Catalog

On LORD, HOW COME ME HERE?, composer Shawn Okpebholo turns the mirror of history on today’s society with his own work and a reimagined collection of spirituals by enslaved Africans and American folk hymns that draws upon music from the past to critique contemporary racial injustices in the United States and around the globe. An ensemble of mezzo-soprano (J’Nai Bridges), baritone (Will Liverman), piano (Paul Sánchez), cello, and flute poignantly bring Okpebholo’s music to life, from hopeful anthems celebrating community to laments between a mother and her Creator and hymns celebrating faith and hope over hate and fear.

LET ME FLY showcases the extraordinary talents of the University of South Dakota Chamber Singers in a compilation of American choral music under the direction of Dr. David Holdhusen. The album, recorded from 2014 to 2016, primarily draws on two mainstays of contemporary American choral repertoire – traditional folk song and spiritual arrangements and new works featuring a lyrical, lush harmonic language.

KLEEMATION AND OTHER WORKS is the debut Navona release from Rockport-based composer Elizabeth Vercoe, featuring six of the composer's works for small ensemble and solo instruments. The title piece, Kleemation for flute and piano, draws its inspiration from five drawings by Swiss artist Paul Klee. Through her expertly crafted music, Vercoe effectively captures the moods and styles of the visual elements from which she works, ranging from wry humor to anxiety about the state of our world.

IT IS TIME features the compositions of David Shapiro, Kile Smith, Paul Fowler, Frank Havroy, Erhard Karkoschka and Kristen Broberg based on the German-language poetry of Romanian poet Paul Celan. Celan's words are largely open to interpretation and lend themselves to musical adaptations; the composers on this disc adapt the words well, and vocal ensemble The Crossing, under conductor Donald Nally, performs them beautifully.

IN PARADISUM is the second Navona release from Coro Allegro, Boston's chorus for members and friends of the LGBT community. This album features two works from acclaimed composer Patricia Van Ness: Requiem, a personal, intimate ritual of consolation reinforcing the presence of divine love; and The Voice of the Tenth Muse, a large, dramatic work based on the texts of Sappho.

The Jitro Czech Girls Choir, under the leadership of conductor and music director Jiří Skopal, presents yet another vivid exploration of the depths of traditional Czechoslovakian music on their fourth release with Navona, JITRO IN HEAVEN. The tone for the album is set by Liturgical Chants, five pieces which express the spiritual and musical code of European culture. These pieces are composed by Petr Eben, an icon of 20th-century Czech music.

Few things have informed and inspired as much music as humanity's search for God. Acclaimed baritone, arranger, and conductor Courtney Carey explores the relation between the worldly and the divine on I WANNA BE READY, a set of 12 spirituals arranged for different instrumentations — and each piece packs a punch. Six of them are songs for a solo voice (soprano or baritone) and piano, and Carey, being a trained vocalist himself, deploys this setup to its fullest effect, allowing for powerful brilliance. The other half are choral pieces, which are furnished with extra layers of depth and vigor by the splendidly expressive Concert Chorale ensemble. Even individually, these spirituals would be remarkable; together, they are a tour de force.

Monika Gurak certainly is no ordinary songwriter: not just because of her academic background, but also because of her love of foreign cultures. Her linguistic fluency in English, Spanish, and Polish heavily influences her work on I LOVE YOU LIKE SPAIN from Navona Records: the songs are sung in English, but the music comes with a generous helping of both Iberian exoticism as well as Polish sensibility.

HARMONY OF DISSONANCE brings together, juxtaposes, and intertwines the disparate singing styles of the regions of Dalmatia, which remain stylistically and performatively distant even today. While these musical worlds present seemingly irreconcilable musical and cultural differences, they are all connected by polyphonic singing, which forms the core of this collaboration between the Harmonija Dissonance Ensemble and the Jazz Orchestra of the Academy of Music in Zagreb.

GODDESSES is the third offering in Navona Records' The Shakespeare Concerts Series, which presents several works by composer Joseph Summer from his collection of settings of Shakespearean scenes, sonnets, and soliloquies, Oxford Songs.

FULL FATHOM FIVE, the fifth offering in Navona Records' The Shakespeare Concerts Series, takes the story of The Tempest, from the shipwrecked crew and magical spirits to the imprisoned servants and their questions of identity, and presents a variety of works from the 18th to the 21st centuries that set texts and depict themes from Shakespeare's play.

Laurence Sherr delves deep into the spirit of resilience with FUGITIVE FOOTSTEPS: REMEMBRANCE MUSIC. Not shying away from musically pointing to suffering and despair, Sherr paints a vivid picture of persecution, trauma, and survivor's guilt but also of silent and active opposition, hope, renewal, and the eventual overcoming of adversity. Through remembrance and tribute, these compositions unapologetically aim to tell stories of Holocaust resistance and survival, not only in concept but also in their individual tonal language: at all times fully conscious of their cultural roots, vast heritage, a sacrosanct sense of belonging, and the duty of defending these treasures. But perhaps, even more, these works reveal pathways to clearer, brighter horizons.

Spanning landscapes from Mexico to Canada, the Pacific Crest Trail covers thousands of miles of natural beauty, creating a transformative journey captured in FROM WILDERNESS from Navona Records. Choral Arts Initiative, conducted by Brandon Elliott and joined by cellist Kevin Mills, paints these landscapes from composer Jeffrey Derus with vibrant color, with vocal soloists giving identities to the spirit animals one may encounter on the trail. A concert-length work and meditation, the listener will hear a wash of sounds that allow for introspective reflection on the sacredness of nature, the profound text, and themselves.

FOUR QUARTETS OF SONGS & ARIAS, the debut Navona release by composer Roger Bourland, takes us on a touching journey by way of works for voice (Juliana Gondek) and piano (William Lumpkin). The album features four song cycles, each a four song set depicting a range of emotion and feeling.

Excerpts from the Bible, text from the Middle Ages, and traditional instrumentation (organ, orchestral, and choral) form the basis of six composers' inspired works on FOUNDATIONS to create stirring, new contemporary classical music. By connecting to the roots of historical texts and musical conventions - in some cases the foundations of our collective cultures - these pieces present a modern spin on traditional materials, sounds, and forms.

An emotional and collaborative tour de force, Dominick DiOrio’s FETTER & AIR presents the Mendelssohn Chorus of Philadelphia’s own words set to a haunting soundscape that explores each member’s innermost hopes, fears, dreams, and desires. The massive undertaking is a skillful combination of 562 audio files comprising spoken word and singing by 61 chorus members, combined into a single piece by DiOrio and sound designer Justin “JG” Geller. The personal thoughts and interweaving arrangements create a raw expressiveness and intimacy, ultimately rendering a reminder of how our own stories echo within us.

With Gregory Brown’s FALL AND DECLINE on Navona Records, the composer chronicles the heights to which humanity can soar—but also the depths to which it may come crashing down. Scored for the solo voices of virtuosic vocal sextet Variant 6 and electronics, the sounds range from typical choral textures (though peppered with microtones) to angular and aggressive electronic soundscapes.

Navona Records welcomes Cappella Clausura, directed by Amelia LeClair, to the family with their new release of the choral works of Hilary Tann, entitled EXULTET TERRA. For the first half of the album, LeClair and Tann juxtapose Tann’s works for women’s voices, a cappella, with pieces by Hildegard von Bingen, in soaring arrangements by LeClair.

EVOLUTIONARY SPIRITS brings together the artistry of Grammy Award-winning chamber choir The Crossing with innovative works of six contemporary composers. Ranging from songs of praise from the Biblical era to present day, and from contemporary poetry to the reimagining of a Shakespearean sonnet, EVOLUTIONARY SPIRITS explores humanity in all its facets.

Composer Michael G. Cunningham introduces the beauty of sacred choral compositions with the unique energy of the live recording. “Ecumenical” is defined as the promotion of unity among different Christian churches across the world, and ECUMENICAL SPIRIT celebrates the unifying powers of music as it transcends the borders of all differences.