Catalog

PARMA Recordings presents LEGENDS & LIGHT, a compilation album featuring works by composers Hans Bakker, Jan Järvlepp, Clive Muncaster, and Shirley Mier. Each has a different, unique story to tell, and the narratives are brought to life by the orchestra and string ensemble.

LEGENDS AND LIGHT VOL. 2 from Navona Records leaves no stone unturned. From the vast expansiveness of the open sea to the microscopic particles of our world's chemical makeup, this follow-up to 2018’s LEGENDS AND LIGHT is an ambitious collection of new works for large ensemble performed by the Royal Scottish National Orchestra and the Brno Philharmonic. In this album, seven composers offer their insights into the components of our world through music, with works highlighting cultures, locations, forces of nature, and human life. While many of the pieces are arranged for orchestral ensembles, listeners will also find Scottish Great Highland bagpipes and Irish Uilleann pipes featured on the album, offering a deeply rewarding listening experience.

Navona Records is proud to present LEGENDS AND LIGHT VOL. 3, an ambitious collection of new works for large ensemble performed by the Janáček Philharmonic Ostrava. Several modern composers assemble on this album to deliver new expressions in classical music, highlighting stark contrasts of darkness and light and the other-worldy experiences that charge our artistic spirit. Inspired by art, mystical experiences, and the wonders of our universe, this edition of the LEGENDS AND LIGHT series casts a serene spotlight on the compositional innovation and orchestral ferocity of today’s composers and performers, an exhilarating showcase of the current and exciting state of classical music.

LET ME FLY showcases the extraordinary talents of the University of South Dakota Chamber Singers in a compilation of American choral music under the direction of Dr. David Holdhusen. The album, recorded from 2014 to 2016, primarily draws on two mainstays of contemporary American choral repertoire – traditional folk song and spiritual arrangements and new works featuring a lyrical, lush harmonic language.

On his debut Navona Records release, LETTERS TO A YOUNG POET, composer Mark Zanter presents recently commissioned chamber works for strings. The inspiration for the title track comes from Rainer Maria Rilke's letters to Franz Xaver Kappus, a correspondence in which his encouragement to a young poet becomes a vehicle for expressing his thoughts on the creative process and the transcendent qualities of art.

An exploration of the unique timbral characteristics and technical extensions of wind instruments, Gregory Wanamaker’s LIGHT AND SHADOWS, WAVES AND TIME is comprised of eight compositions that collectively illustrate the composer’s ability to integrate various genre influences into a distinctive whole. His music has been lauded as “pure gold, shot through with tenderness and grace” by the San Francisco Chronicle and “achingly beautiful” by the Palm Beach Daily News.

Light and Shadow is an all-new collection of modern orchestral works from composers Adrienne Albert, Daniel Perttu, Rain Worthington, Rebecca Oswald, Russ Lombardi and Tadd Russo. The works on this disc range from a musical depiction of the imagery of war to the representation of the impressionistic logic of dreams to a bold, tonal piece inspired by a property dispute. With all tracks shorter than nine minutes, this collection offers a succinct and powerful view into the world of modern orchestral composition.

On LINES AT DUSK, acclaimed hornist John McGuire presents seven pieces, written by a variety of composers, with performances that are at once deep and expansive. The three movements of Landscapes, Series II, inspired by Japanese landscape paintings and woodcuts, travel from the dangerous mountains through the tranquility of the countryside and the bustling energy of a large city. It closes with an extended coda, with longer note values and a more sustained piano part that indicates a return to a calmer, more serene environment.

PARMA Recordings artists Peter Greve and Hans Bakker have come together to give us LINES TO INFINITY, a stunning album that revolves around emotive and dramatic scores for primarily piano and flute. The two composers hail from the Netherlands and share a knack for creating thoughtful contemporary chamber works that appeal to the listener’s imagination.

Considered by American Record Guide as a composer who “approaches his pieces with respect and care,” Carl Vollrath presents the second volume of his clarinet and piano works on Navona Records, LINGERING LONGINGS: MUSIC FOR CLARINET AND PIANO VOL. 2. Expanding upon the first release in this collection, PAST RECOLLECTIONS: MUSIC FOR CLARINET AND PIANO VOL. 1, the composer continues to celebrate past events through musical narratives, tenderly and radiantly performed by clarinetist Michael Norsworthy and pianist Yoko Hagino.

Mark John McEncroe, who started his musical training in his late 30's, had always exhibited a varied, profound interest in music – one that led him to work as a major music label manager over the course of two decades. No doubt that it was partially this section of his professional career which formed the basis of his personal compositional language. Unimpeded by the constrictions of a musical academic career, he developed a style which is unapologetically concrete and evocative.

Symphony No. 1, Living Breathing Earth, inspired by the rhythms and shadings of the earth, represents our planet in its radiant fullness, pulsing with breath, and alive with all variety of creatures and plants living in symbiosis with each other. Tekeeyah (a call) is Warshauer's call for an awakening to our true essence as human beings.

A potent representation of Australian composer Bruce Crossman’s music, LIVING COLOURS is inspired by his strong spirituality and eclectic, multicultural interests. Both overtly and subtly, Crossman’s music seems to embody the expansive geography of Oceania. To this end, the works on the album draw explicitly on the native music of other Asia-Pacific cultures – particularly the Philippines, Korea, and China – and feature vast musical spaces that seem to symbolize the great distances that separate Australia from its neighbors. In his own words, Crossman describes his desire to evoke a “resonance of space” with his music, which arises from a “deep-felt emotion and sensibility linking heaven and earth.”

LOCK AND KEY opens the door to discover harmonious, melodic chamber works tied together by a shared understanding of the most treasured aspects of humanity. Through diverse experiences and impressionism, each composer highlights that which makes us human but is all too easy to hide away. Navona presents these works together as a reminder that inspiration can be found through appreciating the beauty of nature, the thrill of a first kiss, lighthearted fun on a night out, or simply by being alive.

LOCK & KEY VOL II is the second presentation of five composers drawing from the well of inspiration – in highly heterogeneous ways and from a plethora of sources, yet all united by a common theme: the profound depths of the human experience. The pieces all revel exuberantly: in the natural beauty of Iceland, the nostalgia evoked by a distantly familiar melody, the random augury of a deck of tarot cards, late 19th Century anthems adapted for woodwind quintet, or the kinetic energy of musical gestures.

The critically acclaimed LOCK & KEY series once again opens its doors in this third installment, featuring an all-new roster of contemporary composers with an emphasis on new music and its connection to our ever-evolving ethos. Clever arrangements and unique compositional personalities are met with impeccable performances in this release, touching on wide-ranging themes from turmoil to introspection, meditation, and ultimately, unity in the human experience. In an exhilarating burst of energy, LOCK & KEY VOL. III resonates with raw authenticity, a testament to the depth and complexity of our shared humanity.

Eight exceptional composers, eight premiere recordings with a legendary orchestra, and one spectacular soloist: LONDON CELLO CONNECTION is a captivating compendium of contemporary compositions by celebrated cellist Ovidiu Marinescu and the London Symphony Orchestra with conductor Miran Vaupotić. Marinescu’s emotive, lush sound and superb technical command provides the continuous thread throughout the program, from the elegant “Sarabande” by Marvin Lamb to Arthur Gottschalk’s regal “Brunetti Meditations” to the shimmering, pulsing “Soul Dance” of Diane Jones, connecting and contrasting each of these works and others by John Robertson, Katherine Price, Joanna Estelle, L Peter Deutsch, and Keith Kramer. Recorded in June 2022 at the LSO’s St. Luke’s Church, the historic site on London’s Old Street which dates to 1733 and was restored to become home to the orchestra’s recording, community, and music education programs.

Contemporary symphonic music tends to fall into either one of two categories: hopelessly cerebral concert hall material that is difficult (if not impossible) to understand – or background music for motion pictures. Neither classification would be much to the liking of New York native Anthony Iannaccone, who sets out to prove that one can have the best of both worlds on LOOKING BACK, MOVING ON. Both his third and fourth symphonies make a strong case: spirited, organically structured, and imaginative, they are formidable displays of American verve. The Concertante for Clarinet and Orchestra, more subtle but no less energetic, drives home the point.

Composer Nicholas Vines’ surreal opera Loose, Wet, Perforated comes to life in this Navona Records release. Commissioned by the Boston-based experimental opera company Guerilla Opera, and premiered in 2011, this recording coincides with a new production of Loose, Wet, Perforated that involves video projection and audience interaction.

On LORD, HOW COME ME HERE?, composer Shawn Okpebholo turns the mirror of history on today’s society with his own work and a reimagined collection of spirituals by enslaved Africans and American folk hymns that draws upon music from the past to critique contemporary racial injustices in the United States and around the globe. An ensemble of mezzo-soprano (J’Nai Bridges), baritone (Will Liverman), piano (Paul Sánchez), cello, and flute poignantly bring Okpebholo’s music to life, from hopeful anthems celebrating community to laments between a mother and her Creator and hymns celebrating faith and hope over hate and fear.