Composers

Tamas Szigyarto was born and raised in St. Petersburg, Russia. He was schooled in classical piano from the age of 10 and progressed into drums & percussion from 17. For the following decade, he played in numerous alternative rock bands. Szigyarto studied Mathematics at St.Petersburg State University (graduated with MSc. in Math in 2006) and Commercial Music Performance at Tech Music School (BIMM Institute) in London. Here he met and played with London’s alt pop trio Fassine.

Polish-born violinist Piotr Szewczyk has been hailed for his “stellar technique and constantly ringing tone” (Charleston Post and Courier) and has been a member of the Jacksonville Symphony’s first violin section since 2007. He is also an active composer, whose work has been called “magical” (Gramophone Magazine).

Held to high regard as a composer, pianist, and educator throughout his life, Tomáš Svoboda was a true musical force, whose contributions to the artistic community of Portland and beyond have cemented him as a cultural icon in Oregon’s contemporary classical music scene.

Östhammar, Sweden-based Håkan Sundin (b. 1961) leads a varied musical career, working as a composer, freelance flutist and saxophonist, and as a church musician. Sundin received his jazz education from Skurups Folk High School (1980-82), and continued on to the Malmö Academy of Music for flute and composition (1983-88); from there, he continued his education in composition with seminars at the Royal Academy of Music in Aarhus, Denmark (1988-90). In addition to his formal education, Sundin has continued his flute studies with private lessons from flutist Manuela Wiesler, among others.

Michael Summers' music has harmonic richness, rhythmic flair, and a gift for melody. His works include lyrical string quartet movements, sexy 17th-century song settings and funk-inflected piano pieces. His organ piece Variations on an English Folksong, released by Navona in 2011, was described as 'urgently dramatic' by Gramophone and 'striking and ingenious' by Allmusic.com. Other keyboard works include Modus operandi for piano, which was first performed in 2010. One critic noted its 'subtle and complex rhythms and its impressionist language' and likened the style to Bartok and Debussy.

John Summers began his professional composing career in 1973, writing music for schools for a touring theater company, where he produced every type of production, from educational musicals for young kids to setting curriculum poetry (Shakespeare, Eliot, etc) to music. This continued until 1977, and in the process, he visited every small and large town in the Eastern states of Australia.

Joseph Summer began playing French horn at the age of 7. While attending the Eastern Music Festival in North Carolina at age 14 he studied composition with the eminent Czech composer Karel Husa. At age 15 he was accepted at Oberlin Conservatory, studied with Richard Hoffmann, Schönberg’s amanuensis, and graduated with a B.M. in Music Composition in 1976. Recruited by Robert Page, Dean of the Music Department at Carnegie Mellon University, Summer taught music theory at CMU before leaving to pursue composition full time.

Tim Sullivan's compositions have been performed throughout the U.S. and Europe at various venues and new music festivals, including the Borealis Festival, American Opera Projects, 2008 NASA Conference, Etcetera Festival of New Music, and World Saxophone Congress XIII. He has received awards and honors from the American Composers Orchestra/EarShot, ASCAP, Downbeat magazine, and ALEA III.

Su Chen-Hsin was born in Chiayi City, Taiwan in 1989. He is a licensed doctor who graduated from the Department of Medicine at China Medical University, Taichung, Taiwan, in 2015. Su has been in psychiatry residency training programs at the Taoyuan Psychiatric Center, Taiwan since August 2017.

IngridStölzel (b.1971) has been hailed “as a composer of considerable gifts” who is “musically confident and bold” by National Public Radio’s classical music critic. Her music has been described as “tender and beautiful” (American Record Guide) and as creating a “haunting feeling of lyrical reflection and suspension in time and memory” (Classical-Modern Review). At the heart of her compositions is a belief that music can create a profound emotional connection with the listener.

North Macedonian pianist and composer Natasha Stojanovska has received numerous prestigious prizes and honors, including the American Prize. Having left her native country to continue her education in the United States, she was selected to be a member of the studios of Roberta Rust at Lynn University’s Conservatory of Music and Alexander Toradze at Indiana University. Stojanovska continued on to pursue a Doctorate of Musical Arts at the Bienen School of Music at Northwestern University with James Giles.

Robert Stewart (b. 1918) has composed for a variety of soloists, orchestras, and ensembles. He has written music for the New York Brass Quintent, the National Symphony String Trio, the Stradivari String Quartet, and many others. His compositions have been performed across North America and Europe.

David Nisbet Stewart is a composer, pianist, and organist. His career began in academia and migrated into computer technology from 1979 onward. His style of composing also changed as he pursued a new occupation. He believes that leaving academia for the business world was a great benefit to his art. Music is the business of entertainment; the composer must satisfy, even delight, the paying audience. His compositions connect with the listener’s ear and heart.

Peter Vukmirovic Stevens is a composer, pianist, and multimedia artist. Stevens’ illustrative music covers an extensive palette of sensibilities from concert to sound art. He is the founder of Ensemble Ex Materia. Stevens lives in Paris.

Aleksander Sternfeld-Dunn (b. 1980, Vallejo CA) grew up in the San Francisco Bay Area, was educated on both coasts and now finds himself in the middle of the country. His music combines a frenetic rhythmic language, lean textures and lyrical sensitivity. His music has been recorded and performed throughout the United States, Europe, Canada, and Asia by ensembles and organizations including the Kiev Philharmonic, The Contra Costa Chamber Orchestra, Huntsville Alabama Army Band, Composers Inc, Conundrum, The Yale Brass Trio, Scott/Garrison Duo, and Vox Novus.

Erich Stem’s music has been described as “sophisticated and intriguing” (The Washington Post), “unique and beautiful” (Boston Theatre Review), and as having a “fluent and chaotic exchange that breaks minimalism apart” (A Closer Listen). It pulls from a variety of sources, including American jazz, Japanese shakuhachi music, and Stem’s interest in improvisation. His music has been performed live around the globe in places such as New York City, Boston, San Antonio, Los Angeles, Miami, England, the Netherlands, and Romania, and can be heard on albums by critically acclaimed groups such as counter)induction, Aurelia Saxophone Quartet, SOLI Chamber Ensemble, and the Cadillac Moon Ensemble. His commissions include music for recognized artists such as saxophonist Johan van der Linden and flutist Lindsey Goodman.

Born in Aachen, Germany, Walter studied in Hamburg with Ernst-Gernot Klußmann, Wilhelm Maler, and Philipp Jarnach (Busoni’s pupil, and the teacher of Kurt Weill and Bernd Alois Zimmermann). He is prolific in all genres, from solo and chamber works to grand opera. Five of his operas were brought to stage in Germany: “Eli” inspired by Nelly Sachs and “Die Judenbuche / The Jew’s Beech” after the novella by Annette von Droste-Hülshoff were performed in Dortmund.

Elizabeth Start is a composer, cellist, arts administrator, and union officer, currently dividing her time between Kalamazoo MI and the Chicago area.

Paul John Stanbery is currently Music Director of the Hamilton Fairfield Symphony, Ohio Mozart Festival, Great Miami Youth Symphony and has been Associate Conductor of the Lima Symphony in Ohio. Guest appearances have included the Western Piedmont Symphony, Mississippi Symphony Orchestra, The University of Cincinnati, and the Shreveport Symphony Orchestra. He is a regular guest with the Miami University Symphony Orchestra.

James William Stamm completed his classical guitar and theory/composition B.F.A. at Marshall University in Huntington WV. As of the release of PATTERNS, he is completing an M.F.A. in film music composition at UNC School of the Arts. His musical background also includes songwriting.