Catalog

What happens when you combine a love for uncovering new gems in classical music with two highly skilled performers? Violist Jacob Tews and Violinist Erik Rohde answer this very question with SONIC APRICITY: an album consisting of works they have either commissioned or championed, and the namesake of their musical coalescence. The duo presents a dynamic selection of new pieces from contemporary composers Augusta Read Thomas, Erzsébet Szőnyi, Elliott Miles McKinley, Christopher Walczak, and Michael-Thomas Foumai, an engaging program of works influenced by poetry, notable tales from pop culture, the passage of time, and more.

The singing quality of string instruments ties together SONGS FOR A NEW CENTURY, a program featuring both world premiere recordings of new music commissioned for the artists and world premiere recordings of masterpieces by Mendelssohn. The program opens with a set of Mendelssohn’s Songs Without Words, beginning with the Opus 109 written by the composer for cello and piano. It continues with a set of arrangements for cello and piano, some recorded for the first time, by the 19th century cellist Alfredo Piatti, a personal friend of Mendelssohn’s upon whose cello Jonathan Miller plays. Gabriela Lena Frank’s Operetta for violin and cello, the composer writes, expands upon Mendelssohn’s concept of the “song without words,” creating opera without words that evokes scenes and characters through singing music for the duo of violin (Lucia Lin) and cello. Scott Wheeler’s second cello sonata, Songs Without Words, was inspired by Miller’s singing cello tone. Finally, Judith Weir’s Three Chorales for cello and piano meditate on religious poetry, departing from hymn texts –– and in the third Chorale, a melody from Hildegard of Bingen –– in a triptych that evokes the human condition.

Who says eclecticism isn't a wonderful thing? Certainly not us at Navona Records. SLICES is a carefully handpicked selection of new chamber works by contemporary composers designed to showcase the diversity of modern music-making, and these pieces by Sundin, Bakker, Sainsbury, Rusnak, Beeler, and Burns cut right through the oft-repeated misconception that classical music is dead on the vine.

Sarah Wallin Huff returns to Navona Records with SHARDS, a wide variety of compositions that explore life, love, death, and the philosophy and mysticism that make up the in-betweens. True to the unique identity of Wallin Huff’s admirable body of work, the compositions building SHARDS structure themselves around brilliantly original frameworks while also delivering a philosophical, thoughtful structure to the album. Wallin Huff sufficiently and spectacularly elaborates upon her identity as a self-described “stream-of-consciousness composer” in this contemplative and explorative journey, a comprehensive album sure to make waves with its mystical nature.

Navona Records proudly presents renowned composer Ruth Lomon’s SHADOWING, her debut album on the label. The release showcases her remarkable skill in writing for the piano, pushing the instrument’s timbre and color to its limits to create animated sound worlds such as those of the title work, Shadowing. Lomon writes of the colors in the piece: “’Shadowing’ means to have such a light touch, such a light tread, that one can move freely through the forest, observing without being observed… It is the equivalent of manifesting and then becoming like smoke, and then manifesting again…”

Wong Hok-yeung opens the Hong Kong Composers’ Guild’s RESONATING COLOURS 5 with Night Poem, a composition for cello and piano. Rhapsodic and ambling, the piece conjures nightly thoughts, welling up and vanishing with lifelike authenticity. Chan Chin-ting features with two pieces for solo violin: Cross-Currents, an exploration of the violin's full tonal range, and Postcards, an assortment of, in the composer's words, "six miniatures/musical gifts," which, quite like the name suggests, can be played as standalone pieces, but also feature a common theme that unites them.

Ukrainian violinist Myroslava Khomik highlights the eternal power of standing for freedom and defiance against oppression in PROTEST, an album featuring the music of four key representatives of 20th century composers from Ukraine and Poland. Expressing strength and resilience through the beauty and search for truth, PROTEST taps into the spiritual essence of human existence and vigilance in the midst of its disruption. This music is equally representative of the nation’s history of suffering and protest, as well as it is timely in the world of today.

The 28th edition of the Society of Composers, Inc. release series and the 4th on Navona Records, PENDULUM extrapolates and elaborates on several themes relating to variation, transformation, repetition, and more.

In PASSAGES THROUGH TIME, composer Rain Worthington explores the mystery of instrumental music’s ability to communicate the universality of human experiences. She invites the listener into the realm of the nonverbal to reveal our primal commonality, directly touching the heart and soul with music that is delicate and subtle, yet powerful and transporting. Worthington’s music has been hailed as “a fusion of styles—ancient, medieval modality and sonorities, modernist minimalist ostinato, and classical” (IAWM Journal). Embark on a journey through the currents of Worthington’s musical streams and the emotional forces that drive her unique voice.

Tchaikovsky's works burst with well-loved, well-known melodies – which is precisely what renders them a challenge for any young musician. How does one perform a cherished classic without resorting to cliché or to musical blasphemy? Talented violinist and arranger Sarah Coyl has found her personal answer to this dilemma on PAS DE DEUX: by re-setting the Russian composer's works for unprecedented setups – in this case, the violin-guitar duo and the violin-guitar-piano trio. This audacious endeavor is strengthened not only by Coyl's undeniable talent as a multi-genre arranger, but also by her two skillful colleagues, the keen-minded, quick-fingered guitarist Max Case and emotive, empathetic pianist Angelo Monroy. The result is an album that is still very reverently Tchaikovsky – but seen from a fresher, more youthful angle.

On PARTS TO PLAY, critically acclaimed violinist Moonkyung Lee turns from the symphonic environment of the critically lauded label debut, TCHAIKOVSKY, on which she performed with the London Symphony Orchestra, to a more intimate setting, with only pianist Martha Locker as her partner on a selection of works that include both stunning solo performances and intricate yet simple duets.

Award winning cellist Carmine Miranda and violinist Boris Abramov’s new Navona release Mozart / Beethoven: Violin and Cello Duets is an intimate gem of delightful chamber music from the Classical Period. Drawn from various duos by Beethoven and Mozart, this album is substantive, and showcases a wide stylistic breadth of late eighteenth century German instrumental music, from the sumptuous levity of the divertimento, to the full brilliance of sonata form. In this recording both performers balance concepts of classical performance, musical research and virtuosic dexterity combined with a high-definition audio engineering in order to create the most realistic sound and definitive version of these works.

Against the backdrop of the pandemic, violinist Sunmi Chang and pianist Clara Yang embarked on this meaningful project. MOTHER TALES is an album that pays tribute to four remarkable women composers – Florence Price, Gabriela Lena Frank, Liliya Ugay, and Amy Beach. Notably, the album shares the same title as Liliya Ugay’s commissioned work, an exquisite and heartwarming piece that reflects on motherhood. However, in this project, the concept of a “mother” transcends biological boundaries, encompassing all those who have had a profound influence and nurturing presence in the lives of others.

MI PALPITA IL COR: BAROQUE PASSIONS is a compelling journey into the rich corners of the mid- and late-Baroque period. Featuring an array of thrilling instrumental and vocal compositions, the album is driven by the performances of French-Canadian soprano Dominique Labelle and American early music ensemble Musica Pacifica, founded in 1990, based in San Francisco, and whose playing has been called “a small miracle of precision and musical electricity” by the Washington Post.

Caitlin Edwards and Daniel Schlosberg work in collaboration to bring us MERE MORTALS, an exceptional performance and intuitive study on works for violin and piano by composers of marginalized identities with a brilliant legacy to share with the world. In a world that often grinds us to the bone, MERE MORTALS asks us to slow down, step back, and appreciate the fruits of our labor, reminding us that although our time on this earth is fleeting, it can also be a rich and exploratory experience that enables us to leave an immortal and vital legacy behind.

LOCK AND KEY opens the door to discover harmonious, melodic chamber works tied together by a shared understanding of the most treasured aspects of humanity. Through diverse experiences and impressionism, each composer highlights that which makes us human but is all too easy to hide away. Navona presents these works together as a reminder that inspiration can be found through appreciating the beauty of nature, the thrill of a first kiss, lighthearted fun on a night out, or simply by being alive.

Can you satisfy God with one sound? This question was repeatedly posed to Lachlan Skipworth by his shakuhachi teacher during a three-year period of intensive study in Japan. It sparked a deep exploration of cross-cultural aesthetics that finds expression in this self-titled Navona Records album. At the beginning of each shakuhachi lesson, student and master begin by repeatedly playing a single note on the end-blown bamboo flute. This focuses their minds on core questions of technique: “have I made progress? Am I closer to mastery of this, shakuhachi’s most fundamental note?”

The acclaimed The Frahm-Lewis Trio entices with LA MORTE DI DUSSEK. Contrasting the works of Mozart with the lesser-known Ferdinand Ries and Philip Antony Corri, it is a veritable declaration of love to the Classical era. One would be forgiven to think that the only star of this album would be Mozart, with his befittingly performed sonatas. Or perhaps its Beethoven’s student, Ferdinand Ries? After all, he graces this collection with an imposing trio highly reminiscent of his teacher’s early chamber works. A veritable trifecta is achieved with the addition of the album's title piece by Philip Antony Corri, whose legacy intertwines with his sister’s marriage to the once famous composer Jan Ladislav Dussek. A historical oversight, for this premiere recording of his trio, translated as "The Death of Dussek," is a clear focal point of this album — lyrical, beautiful, melodically elaborate, and harmonically innovative, almost as much as the works by the composer it commemorates.

LA LEYENDA DEL KAKUY is the latest Navona release from acclaimed Spanish composer Osias Wilenski. Lauded for his compositional style by Gramophone, Audiophile Audition, and more, Wilenski's unique works range from narrative symphonic poems to operatic spin-offs to instrumental miniatures.

Véronique Mathieu and Stephanie Chua present INVOCATION, a collection of works for violin and piano written by female-identifying composers of unique heritages, backgrounds, and cultures. With a wide range of aesthetics and a variety of compositional eras, INVOCATION presents a collection of wonderfully animated performances that provide a fantastic model for the exploration of these composers’ works. Mathieu and Chua carry on the ever-growing tradition of bringing female-identifying composers from all musical eras out of the shadows. Their delicate, tender, and thoughtful iterations of these compositions solidify INVOCATION as a function of its title; a message to the women of this collection to step forward and shine.