Catalog

With her richly diverse background and commissions from the BBC Proms and The Royal Opera, one would expect that composer Eleanor Alberga’s Navona Records release would be nothing short of a showstopper. It is just that and more. The three pieces on her STRING QUARTETS 1, 2 & 3 offer a penetrating view into Alberga’s creative genius. The album pulls the absolute best from the gifted Ensemble Arcadiana.

Daniel Ott, who holds degrees in Composition from both the Curtis Institute of Music and the Juilliard School, and currently serves on the faculty of the latter, is not only expertly familiar with the piano duet as a genre, but also harbors a very personal link to it: The piano duo who performs the works on the album, Karen and Jeffrey Savage of 88^SQUARED , are close friends of Ott from university days.

Navona Records proudly presents PRISMA VOL. 2, an epic journey into the world of the large ensemble with five of today’s top contemporary composers. This collection demonstrates the diversity of the orchestral and concerto composition, both in instrumentation and emotion.

It all began in 2011, when DuWors and Niekawa, then students at Eastman School of Music, were assigned to perform Mozart's last Sonata for Violin and Piano K. 526 together. The magnificence of the piece not only unlocked a profound musical rapport between the two young musicians, but also inspired their name as a collective.

Piano virtuoso Eliane Rodrigues returns with her latest Navona Records release — THE GERSHWIN & BERNSTEIN CONNECTION, a new look at timeless pieces by legendary American composers. Together with talented artists including her daughter, pianist Nina Smeets, Rodrigues thrills audiences once again with her moving and truly spellbinding performances.

Pianist Roberta Rust brings her own unique dynamism to the works of eight composers with whom she has had direct contact over the years. Dedicated to her late mother and step-daughter, this collection is as personal and touching as it is memorable for the broader audience.

The Jitro Czech Girls Choir, under the leadership of conductor and music director Jiří Skopal, presents yet another vivid exploration of the depths of traditional Czechoslovakian music on their fourth release with Navona, JITRO IN HEAVEN. The tone for the album is set by Liturgical Chants, five pieces which express the spiritual and musical code of European culture. These pieces are composed by Petr Eben, an icon of 20th-century Czech music.

Introducing the album is Lee Actor’s Duo for Violin and Cello. The track, which won the Eva Thompson Phillips Award for Composition in 1979, is a short, textured, and powerful piece. In ABA form, the energy of the stringed instruments swings like a parabola from the height of sharp, angular rhythms down into deep and gentle expressions and builds up to a sharp, explosive climax.

On September 2, 1998, 229 passengers and crew members lost their lives when Swissair Flight 111 crashed into the Atlantic Ocean near Nova Scotia. Composer Matt Frey, who identified with the Swissair tragedy due to his own brush with a plane malfunction, explores the human relationship to air travel while also commemorating the lives lost in the chamber opera ONE-ELEVEN HEAVY.

The long-awaited release from the chamber ensemble Duo Sequenza, YES…IT’S A THING!, includes works by five critically acclaimed contemporary composers. David Noon is one of the most prolific composers in the U.S.; Jerry Owen’s numerous achievements include two Pulitzer Prize nominations; Jorge Muñiz has had his music performed by chamber ensembles, chorales and orchestras throughout the world; Marc Mellits is one of the leading American composers of his generation and one of the most performed and recorded living composers in the United States; and Amin Sharifi’s recent works have been performed in the United States, Europe, and his native Iran.

Composed almost entirely in 2018 and performed by composer Giovanni Piacentini, the music on BETWEEN WORLDS serves as a brand-new snapshot of a musician's prowess at the height of his creative capabilities. In an age where the musician-composer is a dying breed in the realm of so-called "serious" music, Piacentini brings a breath of fresh air in a multitude of ways. There is no doubt that his astounding technical skill as a guitarist deeply informs his compositions, and the effect is nothing short of breathtaking. Strikingly, even when employing modern elements – such as adding electronics – Piacentini resolutely resists the temptation of putting trendy, cheap showmanship over the soul of the music. The guitar, the mainspring of musical expression, remains paramount and prominent, always. And, thanks to the composer's talent for lyricism, structure, and depth, this pays off. Immensely.

Characterized by a unique style of instrumentation and experimentation with formality, VIRTUOSITY is the colorful expression of composer John Robertson's symphonic creativity. VIRTUOSITY combines a clarinet and a trumpet concerto, a symphony, and an orchestral fantasy based on a Maori love story – all on one album.

Composer Michael G. Cunningham introduces the beauty of sacred choral compositions with the unique energy of the live recording. “Ecumenical” is defined as the promotion of unity among different Christian churches across the world, and ECUMENICAL SPIRIT celebrates the unifying powers of music as it transcends the borders of all differences.

VOICES OF EARTH AND AIR VOL II presents the best that modern choral compositions have to offer. Settings of traditional prayers are mingled with ethereal stories and otherworldly visions, and each of the eight compositions both stand unique and work together harmoniously to create a collection that nods to the future of choral music.

Composer Mark Dal Porto's award-winning, neo-Romantic Song of Eternity for Orchestra starts off THE MUSIC OF MARK DAL PORTO in epic fashion. If Mahler and Prokofiev had collaborated on a composition, it would probably have sounded a lot like this: pensive, evocative, and nostalgic. Song of Eternity describes the eternal renewal of nature with cinematic impact. It is inspired by an ancient Chinese poem, as is the next piece, I Seek Rest for My Lonely Heart for A-Cappella Choir. This work continues the subject of nature, albeit in a more individualized fashion, capturing the sentiment of a distressed soul in search of peace in a pastoral setting.

It is tempting to compare Matej Meštrović's compositional style to his great predecessors in the late-Romantic tradition. After all, much of the Croatian composer's style and techniques would be right at home in Rachmaninoff’s concertos, Tchaikovsky's works, or Prokofiev's neoclassicism; and the name of the album's first work, Danube Rhapsody, naturally evokes associations with Smetana's similarly river-themed Vltava. Add to all of this that Meštrović, like most of his great musical ancestors, is a talented virtuoso pianist, and it's easy to see why 3 RHAPSODIES is bound to meet with enthusiasm.

Sergio Cervetti, born in Uruguay, immigrated to the United States in 1962 to study contemporary composition, and his work contains a certain cosmopolitan quality reflective of his past and present. Although essentially a minimalist since 1970, he has branched out to embrace and incorporate diverse elements from a variety of aesthetics. The versatile creator understands how to pull the virtually unimaginable from its metaphysical realm into the here and now, a sudden manifestation of spirituality transcending dissonance. Ever-present is the nexus of nature and science, of the mundane and the miraculous.

PARMA Recordings, together with the esteemed Croatian Chamber Orchestra, is proud to release BENEATH THE TIDE, a reflection on human emotion and experience through a collection of five concertos. As the title suggests, BENEATH THE TIDE looks under the surface, examining underlying human realities that rise to the surface with the arrival of life’s changes.

Mark John McEncroe, who started his musical training in his late 30's, had always exhibited a varied, profound interest in music – one that led him to work as a major music label manager over the course of two decades. No doubt that it was partially this section of his professional career which formed the basis of his personal compositional language. Unimpeded by the constrictions of a musical academic career, he developed a style which is unapologetically concrete and evocative.

Although Arnold Schoenberg is often seen as a composer strictly concerned with pitch, his interests in timbre and sonority are ever-present in all five of his completed piano works. On SCHOENBERG PIANO MUSIC AND HIS 17 FRAGMENTS, pianist Yoko Hirota performs three of Schoenberg’s completed works along with the 17 fragments that he never brought to completion. Hirota, praised as being “precise and keenly projective” and demonstrating the “highest level of proficiency,” is one of the leading interpreters of contemporary piano repertory, and she brings Schoenberg’s compositions to life with conviction.