opening Remarks (2009), a brisk, upbeat, 6-minute work for orchestra designed as a concert opener; and Celebration Overture (2007), a joyous and invigorating piece with instrumentation similar to Beethoven's Ninth Symphony. Actor's music is filled with rhythmic drive and shows a superb ear for orchestral color, and he is able to create music that catches the ear and draws the listener into a world of emotion and drama.

For decades, John Rojak has been a staple in American brass music, performing with a number of chamber ensembles and orchestras such as American Brass Quintet, Cleveland Orchestra, the New York Philharmonic, and the Boston Symphony; in Broadway shows including Les Misérables and The Producers; in big bands of Mel Lewis, Bob Mintzer, and Gerry Mulligan; and contributing to the pedagogy of the bass trombone as a faculty member of several institutions, including The Juilliard School, The Hartt School, and Aspen Music Festival and School. Needless to say he has taken the bass trombone and its repertoire to new heights in the classical, contemporary, jazz, and commercial genres.

Dynamic pianistic playfulness and impressive orchestral sonority shine in PLETER from Croatian pianist and composer Matej Meštrović. The composer’s personal signature can be heard throughout the piece, equal parts majestic and jubilant with subtly suspenseful moments that cascade into grandiose beauty. An eclectic and versatile composer, Meštrović joins the acclaimed London Symphony Orchestra on this recording, unearthing immeasurable melodic, harmonic, and rhythmic opulence as both the composer and the featured pianist.

Maestro Kirk Trevor praises composer Lee Actor as "one of the refreshing new classical voices ... who can still use a traditional language with a freshness that makes the music alive and interesting." On his latest Navona Records release PIANO CONCERTO, Actor presents three orchestral works, performed by Trevor and the Slovak National Symphony Orchestra, that are engaging and tonal yet dramatic and modern.

PARADIGMS explores the notion that music of varied influences, backgrounds, and techniques can be strung together to represent modern classical as a whole. With orchestral works that dive into the dramatic and expressive, ponder the impressionistic through textured and rhythmic motifs, and compare the bright with the chaotic, this album posits that music of all studies and methods of creation are pieces of a larger puzzle that shape the American contemporary soundscape.

Santa Barbara-based composer Emma Lou Diemer (b. 1927) is a fixture in the Californian classical music community, having received commissions and performances from orchestras and ensembles throughout the state and worked throughout her career to advance the musical community.

Composer Vincent Kennedy and the RTÉ Concert Orchestra bring MUSIC OF PEOPLE AND PLACE to Navona Records. Selected from some of his most beloved works and inspired by the people, mysticism, mythology, history, and landscapes of his native Ireland, this album is a rich collection of 19 stories, each appealing to the human spirit with sublime performances by the superb musicians of the RTÉ Concert Orchestra.

Erik Lotichius, a composer unafraid of melody and accessibility, combines the sounds of traditional classics with those that took the 20th-century audiences by storm - in the composer's own words, his work presents "Bach, the Blues and the Beatles" in a spectacular, enthralling combination of genre and style.

Produced with audio captured from two live concerts held at Merrill Auditorium in Portland ME, the Portland Symphony Orchestra presents a world-class recording featuring works by three living Mexican composers on MÁSCARAS. The PSO makes their opening statement with a newly-revised version of Enrico Chapela’s 2017 work Rotor, an intense rhythmic etude, followed by Arturo Márquez’s Máscaras, a concerto for harp and orchestra inspired by ancient pre-Hispanic Mexican tradition. Ángeles de Llama y Hielo by Ana Lara follows suit, a nod to a 16th century German woodcut print and the cosmological philosophy that inspired it. Polished, authentic, and strong, the performances on MÁSCARAS reflect the Portland Symphony Orchestra’s rich musical energy and commitment to ever broadening its horizons.

Composer/Performer John Alan Rose presents INEFFABLE TALES, an album of four of his ensemble compositions, recorded at Reduta Hall in Olomouc, Czech Republic. In addition to renowned soloists Jungwon Choi (cello), Moni Simeonov (violin), the recording features the composer’s wife Sing Rose (soprano), and the composer himself (piano). The album also features the Moravian Philharmonic, under the direction of Miran Vaupotić.

Hailed as "convincing, emotional, passionate and vivid" (The Musical Review) and "destined to enter the ranks of the standard classical repertoire" (New York Times), Fredrick Kaufman resonates with worldwide audiences through impassioned and prolific compositions that go beyond mere interpretation. He thoroughly digests inspiration, internalizing and individualizing his ideas to create moving and impactful works that do more than simply relay a message. Kaufman's music captures feeling and emotion, reaching the listener with convincing sincerity.

The modern romanticism of composer Craig Morris is one simultaneously deeply personal and broadly meaningful. His albums DREAMS (2011) and CIRCLE OF LOVE (2015), both on the Ravello Records label, in large part deal directly with musical representations of universal emotional states and concepts.