Catalog

Peter Greve may be seen as a prime example for music as a late vocation – though it's hard to believe when one hears how deeply his creations root in the bon ton of contemporary musical academia. THE PALACE OF THE DREAMKING offers a cross-section through Greve's eclectic and wildly experimental body of compositional work.

Composer Mira J. Spektor presents both sensitivity and passion in her new album DAYTIME & NIGHT SONGS. She combines masterful, original compositions with thought-provoking poetry written by a number of artists.

HARMONY OF DISSONANCE brings together, juxtaposes, and intertwines the disparate singing styles of the regions of Dalmatia, which remain stylistically and performatively distant even today. While these musical worlds present seemingly irreconcilable musical and cultural differences, they are all connected by polyphonic singing, which forms the core of this collaboration between the Harmonija Dissonance Ensemble and the Jazz Orchestra of the Academy of Music in Zagreb.

Saxophonist Dave Camwell's interpretations on SECOND WIND impressively demonstrate the capabilities of the instrument in music spanning three centuries. SECOND WIND presents a wide selection of saxophone music: a J. S. Bach partita with piano accompaniment added by Robert Schumann, a Vivaldi concerto, a Händel sonata, but also several contemporary, tonal saxophone compositions.

The Society of Composers, Inc. is a “professional society dedicated to the promotion, performance, understanding and dissemination of new and contemporary music.” Having brought dozens of unique and compelling compositions to Navona Records over the years, they are now back with the latest in SCI’s series: FLUX, a collection of striking, innovative, and altogether unignorable music.

Beginning as a single spark of inspiration, the orchestral work blossoms into something transcendentally grand and organically rich. DIMENSIONS VOL 2, the second in Navona Records’ series for orchestra, presents five organically inspired compositions, with music that is as multidimensional and richly textured as the subject matter is multifaceted. Traverse through each unique work and witness what vast results can be drawn from the creative mind.

Quite surprisingly, Symphony No. 3 had humble beginnings. Back in the late 2000s, composer John A. Carollo connected on MySpace (!) with English soprano Sharon Selman, who was deeply involved in the preservation of trees and forests. She suggested that Carollo use the poetry of William Blake as a starting point to create a piece about nature. Carollo didn't think twice; and a song cycle named Awake Humanity to Nature’s Beauty! was composed, then reworked, resulting in two different instrumentations.

Described as having “Versatility and flair with lively improvisations” by the New York Times and being “always compelling and always exhilarating” by Imperfect Fifths, NYC-based Sirius Quartet is only the most natural choice for showcasing the genius of five genre-bending contemporary composers. Navona Records’ PLAYING ON THE EDGE brings inspiration and experience from all walks of life into one string quartet collection with the music of composers Jennifer Castellano, Ian Erickson, Brian Field, Marga Richter, and Mari Tamaki.

In 2016, composer and pianist Jeffrey Jacob conducted interviews with children of illegal immigrants, whose plight ended up inspiring the pianist's fifth symphony. Remarkably for a contemporary composition, the work is quite condensed timewise; nevertheless, it packs the whole gamut of human sentiment, with the movements titled I. Lagrimas [Tears], II. Fear; Grace, and III. Separation, Grief; Resolution, Triumph.

When Mark John McEncroe is asked what kind of music he composes, his reply invariably is "I don’t know, I just write it." It's a clever answer: at first glance it is humble and modest, but it also reveals a considerable degree of naturalness, authenticity, and intuition. The same can be said for McEncroe's music, which is unapologetically evocative and driven by sentiment, with long lyrical lines and pleasant harmonies. The neo-Romantic style of orchestration which McEncroe intuitively employs fits his ideas perfectly.

Alicia Terzian is a world-recognized, award-winning composer, conductor, and musicologist. She is on the faculty of the Fine Arts Academy of Chile and Spain and is the conductor of Grupo Encuentros, the official group of the International Encounters for Contemporary Music Foundation and the only permanent group in Latin America.

Throughout Navona Records’ WINDSWEPT, the wind quintet makes up the characters of collective stories written by five unique composers. In each piece, the Boston-based Arcadian Winds project a storytelling experience that is joyful, moving, and meaningful to hear.

PREACH SISTER, PREACH showcases award-winning Katherine Jolly’s “agile, bright lyric soprano” voice (The New York Times) on a series of pieces that are distinctively individual in their inspiration while cohesively united by the passions of their composers.

PATTERNS, a multi-composer compilation of contemporary chamber music, accentuates the richness, intricacy, and minimal sound that can be found in works written for small ensembles. Included on the album are works by seven composers, each offering a distinct interpretation of what defines the genre.

Wong Hok-yeung opens the Hong Kong Composers’ Guild’s RESONATING COLOURS 5 with Night Poem, a composition for cello and piano. Rhapsodic and ambling, the piece conjures nightly thoughts, welling up and vanishing with lifelike authenticity. Chan Chin-ting features with two pieces for solo violin: Cross-Currents, an exploration of the violin's full tonal range, and Postcards, an assortment of, in the composer's words, "six miniatures/musical gifts," which, quite like the name suggests, can be played as standalone pieces, but also feature a common theme that unites them.

Can you satisfy God with one sound? This question was repeatedly posed to Lachlan Skipworth by his shakuhachi teacher during a three-year period of intensive study in Japan. It sparked a deep exploration of cross-cultural aesthetics that finds expression in this self-titled Navona Records album. At the beginning of each shakuhachi lesson, student and master begin by repeatedly playing a single note on the end-blown bamboo flute. This focuses their minds on core questions of technique: “have I made progress? Am I closer to mastery of this, shakuhachi’s most fundamental note?”

Multiple Grammy Award-winning chamber choir The Crossing moves listeners with their new release THE ARC IN THE SKY, a breathtaking performance of the eponymous work by accomplished choral composer Kile Smith. Based on texts by Robert Lax (1915–2000), it constitutes an American pilgrimage into spirituality.

The works of the eight composers on QUADRANTS 3 display both the broad scope of styles and energies that the string quartet can produce, while also highlighting the individual talents of each artist. The resident ensemble for QUADRANTS 3, Altius Quartet, who take their name from the Olympic motto: Citius, Altius, Fortius (Faster, Higher, Stronger), handles each piece with skill and flair.

Award-winning composer Elliott McKinley’s music has been performed throughout the United States, Canada, and Europe. On THREE SCENES, he presents three powerful pieces of modern chamber music of the caliber that has earned him global recognition.

Acclaimed international piano trio Trio Casals makes a triumphant return with the fourth installment of Navona Records' MOTO series, zestfully interpreting nine new American compositions – virtually all of them either tailor-made or arranged for the ensemble. The opening track, Three for Three by David Nisbet Stewart, could almost be considered a neoclassical piano trio – if you're thinking along the lines of Prokofiev's Love for Three Oranges. Like his Russian predecessor, Stewart chose to endow his composition with a perspicacious structure, along which the motives and modulations climb like vines on a trellis.