Catalog

On their Navona debut AGE OF INDULGENCE, early music ensemble Les Délices presents an exquisite compendium of unique and rare instrumental music from the last generation of French Baroque composers. The album’s repertoire shines a spotlight on lesser-known – yet powerfully skilled – composers active in the most important circles of mid- and late-eighteenth century Parisian musical society.

Global guitarist and composer Giovanni Piacentini’s talents as a dual-threat musician are on full display on CHIAROSCURO, his debut album. He wrote all these works themed around his instrument of choice, and his playing appears on two pieces – Miniatures, for guitar and chamber ensemble, and a solo guitar performance on the title track. Yet, even on the tracks where he does not perform, the composer’s voice remains ever-present, namely in each work’s reverberant use of space.

SPELLS, a new retrospective collection highlighting the music of poet and composer Juli Nunlist, marks a touching journey through the earnest, romantic, and dramatic sounds of the late artist’s compositional language. The album’s works demonstrate Nunlist’s appreciation for tradition and grandeur, and are driven by her remarkable gift for melody and clear fascination with instrumental texture.

A potent representation of Australian composer Bruce Crossman’s music, LIVING COLOURS is inspired by his strong spirituality and eclectic, multicultural interests. Both overtly and subtly, Crossman’s music seems to embody the expansive geography of Oceania. To this end, the works on the album draw explicitly on the native music of other Asia-Pacific cultures – particularly the Philippines, Korea, and China – and feature vast musical spaces that seem to symbolize the great distances that separate Australia from its neighbors. In his own words, Crossman describes his desire to evoke a “resonance of space” with his music, which arises from a “deep-felt emotion and sensibility linking heaven and earth.”

When approaching his latest chamber album BLISS POINT, Polish-born violinist and composer Piotr Szewczyk turned to a unique lens of inspiration – food science. His interpretation of a “bliss point” in the culinary sense embodies the technique’s saturation of a flavor just before the point of diminished potency. Of course, he trades in the contents of his spice cabinet in favor of diverse instrumental pairings, and in doing so, the composer explores the “saturation limits in the full spectrum of emotions, textures, and characters.” In doing so, Szewczyk is confident that the resulting collection of chamber works “covers the entire expressive range of my vocabulary and artistic sensitivity.”

Like many European composers alive during the World Wars, Bohuslav Martinů (1890-1959) was nomadic. But while most of these artists’ music changed drastically based on their location, Martinů’s compositional style consistently referenced the culture of his Czech heritage. SMALL STORMS – cellist Meredith Blecha-Wells’ debut record – contains Martinů’s duos for cello and piano from the latter half of his life, with the performances of Blecha-Wells and pianist Sun Min Kim fully embodying the folkloric sensibility and conservative style that typify the composer’s oeuvre.

This triple re-release contains a collection of works for small ensembles comprised of a diverse selection of instruments. Along with two albums from Allen Brings, this reissue includes a compilation titled CONTRA-PUNCTUS (1994).

With his Navona debut ERGO, pianist and composer Zhen Chen makes an impressive contribution to the decades-long legacy of composers blending Chinese and western instruments and musical materials. This musical trend can be traced back 20 years, when a potent generation of Chinese and Taiwanese composers who began to explode across American and European concert stages. Luminary composers like Bright Sheng, Tan Dun, Chen Yi, and Zhou Long paved the way for younger Chinese artists like Zhen Chen, who uses ERGO to continue this blend of his native musical culture with many parts of the Western musical tradition.

Composer and pianist Jeffrey Jacob returns to Navona Records with REAWAKENING, a collection of varied works for orchestra and chamber ensembles. Jacob’s lush, mystical style pervades the album, often blending his piano’s sound with orchestral arrangements to create rich musical imagery, as in The Loch Before Sunrise and A Mirror Upon the Waters.

Navona Records proudly presents DRESS CODE, the debut release from Colorado-based string ensemble Altius Quartet. Comprised of violinists Joshua Ulrich and Andrew Giordano, violist Andrew Krimm, and cellist Zachary Reaves, the quartet’s core mission is to strive for universality in their music and communicate directly with their listeners.

FOREVER BEELER represents a sampling of composer Alan Beeler’s prolific output throughout his musical career, which is generally defined by his commitment to compositional craft and structural clarity. The works featured on this album also reveal a playfulness lying just under the surface of Beeler’s compositional perspective. This quality of Beeler’s music is most notable in the seven sonatas for piano, often accompanied by another instrument, included in FOREVER BEELER.

As the title of this album suggests, AN ARC OF QUARTETS gives listeners unique access to a continuum of composer Michael G. Cunningham’s intricate and inviting string music. Five international string ensembles present the album’s seven compositions, including Sirius Quartet from New York; The Moravian Quartet from the Czech Republic; the Millennium Quartet from Florida; and The Pedroia Quartet and New England String Quartet, both from Massachusetts.

Navona Records proudly presents renowned composer Ruth Lomon’s SHADOWING, her debut album on the label. The release showcases her remarkable skill in writing for the piano, pushing the instrument’s timbre and color to its limits to create animated sound worlds such as those of the title work, Shadowing. Lomon writes of the colors in the piece: “’Shadowing’ means to have such a light touch, such a light tread, that one can move freely through the forest, observing without being observed… It is the equivalent of manifesting and then becoming like smoke, and then manifesting again…”

Composer Michael J. Evans’ THE MUSIC OF ERICH ZANN is a startling and surreal musical interpretation of H.P. Lovecraft’s 1922 tale of the eponymous violist – a mysterious old man who seemingly protects himself from dark, magical forces by playing the viol. Evans is a gifted melodist, and his other PARMA Recordings and Navona albums showcase his predilections for the rich textures and harmonic language of late European Romanticism.

Navona Records is proud to present PHOENIX ENSEMBLE: CHAMBER WORKS OF HENRI MARTEAU AND ALEXANDER ZEMLINSKY. The Phoenix Ensemble is a mixed instrument chamber music ensemble. Founded in 1991 by New York-based clarinetist Mark Lieb, the Phoenix Ensemble aims to “inspire a new and diverse audience for classical music.” They undertake this challenge by presenting two works by late romantic French composer Henri Marteau, who is relatively unknown in the music world, as well as presenting one work by Austrian composer Alexander Zemlinsky. Both composers were active at the turn of the 19th century.

Trombonist Deb Scott makes her PARMA debut with her new Navona release PLAYING FAVORITES, accompanied by pianist Ron Petti. She performs a variety of her favorite pieces that appeal to her background in jazz and to her considerable technical skill. She writes: “What I love about each one is its ability to engage a diverse audience making for enjoyable and exciting musical moments.”

Sergio Cervetti returns with an exciting collection of works on his sixth Navona Records release, SUNSET AT NOON. A diverse composer, his works range from instrumental and vocal music to electronic compositions, often reflecting his South American, French and Italian heritage. His vocabulary draws from an early interest in twelve-tone and minimalism, and his current approach is flexible and free of constraint. With SUNSET AT NOON, Cervetti focuses on keyboard-based compositions for half of the album, with a foray into chamber music on the other half.

PARMA Recordings artists Peter Greve and Hans Bakker have come together to give us LINES TO INFINITY, a stunning album that revolves around emotive and dramatic scores for primarily piano and flute. The two composers hail from the Netherlands and share a knack for creating thoughtful contemporary chamber works that appeal to the listener’s imagination.

Sound and space are two elements that emerge at the heart of Jane O’Leary’s THE PASSING SOUND OF FOREVER. The collection showcases O’Leary’s compositional gifts through a variety of her chamber compositions. O’Leary’s string writing soars in THE PASSING SOUND OF FOREVER, and demonstrates her remarkable sensitivity to the instruments’ sonic palette and expressive potential. Every color, from ethereal natural harmonics to frenetic bowing, is at O’Leary’s disposal, and is exploited beautifully to produce evocative and compelling soundscapes.

Violist Jutta Puchhammer’s album PIÈCES DE CONCOURS POUR is a treasure trove of late romantic French viola music. Originating as exam compositions for students enrolled at the Conservatoire Supérieur de Paris from 1896-1938, this album demonstrates Puchhammer’s peerless virtuosity as a performer, as well as the expressive range of her instrument, which was largely dismissed by the mainstream of eighteenth and nineteenth century composers.