Catalog

Composer and Clarinetist Mark G. Simon makes his PARMA debut with his first-ever recorded album, GRECIAN URN. All selections were composed by Simon, and he is the clarinetist on every track.

Hailed as "convincing, emotional, passionate and vivid" (The Musical Review) and "destined to enter the ranks of the standard classical repertoire" (New York Times), Fredrick Kaufman resonates with worldwide audiences through impassioned and prolific compositions that go beyond mere interpretation. He thoroughly digests inspiration, internalizing and individualizing his ideas to create moving and impactful works that do more than simply relay a message. Kaufman's music captures feeling and emotion, reaching the listener with convincing sincerity.

As composer and pianist Mitch Hampton admits, HARD LISTENING, his debut solo album on Navona Records, "aims to dissolve all boundaries of style or taste," while providing an earnest yet sometimes humorous reflection on the questions of society and musical aesthetics.

HARMONY OF DISSONANCE brings together, juxtaposes, and intertwines the disparate singing styles of the regions of Dalmatia, which remain stylistically and performatively distant even today. While these musical worlds present seemingly irreconcilable musical and cultural differences, they are all connected by polyphonic singing, which forms the core of this collaboration between the Harmonija Dissonance Ensemble and the Jazz Orchestra of the Academy of Music in Zagreb.

When listening to keyboardist Patrick Hawkins playing an 1831 William Geib square piano on his debut Navona Records release, HAYDN AND THE ENGLISH LADY, one can imagine men and women in elegant silk gowns and suits gathered in an opulently decorated drawing room of an 18th-century English estate. This collection of piano works by Franz Joseph Haydn (1732-1809) and Maria Hester Park (1760-1813) illustrate the diversity and refinement of Classical repertoire.

HEAVY PEDAL is an all-organ disc featuring the compositions of Tadd Russo, Curt Cacioppo, Ron Nagorcka, Wilhelm Middleschulte, and Michael Summers performed by organists Michael Kraft, Robert Gallagher, David Scott Hamnes, Brink Bush, and Karel Martinek. As the title implies, the pieces on this disc are on the heavier side of classical music, reaching climaxes with real stopping power.

Nicholas Vines presents HIPSTER ZOMBIES FROM MARS, his third PARMA Recordings album. This collection of three major piano works by Dr. Vines was recorded on location at Cornell University with artist Ryan MacEvoy McCullough at the piano. For all of the flash one might expect from the album title, Vines bypasses gimmickry in order to capture something sophisticated.

Ruth Lomon (1930-2017), Composer and Resident Scholar at the Women's Studies Research Center at Brandeis University and Composer-in-Residence with Boston Secession, and her friend Iris Graffman Wenglin, Florida-based pianist and lecturer, came to a stunning realization after Ruth traveled to London, where she looked for music written by women. There were very few scores to be found, and even fewer that were properly printed. With that, the duo set out on a mission to uncover the buried works of female composers over the years and bring them deserved recognition. The results of this endeavor come to life in HOMMAGE TO WOMEN COMPOSERS.

With her Navona debut I CLOSE MY EYES IN ORDER TO SEE, accomplished Canadian flutist Sara Hahn demonstrates her exceptional sensitivity for emotional nuance coupled with great virtuosic capability, but most of all: the healing power of music itself. Hahn, currently the Principal Flutist for the Calgary Philharmonic Orchestra, is rightly known for her refined and beautiful tone, and I CLOSE MY EYES TO SEE indubitably attests to this. But extraordinarily, there is even more to Hahn's musicianship: An exquisite ability to get right into the heart of a composition.

Monika Gurak certainly is no ordinary songwriter: not just because of her academic background, but also because of her love of foreign cultures. Her linguistic fluency in English, Spanish, and Polish heavily influences her work on I LOVE YOU LIKE SPAIN from Navona Records: the songs are sung in English, but the music comes with a generous helping of both Iberian exoticism as well as Polish sensibility.

Few things have informed and inspired as much music as humanity's search for God. Acclaimed baritone, arranger, and conductor Courtney Carey explores the relation between the worldly and the divine on I WANNA BE READY, a set of 12 spirituals arranged for different instrumentations — and each piece packs a punch. Six of them are songs for a solo voice (soprano or baritone) and piano, and Carey, being a trained vocalist himself, deploys this setup to its fullest effect, allowing for powerful brilliance. The other half are choral pieces, which are furnished with extra layers of depth and vigor by the splendidly expressive Concert Chorale ensemble. Even individually, these spirituals would be remarkable; together, they are a tour de force.

ICE & FIRE, the debut Navona Records album by Stephen Scott, showcases a variety of works for bowed piano. The album features The Bowed Piano Ensemble, an experimental piano group based at Colorado College in Colorado Springs that was founded by Scott.

There are many composers who intertwine eclectic influences into one coherent picture, but few people do it as ambitiously and convincingly as New York City based composer Debra Kaye. On IKARUS AMONG THE STARS, she vibrantly explores themes both real and surreal, perpetual and fleeting, nonchalant, and profound. Kaye's sources of inspiration are unnumbered; it seems there is nothing which she cannot turn into a composition. The works presented (two of them multiple award winners) draw their inspiration from Spanish poetry, real-life tragedy, and from the pieces of fellow contemporary composers. All of these sources are woven together by Kaye's measured choice of tonality, and the resulting tapestry is remarkable.

Introducing the album is Lee Actor’s Duo for Violin and Cello. The track, which won the Eva Thompson Phillips Award for Composition in 1979, is a short, textured, and powerful piece. In ABA form, the energy of the stringed instruments swings like a parabola from the height of sharp, angular rhythms down into deep and gentle expressions and builds up to a sharp, explosive climax.

THE KEY OF C-SPAN, Vol. 1 is the premiere release of the digital music collections featuring works from PARMA Recordings' audio catalog which have been used in C-SPAN's programming. PARMA and C-SPAN's collaborative relationship stems back to January 2013, when the two companies teamed up on C-SPAN series First Ladies: Influence & Image, for which PARMA produced a customized theme song. In May 2013, PARMA signed on as C-SPAN's music provider, placing content from its audio catalog across the network's original programming, promotions, and Senate quorum calls.

Acclaimed piano four-hand duo Dana Muller and Gary Steigerwalt come together once more for IN YOUR HEAD, a collection featuring the work of six composers that highlights both fresh compositional talents and earlier successful works. Each piece demonstrates the unique synergy between the two performers. With twice the hands, twice the talent, and twice the interpretation, the piano is pushed to dynamic and sonoric extremes.

Navona Live is proud to announce the release of INDIANA COLLECTANEA, which celebrates and preserves composer Michael G. Cunningham’s residency at Indiana University School of Music from 1969-1973. This live recording of Cunningham’s work comes on the heels of his acclaimed album ECUMENICAL SPIRIT from Navona Live earlier this year. This latest release captures a significant moment in time, when Cunningham’s work helped channel the talents of 30 burgeoning musicians.

Composer/Performer John Alan Rose presents INEFFABLE TALES, an album of four of his ensemble compositions, recorded at Reduta Hall in Olomouc, Czech Republic. In addition to renowned soloists Jungwon Choi (cello), Moni Simeonov (violin), the recording features the composer’s wife Sing Rose (soprano), and the composer himself (piano). The album also features the Moravian Philharmonic, under the direction of Miran Vaupotić.

On his debut release on Navona Records, INNER MUSIC, composer Ruud van Eeten presents three works that highlight the refinement and control evident in his compositional style. Throughout the four movements of Piano Quintet No. 1, the composer adds no excess; every note has a role. Yet the piece exudes emotion, particularly the second movement which develops a deep sense of longing.

Véronique Mathieu and Stephanie Chua present INVOCATION, a collection of works for violin and piano written by female-identifying composers of unique heritages, backgrounds, and cultures. With a wide range of aesthetics and a variety of compositional eras, INVOCATION presents a collection of wonderfully animated performances that provide a fantastic model for the exploration of these composers’ works. Mathieu and Chua carry on the ever-growing tradition of bringing female-identifying composers from all musical eras out of the shadows. Their delicate, tender, and thoughtful iterations of these compositions solidify INVOCATION as a function of its title; a message to the women of this collection to step forward and shine.