Catalog

Thomas Bowes' SEI SOLO shines the spotlight on the sonatas and partitas for solo violin composed by Johann Sebastian Bach in 1720. Bowes believes that these six stand-alone compositions, while each individually offering insight into Bach's genius reveal more when taken as one epic work - and especially when set against the tragedy in Bach’s life in the year of composition.

Composer Monica Houghton has a musical and academic resume that is made even more exceptional by her experiences as a true citizen of the world. Her travels around the globe have led her to incorporate non-Western instruments and musical practices into several of her compositions as well as to find inspiration trekking through Peru, or by exploring the remote and desolate areas of the American West. On CHAMBER WORKS, her debut on Navona Records, Houghton incorporates these influences along with many others to deliver eight stunning performances showcased in a variety of musical configurations.

Simon Andrews has earned a reputation as a creator of eloquent concert music that blends harmonic complexity and lyricism, introversion and broad gestures, and delicate timbres and bold statements. Here, on his recording debut, AND THE MOMENT WHEN THE BIRD SINGS, he offers up 10 compositions performed in a variety of configurations, from duos to trios and quintets, all of which emphasize his proficiency in both vocal and instrumental music.

With two critically-lauded releases on Navona Records (NOTTURNO, performing works by Chopin, and a four-CD box set, BEETHOVEN – 8 CONCERTI) pianist Eliane Rodrigues returns with REFLETS showcasing the pianist’s nuanced and thoughtful performances of fifteen works by Claude Debussy. While it might seem that child prodigies are commonplace in the world of classical music, only a few truly make a lasting impact, one that lives on long after those prodigies have passed well into their adulthoods. Mozart began to play piano at the age of three, Beethoven did so at seven and a half, and Georges Bizet did so before his tenth birthday. Pianist Eliane Rodrigues, who began composing at three, played her first recital at five and first performed with an orchestra when she was just six years of age, can certainly be counted among those prodigious musicians, as evidenced on her latest recording, REFLETS.

On PARTS TO PLAY, critically acclaimed violinist Moonkyung Lee turns from the symphonic environment of the critically lauded label debut, TCHAIKOVSKY, on which she performed with the London Symphony Orchestra, to a more intimate setting, with only pianist Martha Locker as her partner on a selection of works that include both stunning solo performances and intricate yet simple duets.

REASON AND REVERENCE represents an aural exploration of our world’s complexities. By comparing and contrasting present triumphs with past regrets, the composers on this album develop a compelling, philosophical reflection of the world we live in. Conducted by Petr Vronský, the Moravian Philharmonic Orchestra delivers a master class in cohesiveness while tackling a wildly diverse, yet wholly complete set of compositions.

Deeply committed to a beauteous aesthetic, composer John Robertson's second album SYMPHONY NO.1 once more delivers a neoclassical triumph with tremendous potential for repeated listening. This release flaunts an unapologetically exuberant elegance ever-present in the composer's oeuvre. The heart of the album is, of course, Robertson's Symphony No. 1, a three-movement epos which explores the vast realm of classical tonality.

German philosopher Immanuel Kant defined the Sublime as "beauty accompanied by awe" – a thought which perfectly encapsulates the spirit of Cappella Clausura's second PARMA release, BIRDS OF THE PSALMS. Evocatively conducted by Amelia LeClair, the ensemble interprets a magnificent choral repertoire spanning six centuries.

On HYMNUS, the world renowned Jitro Czech Girls Choir under the direction of Jiří Skopal once again delivers refined, dazzling interpretations of the music that is so much a part of Czech culture. The album, which is the Choir’s third release on Navona Records, includes 24 selections that range from Moravian and Silesian folk songs on which the Choir interprets the subtle call and response between bucolic lovers, to a series of compositions inspired by Latin proverbs on which intricate, multidimensional vocals underscore the significance of a simple word or phrase.

THE GORGEOUS NOTHINGS is composer Ingrid Stölzel’s first full album on Navona Records, although she has also been featured on three compilation albums released by the label. Haunting and lyrical throughout, the album explores themes of beauty, being, journey and transformation. The album’s eleven tracks, some inspired by the poetry of Emily Dickinson and Walt Whitman and some created by Stölzel’s own native curiosity, engage the listener intellectually, emotionally and spiritually.

Navona Records artist Clipper Erickson presents a solo piano album of works by composers Richard Brodhead (1947- ), David Finko (1936-), and Modest Mussorgsky (1839-1881) entitled TABLEAU TEMPEST & TANGO. The mostly Russian-themed album climaxes with Erickson’s masterful interpretation of Mussorgsky’s Pictures at an Exhibition. The original version for solo piano precedes the iconic orchestrations by many composers, most notably Maurice Ravel. For Erickson, the piano is his orchestra, and he conducts it marvelously through every movement, down to the famed finale, The Great Gate of Kiev.

Since composer, conductor and musicologist Alicia Terzian founded Grupos Encuentros in 1978, the six-person group has garnered international acclaim for its success at bringing the music of avant-garde Argentinian and Latin American composers to the world. On 40 YEARS OF CONTEMPORARY MUSIC, their debut recording for NAVONA RECORDS, the group combines compositions from such well-known Latin American composers as Heitor Villa-Lobos, Alberto Ginaslera, and Terzian herself with works by an international array of composers that ranges from Anton Webern (Germany) to Luciano Berio (Italy) to Franz Schreker (Austria) to Pierre Boulez (France).

Nicholas Vines presents HIPSTER ZOMBIES FROM MARS, his third PARMA Recordings album. This collection of three major piano works by Dr. Vines was recorded on location at Cornell University with artist Ryan MacEvoy McCullough at the piano. For all of the flash one might expect from the album title, Vines bypasses gimmickry in order to capture something sophisticated.

The four works on UNEXPLORED, offer an expansive variety of musical genres while introducing listeners to previously unrecorded cello repertoire. Premiere recordings of works by Tchaikovsky, Cassadó, Rudnytsky, and Rimsky-Korsakov are presented by cellist Nada Radulovich and pianist Cullan Bryant.

In many ways, Walter Steffens' TWO CELLS IN SEVILLA is a work of polar opposites. Quasi-tonal but modern, traditional but minimalist, the German composer has created an opera uniting two historical protagonists as multi-faceted as the music itself.

On WHISPERING FRAGRANCE, his first solo album with Navona Records, composer Stephen Yip merges serenity with agitation, earthiness with sophistication and the mundane with the sublime. The result is an original creation that is unapologetically post-modern, yet deeply rooted in Chinese traditionalism.

Navona Records proudly presents Flare, recordings by members of the Society of Composers, Inc. Now in its 32nd installment, it offers a veritable cross-section of some of the most original voices in composition today. The album opens with 19-year-old Vaibhav Mohanty's Rhapsody No. 1 (2017), traveling through elements of Western classical composition, jazz, and Indian traditional music with such well-proportioned naturalness and ease, it bears all the telltale signs of an instant repertoire classic.

It should be no secret that Miami-based composer Ferdinando De Sena is a tour de force amongst electroacoustic composers. Just listening to SECRETS FOR FREE is all the proof you need. The EP boasts adventurous yet accessible compositions that balance real instruments with computer-generated sound. SECRETS FOR FREE is a testament to fans of either subgenre that the two approaches to classical music do not have to be mutually exclusive.

SEVERAL TIMES is an impressive collection spanning over four decades of the composer’s career. Though artistic development is present throughout the larger timeline of the album, each composition demonstrates innovative approaches to time and repetition. These innovations reflect a desire to not only learn and understand time, but master it.

Kamyar Mohajer’s PICTURES OF THE HIDDEN honors the composer’s “four Grand Masters:" Johann Sebastian Bach, Persian poet Hafez, and his parents. In this album, Mohajer shares his artistic upbringing by combining his roots in Persian modality with his love of Western classical music.