Catalog

New from Navona Records is saxophonist José Antonio Zayas Cabán’s CENTENNIAL, an album of cutting-edge solo and chamber music reflecting on the shortcomings of the 19th Amendment during its 100-year anniversary. Rather than celebrating, this album urges listeners to recognize the significant work that remains in achieving global equality.

New from Navona Records and Craig Morris comes CHAMBER MUSIC FOR OUR TIMES, a stirring album of original chamber works. Following DREAMS, which was released in 2011 to critical acclaim, CHAMBER MUSIC FOR OUR TIMES is the work of a master craftsman with an ear for poignant lyricism. The album features four pieces, each of which exhaustively explores the colors and timbres available to the chamber ensembles.

CHAMBER WORKS OF ÉRIC TANGUY from Navona Records and composer Eric Tanguy delivers three world premiere recordings and a curated selection of the composer’s chamber pieces that demonstrates his illustrative style of punctuated modality. Brought to life by talented artists Ambroise Aubrun (violin), Cécilia Tsan (cello), Steven Vanhauwaert (piano), Martin Chalifour (violin), and Elissa Johnston (soprano), these seven pieces reflect many years of past collaboration amongst the performers resulting in a connection that is translated through thoughtful yet intense musical stylings. Tanguy’s ear-catching melodies and personalized compositions foster a sound quality that showcases the strengths and dexterity of the performers, all the while providing a stimulating and intimate listening experience.

The story of Misha Galaganov’s CHARM, PASSION, AND ACROBATICS began when the artist uncovered a trove of forgotten, 19th century viola music in a private library. The music on this album from composers Pierre Kunc, Désiré-Émile Inghelbrecht, and Ernest Chausson has long gone unplayed; Kunc’s musical manuscripts, for example, were kept under lock and key by the Society of Authors, Composers and Publishers of Music until 2021. Featuring challenging virtuosic pieces alongside expressive, impressionistic masterworks, this album celebrates the boundless potential of the viola. The music transports the listener to a French salon of the Belle Époque, guided by Galaganov and Owings’ sensitive and technically-masterful performances.

Global guitarist and composer Giovanni Piacentini’s talents as a dual-threat musician are on full display on CHIAROSCURO, his debut album. He wrote all these works themed around his instrument of choice, and his playing appears on two pieces – Miniatures, for guitar and chamber ensemble, and a solo guitar performance on the title track. Yet, even on the tracks where he does not perform, the composer’s voice remains ever-present, namely in each work’s reverberant use of space.

A true melding of Eastern and Western cultures, Duo Chinoiserie’s CHINOISERIE combines the Chinese guzheng and European classical guitar to create an inspired new canon of classical repertoire. A bold and carefully handpicked selection of compositions—including new arrangements of Granados, de Falla, and Debussy alongside a transcription of Goss and new works by Assad, Duplessy, and Nakanishi—explores the instruments’ dialogue and complementary textures while uniting contrasting musical styles into a cohesive, well-defined whole. As the guzheng’s crisp, plucky clarity interplays with the guitar’s chords, even the most well-known classical pieces become fresh and energized, born anew with a unique and visionary sound.

Navona Records is proud to present CHORINHO, the new album by violist Georgina Rossi and pianist Silvie Cheng. Saturated with Brazil’s rich musical heritage, CHORINHO presents a slew of under-recognized works for viola, including world-premiere recordings of works by João de Souza Lima, Lindembergue Cardoso, and Ernani Aguiar. A solo piano interlude honors Heitor Villa-Lobos, the titan of Brazil’s 20th century musical scene. The concluding track, an arrangement of Chiquinha Gonzaga’s song Lua Branca by the two soloists themselves, hangs over the collection like a light. Vibrant, soulful, and expressive, CHORINHO offers a spectacular glimpse into a little-known area of Brazilian contemporary music.

Trailblazer.  Advocate.  Innovator.  All of these descriptors apply to Grammy Award-winner Libby Larsen, but at the core is the most important title of all:  Artist.  As the first woman to serve as a resident composer with a major orchestra and one of the most performed and prolific composers of our time (she has over 500 works in her catalog, including 15 operas), Larsen has established a permanent place in the annals of American concert music.

The Phoenix Ensemble’s latest album JOHANNES BRAHMS / ELLIOTT CARTER: CLARINET QUINTETS is, of course, masterful. The Phoenix Ensemble now looks back on almost three decades of being a fixture in the national chamber music scene, focusing on performances and recordings of 20th- and 21st-century music. Indeed, it may be this particular specialization in complex musical structures that allows the musicians to explore Brahms' late quintet with the previously unheard thoroughness and careful reconnaissance displayed on this album.

CLAVIATURES is a collection of new works for piano and chamber ensemble from contemporary composers. These works by Asherov-Kalus, Scully, Tribble, Fletcher, Nagorcka, and Stölzel explore the notions of being human and observing the world around us with reflection, curiosity, and appreciation. This recording contains eight original and inspired pieces performed with talent and panache by musicians from around the world: pianists Karolina Rojahn, Lukáš Klánský, and Robert Pherigo; violinists Ondrej Lébr and Ann Marie-Brown; violist Neil Casey; clarinetist Doug Graham; flutist Lisa Hennessey; and cellist Lawrence Figg.

Multi-genre composer Gary Smart explores a wide range of styles and transforms them into his own musical language on COLUMBIAN HARMONY. His soundscapes are sweeping, billowing meadows, often vast in their ambition and scope. At times richly textured, at times sparse, almost threadbare, Smart’s carefully designed works meander between grand rhapsody and heart rending simplicity. There is enough familiarity in this music to keep the listener anchored, but the element of surprise reigns supreme.

COMPELLING PORTRAITS from lauded trombonist Kenneth Thompkins celebrates the music of contemporary Black composers. The album features five pieces, three of which are commissioned trombone chamber music works. These compositions take listeners on a journey from the contemplative to the triumphant, showcasing Thompkins’s range and sensitivity as a performer. The title track, composed by James Lee lll, is a musical ode to the paintings in Jacob Lawrence’s Migration Series and in particular his painting Confrontation at the Bridge (Selma, Alabama). Drawing upon the works of multiple contemporary artists, COMPELLING PORTRAITS reflects the contribution of contemporary Black composers to a rich musical legacy.

Keyboard & Chamber Music John Bilotta composer David Gaines composer Slovak Radio Symphony Orchestra | Kirk Trevor conductor

Newly released from Navona is CONVERSATIONS WITH MY SOUL, a collection of new chamber works from acclaimed composer-pianist Bun-Ching Lam. The music sets in different languages the poetry of Shelley, Heine, Rimbaud, and Lasker-Shüller, as well as the poems of 9th Century Chinese mystic Han Shan and contemporary writer Etel Adnan. In a compositional voice The New York Times has called “alluringly exotic,” Lam incorporates baritone voice, piano, viola, flute, French horn, and harp to elucidate timeless works concerning life’s fundamental questions.

Fall immersed into a collection of innovative stories and sounds on David Colson’s CONVERSING WITH SPIRITS. Colson’s distinctive push-and-pull textures are both an inviting and invigorating in the aptly named Un raz-de-marée de terreur et de joie (A tidal wave of terror and of joy) for bari sax and marimba, a welcome that drifts into a call back to classical trumpet repertoire: the long lamentations and surges of havoc discovered within Duo for Trumpet and Piano. This being closely followed by Ghost Music, a virtuosic marimba solo featuring Matthew Coley, a composition most reminiscent of uncanny whisperings in shadowy atmospheres—no doubt with a touch of whimsy, and a whimsy that is no stranger to the nature of cats, or more specifically, Cat Tales, a touching tongue-in-cheek collection of saxophone and piano vignettes invoking the personality of eight cats familiar to Colson. The River within Us concludes the collection, an at-once bubbly and fluttering two-movement work featuring the Western Michigan University Percussion Ensemble. Treat yourself to CONVERSING WITH SPIRITS, and enjoy the endless surprises it has to offer.

Violinist Véronique Mathieu and pianist Jasmin Arakawa present Navona Records’ CORTÈGE. The name cortège, or “solemn procession,” covers a vast expanse of meaning — while it most often describes a funeral procession, the term also refers to a joyful wedding procession, or a group that follows a person of importance in their honor. Mathieu and Arakawa balance the solemn and the celebratory in this sensitive, dynamic performance. Exploring the works of four French composers — Claude Debussy, Lili Boulanger, Nicolas Bacri, Francis Poulenc — the album is emotional, refined, and triumphant all at the same time.

On CRIMSON & LACE, Navona Records' compilation of modern works for voice and chamber ensemble, composers John G. Bilotta, David DeVasto, and Paula Diehl present works that depict the struggles as well as the rewards of human experience, such as heartache, death, love, hope, uncertainty, tragedy, and the resilience of the human spirit.

CROSS CONNECTION features the works of Henry Wolking and James Scott Balentine, two composers whose works perfectly complement each other through musical studies of crossed paths and human togetherness. Both composers works consider the meaning of life, love, and music, and the relationship between each: Gone Playin', a spirited musical riff on epitaphs and their connection of life and death; The Old Gypsy, a Hungarian-influenced piece for string quartet that reflects on the perpetuity of musical themes and influences; and Dun Eideann Blogh, a recollection of times past with friends and family.

True to their name, Duo Dramatique delights audiences with fierce and thoughtful performances of genre-bending programs with an undercurrent of social and emotional issues. On CROSSROADS, violinist Dominika Dancewicz and pianist Donald Doucet perform three original works written to highlight their style and talents. Arthur Gottschalk’s Sonata for Violin and Piano pays homage to great jazz violinists of the 20th century, with echoes of “Bluesette” and “When Sunny Gets Blue.” Karl Blench’s Sonata “In D” For Violin and Piano traverses distinct moods, using music to depict sarcasm, humor, and quiet serenity. Erberk Eryilmaz’s Insistent Music draws inspiration from Eastern European folk music to close out the album with percussive patterns and bursting melodic lines.

CYCLES OF THE MOON, the new release from composer Ayala Asherov, is a colorful and poignant cross-section of works from various cycles of the composer's life. As a native of Israel, Ms. Asherov's music is largely informed by Hebrew chamber music. The music is tonal and intended to be accessible, says Asherov, "I didn't want to write what I thought a listener would not want to hear. My guiding light-or should I say melody-is something one can hold on to while exercising the imagination."