Catalog

Navona Records is proud to present CHORINHO, the new album by violist Georgina Rossi and pianist Silvie Cheng. Saturated with Brazil’s rich musical heritage, CHORINHO presents a slew of under-recognized works for viola, including world-premiere recordings of works by João de Souza Lima, Lindembergue Cardoso, and Ernani Aguiar. A solo piano interlude honors Heitor Villa-Lobos, the titan of Brazil’s 20th century musical scene. The concluding track, an arrangement of Chiquinha Gonzaga’s song Lua Branca by the two soloists themselves, hangs over the collection like a light. Vibrant, soulful, and expressive, CHORINHO offers a spectacular glimpse into a little-known area of Brazilian contemporary music.

Oftentimes in our technology-driven global society, words can become obscured in meanings and associations depending on how they are interpreted or translated. On the other hand, music in its abstraction often can prompt more concrete interpretations. Composer Michael J. Evans explores the relationships between words, music, and meaning on his latest release on Navona Records, CIPHER.

CLAVIATURES is a collection of new works for piano and chamber ensemble from contemporary composers. These works by Asherov-Kalus, Scully, Tribble, Fletcher, Nagorcka, and Stölzel explore the notions of being human and observing the world around us with reflection, curiosity, and appreciation. This recording contains eight original and inspired pieces performed with talent and panache by musicians from around the world: pianists Karolina Rojahn, Lukáš Klánský, and Robert Pherigo; violinists Ondrej Lébr and Ann Marie-Brown; violist Neil Casey; clarinetist Doug Graham; flutist Lisa Hennessey; and cellist Lawrence Figg.

What must it feel like to play an instrument that is one of seven known to exist in the world and is two hundred years old? Pianists Shuko Watanabe and Timothy Gaylard know this feeling, playing works written by Muzio Clementi (1752-1832) on a Clementi grand fortepiano in pieces on the Navona Records release, CLEMENTI GRAND.

Multi-genre composer Gary Smart explores a wide range of styles and transforms them into his own musical language on COLUMBIAN HARMONY. His soundscapes are sweeping, billowing meadows, often vast in their ambition and scope. At times richly textured, at times sparse, almost threadbare, Smart’s carefully designed works meander between grand rhapsody and heart rending simplicity. There is enough familiarity in this music to keep the listener anchored, but the element of surprise reigns supreme.

Composer Sophie Dupuis presents dazzling, profoundly eclectic compositions inspired by visual art on COMME BON LUI SEMBLE. Dupuis' musical language is measured, almost minimalist, but the colors she weaves into bright tapestries of sound certainly aren't. Pop culture or high culture, she draws inspiration from numerous sources — leading to compositions that are at once highly abstract, yet highly descriptive. It's a tightrope to walk, and at dizzying heights, but thankfully, Dupuis is not susceptible to musical vertigo.

Observing the landscape of contemporary classical, one might assume that the art music community has shifted its focus away from the melodic, harmonious, and accessible. CONVERGENCE, an album of works by David Nisbet Stewart and George Gershwin, presents just the opposite: imaginative, expressive works that appeal to performers and audiences alike.

Keyboard & Chamber Music John Bilotta composer David Gaines composer Slovak Radio Symphony Orchestra | Kirk Trevor conductor

Newly released from Navona is CONVERSATIONS WITH MY SOUL, a collection of new chamber works from acclaimed composer-pianist Bun-Ching Lam. The music sets in different languages the poetry of Shelley, Heine, Rimbaud, and Lasker-Shüller, as well as the poems of 9th Century Chinese mystic Han Shan and contemporary writer Etel Adnan. In a compositional voice The New York Times has called “alluringly exotic,” Lam incorporates baritone voice, piano, viola, flute, French horn, and harp to elucidate timeless works concerning life’s fundamental questions.

Fall immersed into a collection of innovative stories and sounds on David Colson’s CONVERSING WITH SPIRITS. Colson’s distinctive push-and-pull textures are both an inviting and invigorating in the aptly named Un raz-de-marée de terreur et de joie (A tidal wave of terror and of joy) for bari sax and marimba, a welcome that drifts into a call back to classical trumpet repertoire: the long lamentations and surges of havoc discovered within Duo for Trumpet and Piano. This being closely followed by Ghost Music, a virtuosic marimba solo featuring Matthew Coley, a composition most reminiscent of uncanny whisperings in shadowy atmospheres—no doubt with a touch of whimsy, and a whimsy that is no stranger to the nature of cats, or more specifically, Cat Tales, a touching tongue-in-cheek collection of saxophone and piano vignettes invoking the personality of eight cats familiar to Colson. The River within Us concludes the collection, an at-once bubbly and fluttering two-movement work featuring the Western Michigan University Percussion Ensemble. Treat yourself to CONVERSING WITH SPIRITS, and enjoy the endless surprises it has to offer.

Violinist Véronique Mathieu and pianist Jasmin Arakawa present Navona Records’ CORTÈGE. The name cortège, or “solemn procession,” covers a vast expanse of meaning — while it most often describes a funeral procession, the term also refers to a joyful wedding procession, or a group that follows a person of importance in their honor. Mathieu and Arakawa balance the solemn and the celebratory in this sensitive, dynamic performance. Exploring the works of four French composers — Claude Debussy, Lili Boulanger, Nicolas Bacri, Francis Poulenc — the album is emotional, refined, and triumphant all at the same time.

So many of us wonder about the big picture questions in life. Why are we here? What is the best I can do in my lifetime? COSMIC WHEEL OF THE ZODIAC, with lyrics by astrologer Benita Rainer, presents a cosmic rumination for meditation upon these great questions. These songs guide you through the labyrinth of the Cosmos, which, as perfectly attested to in “As above, so below,” is also the labyrinth of your mind; as what is without has its genesis in what is within.

True to their name, Duo Dramatique delights audiences with fierce and thoughtful performances of genre-bending programs with an undercurrent of social and emotional issues. On CROSSROADS, violinist Dominika Dancewicz and pianist Donald Doucet perform three original works written to highlight their style and talents. Arthur Gottschalk’s Sonata for Violin and Piano pays homage to great jazz violinists of the 20th century, with echoes of “Bluesette” and “When Sunny Gets Blue.” Karl Blench’s Sonata “In D” For Violin and Piano traverses distinct moods, using music to depict sarcasm, humor, and quiet serenity. Erberk Eryilmaz’s Insistent Music draws inspiration from Eastern European folk music to close out the album with percussive patterns and bursting melodic lines.

There are great singers, and then there are great singers who break the mold, pushing both the musical and organizational boundaries of their craft. American mezzo-soprano Megan Ihnen impressively demonstrates her affiliation with the latter group on CURRENTS IN TIME, once more employing her formidable talents as both a 21st-century vocalist and impresaria to shine a light on a varied array of contemporary composers.

CYCLES OF THE MOON, the new release from composer Ayala Asherov, is a colorful and poignant cross-section of works from various cycles of the composer's life. As a native of Israel, Ms. Asherov's music is largely informed by Hebrew chamber music. The music is tonal and intended to be accessible, says Asherov, "I didn't want to write what I thought a listener would not want to hear. My guiding light-or should I say melody-is something one can hold on to while exercising the imagination."

A persistent goal of Mark John McEncroe is to create compositions that elicit an emotional response, as is echoed in the titles of his works. This is particularly true of the Australian composer’s Navona debut DARK CLOUDS OF LIFE, a conceptual release focused on overcoming addiction and depression, challenges McEncroe has personally struggled with. His sessions in Ostrava, Czech Republic with the Janáček Philharmonic Orchestra and pianist Helen Kennedy produced a cornerstone suite and three addendums that capture the essence of the record’s stated purpose.

Navona Records presents DASHING VOL. 2, a festive assortment of new classical and jazz arrangements and compositions inspired by staples of the holiday season. Unwrap this gift from Sarah Wallin Huff, Joseph Turrin, Kristina Marinova, Jordan VanHemert, David W. Solomons, Elizabeth J. Start, Alan Rinehart, and Joseph T. Spaniola to find a variety of new works and familiar favorites. All of the traditional holiday sounds are featured in this album, embellished with distinguished compositional twists that complement seasonal standards. Experience the holidays in a refreshing way with reharmonizations of Silent Night, Carol Of The Bells for solo guitar, a jazz arrangement of Christmas Time is Here, and more.

Light the fireplace, don your coziest sweater, and let the festive sounds of DASHING VOL. 4 from Navona Records whisk you away on a joyful journey through holiday music both new and familiar. Featuring a fresh line-up of contemporary composers, this edition of the series fuses the magic and warmth of holiday tones with the modern flair of today’s classical music, making for a neatly-packaged gift that's sure to spark the spirit of the season. From new choral and orchestral expressions to cherished melodies and bluesy interpretations of classic tunes, DASHING VOL. 4 spares no expense in merriment and good cheer.

CHAMBER WORKS FOR VIOLA from composer David Jaeger gathers together some of Jaeger’s most defiantly creative compositions and demonstrates the vast possibilities of the viola and the chamber music genre as a whole. The album includes pieces like Diptych for viola and piano, lamenting at one moment and brazen the next. Six Miniatures on poems by David Cameron, for solo viola brings to life the poetic works of David Cameron, winner of the 2014 Hennessy Literary Award for Poetry. The album features the tasteful virtuosity of violist Carol Gimbel and pianist Cullan Bryant. Jaeger’s music will surely remind listeners—and perhaps even some other composers—of the rich tonal palate the viola offers.

DEDICATION, a compilation of newly recorded works by composer Howard Quilling, features two sonatas for violin and piano, a suite for saxophone and wind orchestra, and a trio for violin, cello, and piano.