Catalog

A primeval forest, unaltered by man and teeming with natural greens and ancient oaks, and its power struggle between chaos and order is unearthed in OERBOS from composer Peter Greve. His third volume of all original compositions, the composer offers a wide variety of works for solo, chamber, choral, and orchestral performers, along with a riveting narrative of forest life in the album's titular symphonic poem. Join the Janáček Philharmonic Ostrava as they guide you through a turbulent passage of music, beginning with a calm sunrise and ending with an ode to the unity of mankind and nature, a celebratory movement after a ravaging storm.

With OF BIRDS AND LEMONS, Navona Records presents the diverse orchestral works of two composers united by their affinity for energetic, stylistic, and rhythmic composition. José Elizondo and David Tanner, whose respective works simultaneously complement and challenge those of the other, share their varied backgrounds and experiences to create a glorious whole with international appeal.

Composer Monica Houghton has a musical and academic resume that is made even more exceptional by her experiences as a true citizen of the world. Her travels around the globe have led her to incorporate non-Western instruments and musical practices into several of her compositions as well as to find inspiration trekking through Peru, or by exploring the remote and desolate areas of the American West. On CHAMBER WORKS, her debut on Navona Records, Houghton incorporates these influences along with many others to deliver eight stunning performances showcased in a variety of musical configurations.

Argentinian composer, conductor, and scholar Alicia Terzian’s new Navona release OFF THE EDGE is an incredible journey into the heart of the string orchestra. The four works on the album introduce listeners to Terzian’s captivating compositional perspective and enchanting treatment of this ensemble’s sonic potential. Her writing focuses heavily on the drama, nuance, and contrasts accessible through instrumental color, and OFF THE EDGE showcases numerous audacious textures involving the string orchestra, with different percussion instruments,chorus,soloists and voice.

Carl Vollrath’s OLD AND NEW POETRY from Navona Records is a lovingly-prepared setting of the works of seminal poets William Blake and Sara Teasdale, as well as the contemporary writer John Gracen Brown. The verses chosen by Vollrath—including such varied selections as Blake’s “The Fly,” Teasdale’s “Dusk In War Time,” and Brown’s “The Coming of a Summer Rainstorm”—all reflect the composer’s belief in the interdependency of all life on earth. Employing piano, saxophone, and mezzo-soprano, Vollrath thoughtfully pushes tonal boundaries in response to the poetic language.

Composer Carl Vollrath and Navona Records presents OLD & NEW POETRY VOL II, a compelling musical-literary experience featuring the works of seminal poet William Blake and contemporary writer John Gracen Brown. An enticing follow-up to his 2021 release of the same title, Vollrath employs piano and clarinet with various vocal ranges in this recording, each an intimate setting reflecting his close relationship with the text itself. Deeply in tune to nature and captured from the lens of the human experience, Vollrath’s musical response to this poetic language shows his dedication to and passion for these works.

ON AN OVERGROWN PATH from pianist Jennifer Elowsky-Fox features music by composers Leoš Janáček and Larry Thomas Bell. Janáček gives the album its title piece, a programmatic work that evokes the composer’s memories from early 20th century Moravia. The piano cycle, performed with masterful sensitivity by Elowsky-Fox, blends the eastern and western cultural influences of the region. Based on hymn tunes included in Bell’s A Hymnbook for Congregational Singing, op. 169, Bell’s Piano Sonata No. 5, A Landscape of Small Ruins, op. 166, was composed in 2020 specifically for Elowsky-Fox. Her performances have been described in print as “buoyant”, “fun” and “gorgeous in all respects,” all sentiments that resonate in this Navona Records release.

On September 2, 1998, 229 passengers and crew members lost their lives when Swissair Flight 111 crashed into the Atlantic Ocean near Nova Scotia. Composer Matt Frey, who identified with the Swissair tragedy due to his own brush with a plane malfunction, explores the human relationship to air travel while also commemorating the lives lost in the chamber opera ONE-ELEVEN HEAVY.

Navona Records presents ONYX, the 29th edition of the acclaimed Society of Composers, Inc. CD Series and the fifth SCI release on the label. Founded in 1965, SCI celebrates their 50 year anniversary with the release of this album, marking their continued dedication to the promotion, performance, understanding, and dissemination of new and contemporary music.

Composer-performer Giovanni Piacentini’s ORÍGENES is an exploration of the spirit of the Americas through the guitar. Spanish colonizers introduced string instruments like guitars and vihuelas when they arrived in America, which in turn gave rise to a series of indigenous instruments across the continent such as the Colombian tiple, the Mexican jarana, and the Panamanian mejoranera, to name a few. This blending of American and European cultures is at the heart of ORÍGENES. Drawing on the contributions of legendary guitar composers like Manuel M. Ponce, Heitor Villa-Lobos, and Astor Piazzolla, Piacentini’s ORÍGENES contributes a fresh perspective to this musical legacy.

On the fourth offering in Navona Records' The Shakespeare Concerts Series, ORPHEUS WITH HIS LUTE MADE TREES, executive director and composer Joseph Summer presents original works and pieces by composers from the 18th through the 21st centuries that celebrate the myth of Orpheus.

Featuring cellist Thomas Mesa and pianist Michelle Cann, OUR STORIES from Navona Records aims to raise the voices of composers and performers from backgrounds traditionally underrepresented in classical music. Made possible by PARMA Recordings and a Sphinx MPower Grant, this release musically conveys a diverse mixture of themes and topics, from the intricacies and curiosities of human communication to fear-inducing information prevalent in the media, reflections on the acceptance of life's inevitable changes and losses, and more. Dive in and explore the masterful contemporary works of Andrea Casarrubios, Carlos Carrillo, Kevin Day, Sebastian Quesada, and Mario Oyanadel.

The highly lauded and honored USD Chamber Singers, directed by Dr. David Holdhusen, bear a message of resilience to Navona Records with their newest release OUT OF THE ASHES, a collection of beloved choral works given a refreshing new voice. Featuring choral favorites like Biebl’s Ave Maria, Hogan’s Ain’t That Good News, and Whitacre’s Sleep, the Chamber Singers, like a phoenix, paint a narrative of rising from the ashes after a time of destruction, rising on the wings of a song. The artists wish that these recordings would provide comfort and reassurance after times of struggle, and offer a modicum of hope to those still facing great challenges of faith and courage. The Chamber Singers have given a new life to treasured gems of the choral repertoire and portray a bright future for artists and listeners alike.

Santa Barbara-based composer Emma Lou Diemer (b. 1927) is a fixture in the Californian classical music community, having received commissions and performances from orchestras and ensembles throughout the state and worked throughout her career to advance the musical community.

Navona Records presents PAINTED MUSIC from Quatra Duo. This album of works for flute and guitar by four heralded contemporary composers unlocks the imaginative, expressive power of these beloved instruments.

For too long the trombone has been ignored as a central instrument in contemporary music. On PAPER CLIPS, trombonist Andy Malloy proves the instrument's capabilities of being a driving force and, along with pianist Karolina Rojahn, its collaborative appeal. An unabashed champion for the trombone, Malloy commissioned each work on this album specifically to expand the often overlooked instrument's repertoire.

PARADIGMS explores the notion that music of varied influences, backgrounds, and techniques can be strung together to represent modern classical as a whole. With orchestral works that dive into the dramatic and expressive, ponder the impressionistic through textured and rhythmic motifs, and compare the bright with the chaotic, this album posits that music of all studies and methods of creation are pieces of a larger puzzle that shape the American contemporary soundscape.

On his latest Navona Records release, PARAGONIA, composer Michael G. Cunningham explores ways in which the orchestra can interact with itself on several levels. Counter Currents presents contrary phrases and themes simultaneously stated while TransActions portrays dimensions of density, emphasizing orchestral blur and presenting gestures and passages that prompt interplay between the sections of the orchestra.

Sergio Cervetti, born in Uruguay, immigrated to the United States in 1962 to study contemporary composition, and his work contains a certain cosmopolitan quality reflective of his past and present. Although essentially a minimalist since 1970, he has branched out to embrace and incorporate diverse elements from a variety of aesthetics. The versatile creator understands how to pull the virtually unimaginable from its metaphysical realm into the here and now, a sudden manifestation of spirituality transcending dissonance. Ever-present is the nexus of nature and science, of the mundane and the miraculous.

With PARALLEL WORLDS, Czech composer Jan Jirásek provides a portal into his intricately textured and resonant choral music. These works are enhanced by Czech children’s choir JITRO, whose singers imbibe Jirásek’s delicate and earnest compositions with authority, maturity, and captivating grace.