Catalog

American composer Marty Regan specializes in composing music for traditional Japanese instruments, a fascination he has developed since 2000. Regan describes his Japanese-style compositions as, “hybrid musical soundscapes that reflect the age in which we live, an era based not necessarily on globalization, but of partnership based on global cultural interaction.” In contrast, SPLASH OF INDIGO features a complementary side of Regan’s output, containing only works for Western orchestral instruments and voice.

Poetry and music have often been described as "beautiful sisters" in the European tradition, and American composer Benjamin C. S. Boyle sets out to prove just how harmonious this kinship can be. Owing to pianist and art song expert Laura Ward as well as to a selection of top-class singers, these elaborate yet easily accessible vocal compositions are resplendently brought to life on SPIRITS IN BONDAGE.

A historical feast awaits listeners on Ganesh Kumar's first NAVONA release SPIRIT OF HUMANITY. Half intended as an homage to Beethoven, half a musical portrayal of a little-known refugee crisis in World War II, it aims to be an epically emotional orchestral experience.

SPELLS, a new retrospective collection highlighting the music of poet and composer Juli Nunlist, marks a touching journey through the earnest, romantic, and dramatic sounds of the late artist’s compositional language. The album’s works demonstrate Nunlist’s appreciation for tradition and grandeur, and are driven by her remarkable gift for melody and clear fascination with instrumental texture.

From mythic origin stories, to the Elizabethan stage, to the modern cinema, the human experience is bound in storytelling that has the power to captivate minds and inspire creativity. Like a good story, the composers featured on SPELLBOUND transport the listener across landscapes only limited by the imagination. These new works for orchestra behave as narrative arches, allowing tension and emotion to build and release to a euphoric conclusion or a haunting realization.

SPECTRA 2 unveils the works of six composers, each of whom tells a unique, memorable story. First up is Elizabeth R. Austin's B-A-C-HOMAGE, an intricately constructed tribute to the German Baroque composer. Based on Bach's name and his "Air on G" respectively, the first and second movement reflect upon the clarity of his work through the lens of Austin's decidedly modern tonal language.

Continuing the mission of the original Capstone Records series by the Connecticut Composers, Inc., this debut Navona Records release of the same name, SPECTRA, highlights six contemporary composers from northeastern United States, who reflect the diversity and progression of today's music.

Navona Records presents SPARKS: THE EYE OF LONDON, an assembly of original fanfares performed by the London Symphony Orchestra. Drawing from the compositional strengths of today’s composers, the orchestra navigates chaos and order, isolation, and ascension towards triumph through passionate orchestral writing reminiscent of the fire that burns within us. A collection spanning thought-provoking narratives, scenic synesthesia, soothing passages, and the whimsically abstract, the London Symphony Orchestra explores a vast musical landscape of emotions, tackling each with precision and verve.

The album SPARKS VOL. 2 couldn't be more aptly named, as bows bend and sparks fly in this vibrant collection of pieces for string orchestra. Bound to please modernists and traditionalists alike, this eclectic collection contains pieces by Dave Dexter, William C. White, Simon Andrews, Rain Worthington, Allen Brings, John Carollo, John Franek, and Jeff Mangels.

SPARKS, a compilation of orchestral miniature works by several composers, offers a sampling of much of what post-modern, contemporary orchestral music has to offer, and is most interesting to consider in contrast to nineteenth century orchestral transitions. Miniatures, in their brevity, defy the conventional bias that orchestral music must conform to the characteristics of large symphonies. More generally, the works on this album suggest a wide range of influences unique to contemporary postmodernism. These include the aesthetics of midcentury composers, as well as film scores and non-classical genres.

Composer Ferdinando DeSena presents a selection of chamber works offering a mixture of musical elements. DeSena’s distinct musical style draws on all his diverse musical influences including jazz, popular, and classical avant garde. The popular and jazz fingerprints on his music are subtle, but can be found in his instrumentation and instrumental writing; on this album his combinations include the flute, guitar, sax and even harp and electronics to express unique sounds.

Pianist Carlos Vargas gives the public a rare glimpse into the depths of a musician's soul with his intimate new solo album SOUVENIRS. It is a truly eclectic selection of pianistic gems, expertly collected across several centuries and countries, yet interconnected by profound virtuosity and sweeping romanticism. SOUVENIRS travels to France, Russia, the United States, and (perhaps most importantly) Latin America; Poulenc makes an appearance, as do Scriabin, Gershwin, and Dominican composer Rafael Bullumba Landestoy, among others. Strikingly, Vargas rotates the kaleidoscope: his interpretation brings Latin flamboyance to Poulenc, Russian drama to Gershwin, and American spontaneity to Scriabin, to name but a few. All the pieces on SOUVENIRS are highly idiosyncratic; and yet, Vargas effortlessly unites them in their individual brilliance.

On SOURCE GROUND, Hans Bakker’s second full-length release on Navona Records, the composer once again probes music’s ability to, as Leonard Bernstein said, “name the unnameable and communicate the unknowable.” Rhythmically rigorous pieces for solo piano, organ works that fill every nook and cranny of the aural spectrum, powerful orchestral works, and pieces for the rare and haunting lame-sonore draw listeners towards a sense of infinite oneness connected by music.

Navona Records presents SOUNDTRACK OF THE AMERICAN SOLDIER, an album of contemporary works for wind band performed by The United States Army Field Band. Led by Colonel Jim R Keene, the Army Field Band is the U.S. Army’s premier touring musical organization. In SOUNDTRACK OF THE AMERICAN SOLDIER, the Army Field Band presents music of classic American films and video games, and in doing so celebrates the stories they portray and the men and women who inspired them. Monitored and mixed in IMMERSIVE DOLBY ATMOS® (5.1.4), SURROUND (5.1), and STEREO, the album immerses the listener in a multi-dimensional soundscape that creates a deeply meaningful connection to the music and the stories it portrays.

Award winning composer Peter Knell offers a deep dive into a number of his inspirations and formative experiences through a variety of orchestrations in SOUNDSCAPES from Navona Records. Expressed through solo violin, violin and vocal duo, and string quartet, Knell’s work encompasses the poetry of Pablo Neruda, the art of Rolf Stein, landscapes of his youth, and more. Dive in and become immersed in the natural imagery and sensations both Knell and these performers bring forth.

Claude Debussy, Olivier Messiaen, and Pierre Boulez are stunningly reconciled in Christina Petrowska Quilico's Navona Records release SOUND VISIONARIES. Boasting a track record of over 50 recorded albums and having recently been named to the Order of Canada, the veteran pianist proves that despite all difficulties, finding common ground between these three composers can be done spectacularly.

SOUND SPECTRUM features works for piano, soprano, and orchestra by composer Allen Bonde. Bonde draws from his personal experiences and feelings to craft beautiful pieces with a wide range of styles: Fantasia for Piano and Orchestra, a cohesive work cast in traditional harmony; Three Elizabethan Songs and Three Elizabethan Songs Revisited, a set of works blending simplicity and sophistication; Symphony No. 1, a kaleidoscopic orchestral piece with astounding instrumental color; Rose Window, a musical representation of the breathtaking Rose Window at Mount Holyoke Chapel; Sonus I, a 12-tonebased and freely composed piece in variation form; Four Shakespeare Songs, a fresh take on the Bard's work stylistically reflective of the 1920s; You Were The One, based on the sensitive poetry of Mary Jo Salter; and Encore Blues, a one-take improvised celebration of the recording sessions. Often performing the works himself as pianist, and in collaboration with the "Bonde Family," his oeuvres provide warmth, intimacy and compositional diversity with each piece.

From the serenity of the Smoky Mountains to the abstraction and boldness of Kandinsky's paintings, composer Paul Osterfield's debut solo Navona Records album SOUND AND FURY pulls inspiration from several experiences which the composer translates into refined, stimulating, and expressive chamber pieces.

On SOUND AND LIGHT, Demondrae Thurman wields the euphonium to further expand its repertoire and cement its graceful power into the minds of composers of solos and orchestral works alike. Playing works written by five close friends, Thurman wholly dedicates himself to unlocking the musical mysteries of every measure and fully exploring the instrument’s potential.

Beginning with just the spark to write three trios, composer Carl Vollrath created an intense yet reflective collection of works in SOULS IN TRANSITIONS. This Navona Records release moves through waves of contemplation on life, history, and the evolution of spirituality through the performances of violin, cello, and piano by acclaimed pianist Karolina Rojahn.