Catalog

Navona Records proudly presents 4 SEASONS FOR 3 PIANOS, a whirlwind transcription of Vivaldi’s masterful string concertos by Croatian pianist and composer Matej Meštrović. Performing with Hakan A. Toker and Matija Dedić on three pianos (and accordion), Meštrović thoroughly reimagines the four concertos, his work exceeding that of a normal transcription. The collection, in such a radical new form, becomes almost a whole new work.

The Newberry Consort and EnsAmble Ad-Hoc present A MEXICAN CHRISTMAS, an album of 17th century traditional music for worship and celebration. The collection features pieces commonly heard in both liturgical service and in the streets, and evoke the solemnity and fanfare heard in Mexico City’s convents and plazas, with jubilant vocals and lively strings, guitars, and percussion. Organ, harp, bassoon, and a variety of Mexican traditional instruments bring this exuberant and diverse music to life.

ÆTERNUM is a tribute to music's infallible steadfastness against the mundane adversity of human existence. Brazilian-born pianist Eliane Rodrigues convinces with her forceful, furious interpretations of keyboard works by Johann Sebastian Bach and Ludwig van Beethoven – among them the latter's Fifth Symphony, grippingly arranged by Rodrigues herself.

AL COMBATE, the debut release from the Chicago Arts Orchestra (Javier José Mendoza, Artistic Director), highlights New Spain as a mecca of baroque and galant music through a handpicked selection of works from two of eighteenth-century colonial Mexico's most prolific and influential composers, whose music explores the period's transatlantic cultural flow from Europe to New Spain: Ignacio Jerusalem, a master of the galant style who brought modern European styles and techniques across the Atlantic; and Santiago Billoni, whose harmonic experimentation and erudite voice helped shape late baroque repertoire.

BACH CELLO SUITES is a two-disc release from native Romanian cellist Ovidiu Marinescu featuring Johann Sebastian Bach's 6 Suites for Violoncello Solo. Representing the pinnacle of solo cello repertory, the suites on this disc were composed in 1721/22 in Cöthen, Germany. Bach's cello suites follow the trend that developed in mid-18th century German-speaking countries, in which a suite consisted of four stylized dances: the allemande, courante, sarabande and gigue.

Although we've all heard countless variations of J.S. Bach's ubiquitous Well-Tempered Clavier, from a subtle grace note added to Prelude and fugue in D minor to a dramatic rest added to Prelude and fugue in A major, composer and pianist Don Freund takes Book 1 of Bach's masterpiece and offers analysis with "A Composer's Approach," a unique, critical eye for a series of miniatures that are typically viewed through the lens of a performer.

Edwin Barker’s playing is described as “timeless,” “vibrant,” and “compelling,” three descriptors that could not be better suited for his recording of J.S. Bach’s Suite No. 5 in C minor, BWV 1011 and Mieczyslaw Weinberg’s Sonata Op. 108 for solo double bass. Elegantly capturing Bach’s suite in his arrangement for double bass, Barker navigates the challenging and unwieldy passages of the Prelude’s fugue with the same measured and tolerant musicality innate to the immortal tenderness of the Sarabande. Despite a grand leap in time and place, he inspires equal personality — and often spouts of well-placed capriciousness — in Weinberg’s Sonata, honoring the high technical demands of the work while carving out a unique appreciation for Weinberg’s stylistic traditions. BASSO PROFUNDO is a prime example of a master at work, a recording that will surely inspire another extensive list of descriptors risen in Barker’s praise.

BUXTEHUDE Trio Sonatas op.1 is the debut album of Québécoise violinist Noémy Gagnon-Lafrenais, who joins forces with viola da gambist Margaret Little and keyboardist Christophe Gauthier to form Ensemble Spinoza and celebrate the seminal work of 17th-century composer Dietrich Buxtehude. VII Suonate a due, violin & viola da gamba, con cembalo Op.1. highlights Buxtehude’s distinctive compositional style and stands as a testament to his contribution to the instrumental repertoire of the Baroque era. Featuring North German, French, and Italian influences, the music is an aesthetic masterpiece of musicological significance. Through its historically informed performance, Ensemble Spinoza gives a thoughtful and heartfelt reading of each of the beautiful sonatas in this collection.

Navona Records presents DASHING VOL. 2, a festive assortment of new classical and jazz arrangements and compositions inspired by staples of the holiday season. Unwrap this gift from Sarah Wallin Huff, Joseph Turrin, Kristina Marinova, Jordan VanHemert, David W. Solomons, Elizabeth J. Start, Alan Rinehart, and Joseph T. Spaniola to find a variety of new works and familiar favorites. All of the traditional holiday sounds are featured in this album, embellished with distinguished compositional twists that complement seasonal standards. Experience the holidays in a refreshing way with reharmonizations of Silent Night, Carol Of The Bells for solo guitar, a jazz arrangement of Christmas Time is Here, and more.

The groundbreaking Roman composer Alessandro Stradella’s unjustly neglected oratorio ESTER, LIBERATRICE DEL POPOLO EBREO shines forth in a sparkling new release from Navona Records. Exploring themes of courage, self acceptance, ambition, justice, and power, this piece tells the story of Esther, a timid girl, secret Jew, and Persian Queen, who summons the bravery to save her people from annihilation. While the oratorio derives its narrative from the old testament’s The Book of Esther, this compelling story of a lone woman challenging an oppressive tyrant is sure to strike a chord, resonating powerfully for modern listeners as it recalls many ongoing conflicts in our world today.

Navona Records presents FRENCH CONNECTIONS, a new album of French works for harpsichord performed by Jonathan Rhodes Lee. The pieces selected for this collection celebrate the small, tight-knit pantheon of 17th-century French harpsichordists who helped shape the instrument’s repertoire. While the total output of these composers would make for countless hours of listening, FRENCH CONNECTIONS offers a taste of this expansive body of work. Music by Louis Couperin (c. 1626-1661), François Couperin (1668-1733) and Antoine Forqueray (1672-1745) comes alive through masterful performances by Lee, with recordings engineered and mastered by multiple GRAMMY-winning classical music producer Brad Michel.

Lovers of Early Music are in for a huge treat with IGNACIO JERUSALEM: MASS IN G, a tribute commemorating the 250th anniversary of the composer's death. The little-known, Italian-born, galant creator, who spent much of his colorful life in Mexico, receives long-deserved attention from the Chicago Arts Orchestra under the baton of Mexican-American conductor Javier José Mendoza.

When Johann Sebstian Bach composed his flute sonatas, the flute was in its infancy as a replacement for the popular recorder. Nevertheless, his musical genius rings out as richly layered harmony and emotions exude from each fluently written piece on J.S. BACH COMPLETE SONATAS FOR FLUTE & PIANO. On this two-disc recording, the mother-daughter duo of flutist Julie Scolnik, lauded by the Boston Globe for her “urgency full of fire that melts into disarming delicacy,” and pianist Sophie Scolnik-Brower further amplify Bach’s expressiveness, swapping the usual harpsichord for piano to deepen the dynamics and phrasing throughout the compositions.

THREE CELLO SUITES from clarinetist Joshua Ranz and Navona Records is a truly groundbreaking take on Bach’s legendary works; In this album, for the first time ever, listeners may enjoy three unabridged cello suites by Bach arranged for the bass clarinet. Ranz selected Suites 1, 4, and 2 for this recording because, together, they form a cohesive and dynamic whole.

Navona records presents LAUDATO SI: IN THE SPIRIT OF ST. FRANCIS OF ASSISI, a tribute to the 13th century Italian friar and preacher. Beloved over the world for his charity, devotion to poverty, and delight in Creation, St. Francis portrays his love for the beautiful in his poetic writings. In this exquisitely crafted vocal-organ program soprano Charlene Canty, countertenor Andrey Nemzer, and organist Nicholas Will present a fresh musical take on the Franciscan poetic tradition with world premiere recordings of three contemporary settings of texts by (or attributed to) St. Francis written by the composer Eli Tamar. These works are complemented by a series of solos and duets from various settings of Stabat Mater from the Baroque period to the mid-twentieth century.

MI PALPITA IL COR: BAROQUE PASSIONS is a compelling journey into the rich corners of the mid- and late-Baroque period. Featuring an array of thrilling instrumental and vocal compositions, the album is driven by the performances of French-Canadian soprano Dominique Labelle and American early music ensemble Musica Pacifica, founded in 1990, based in San Francisco, and whose playing has been called “a small miracle of precision and musical electricity” by the Washington Post.

When four musicians of high caliber join forces, one can generally expect favorable results; but only the truly splendid manage to create a musical experience greater than the sum of its parts. Such is the nature of The Opus Project, founded in 2020 and already rated as one of Canada's most eminent Early Music quartets.

No other musical form allows the composer as much liberty as the musical fantasy, or fantasia. Ukrainian-born pianist Pavel Gintov iconoclastically blends emotion and reason in his selection of PIANO FANTASIES ranging from the Baroque through to the late Romantic era.

With its innumerable recordings by the greatest pianists in history, one would think the book has been written on Johann Sebastian Bach's timeless pianistic masterpiece, The Well-Tempered Clavier. Renowned Swedish-Ukrainian pianist Natalya Pasichnyk now adds her name and interpretation to this illustrious list with RETHINKING THE WELL-TEMPERED CLAVIER. Her intellectual yet spiritual take on the matter is likely to be exactly what the composer envisioned. Guided by Bach's assertion that music's ultimate purpose is to glorify God and rejuvenate the spirit, Pasichnyk explores the intersection between divine inspiration and human existence. The result is a veritable tour de force of strength and sensitivity; of rational perspicuity, yet with the most tender sentiment; of surging vigor and might, but also of nonchalant lightness. A triumph.

Ivory keys worn by two centuries of passionate musicians tell a story of musical evolution on SCARLATTI SONATAS, an album of solo harpsichord sonatas by Domenico Scarlatti, Antonio Soler, and an unidentified composer. Performed today by pianist Charles Metz, these works were first adapted for performance on the pianoforte in 1791 by Muzio Clementi, who breathed new life into Scarlatti’s timeless work with marked dynamics, articulations, and more. While Metz’s choice of repertoire holds ample historical significance, so does the instrument he employs to perform them — an 1806 square piano built by Clementi himself.