Performers

A vibrant musician and innovative educator, Laura Talbott-Clark currently serves as associate professor of violin at Oklahoma State University. An avid chamber musician, she has performed as principal violinist of Tulsa Camerata, Janus 21 Chamber Ensemble, and as second violinist of the Tulsa Rock Quartet. Talbott-Clark has an extensive background as an orchestral musician, including membership in the Tulsa Symphony Orchestra, Nashville Symphony, and Cantata Singers Chamber Orchestra.

Tamas Szigyarto was born and raised in St. Petersburg, Russia. He was schooled in classical piano from the age of 10 and progressed into drums & percussion from 17. For the following decade, he played in numerous alternative rock bands. Szigyarto studied Mathematics at St.Petersburg State University (graduated with MSc. in Math in 2006) and Commercial Music Performance at Tech Music School (BIMM Institute) in London. Here he met and played with London’s alt pop trio Fassine.

Peter Sulski was a member of the London Symphony Orchestra for seven years. While in England he served on the faculty of the Royal College of Music and Trinity College of Music and Drama, as well as being Artistic Director of Chapel Royal Concerts, which he founded in 1993.

Pianist Dr. Marko Stuparević has appeared in over 500 concerts and festivals over the United States, Israel, France, Serbia, Iceland, Bosnia and Herzegovina, Czech Republic, Bulgaria, Montenegro, and Slovakia as a solo performer and chamber musician. Winning piano competition prizes resulted in many notable solo recitals in the United States and Europe, including Carnegie’s Weill Recital Hall and many other important venues. Stuparević has performed as soloist with Connecticut Valley Symphony Orchestra (under Joseph Hodge), Razgrad Philharmonic (Krasen Ivanov), Symphony Orchestra of the Army House of Serbia (Simone Fermani), National Symphony of Bulgaria (Stanislav Usev), and Foot in the Door Ensemble (Glen Adsit).

Josefien Stoppelenburg is best known for her dazzling vocal agility and her passionate and insightful interpretations. She performed all over the United States and Europe and sang for the Dutch Royal Family on several occasions.

Richard Stoltzman's virtuosity, technique, imagination, and communicative power have revolutionized the world of clarinet playing, opening up possibilities for the instrument that no one could have predicted. He was responsible for bringing the clarinet to the forefront as a solo instrument, and is still the world's foremost clarinetist. Stoltzman gave the first clarinet recitals in the histories of both the Hollywood Bowl and Carnegie Hall, and, in 1986, became the first wind player to be awarded the Avery Fisher Prize.

Mika has toured to 19 countries and 65 cities around the world. She has performed 10 times at Carnegie Hall (Zankel and Weill Hall), as well as at PASIC 2005 and 2007, the Blue Note in New York, the Tokyo and Cairo Jazz Festivals, and the Rockport Jazz Festival. She regularly performs around the world in a duo with her husband, clarinetist Richard Stoltzman, at major venues in New York, Boston, Austin, Buenos Aires, Mexico, Hong Kong, Japan, Germany, and many more.

North Macedonian pianist and composer Natasha Stojanovska has received numerous prestigious prizes and honors, including the American Prize. Having left her native country to continue her education in the United States, she was selected to be a member of the studios of Roberta Rust at Lynn University’s Conservatory of Music and Alexander Toradze at Indiana University. Stojanovska continued on to pursue a Doctorate of Musical Arts at the Bienen School of Music at Northwestern University with James Giles.

Timothy Stoddard has been hailed by Opera News as “having a clear-voiced tenor.” A native of Idaho, he is an award-winning vocal musician and actor who focuses his time and interests in new music, works for the stage, and oratorio. His repertoire spans that of early music, chamber music, works of Broadway, traditional opera, and world premiere pieces, and he performs in the United States, as well as Europe and Asia.

Cellist Paige Stockley is known for championing the music of living composers from the Pacific Northwest and is on faculty at Cornish College of the Arts in Seattle. Paige holds a master's degree from the Manhattan School of Music. Her early training was at the University of Washington, where she studied with cellist Toby Saks while earning a double major in Political Science and English. She has also played in orchestras around the world: from Connecticut to Spain, Mexico City, Prague and Krakow, spending a year at the European Mozart Academy playing under the baton of Sandor Vegh and studying with Steven Isserlis.

Emily Sternfeld-Dunn, soprano, is a strong advocate for new music and unconventional performances of art song and opera. Ms. Sternfeld-Dunn regularly gives recitals across the country featuring works of contemporary American composers. Significant performances with Hartford Opera Theater include Laetitia in Menotti’s The Old Maid and the Thief and Aunt Polly and Susy Harper in Tom Sawyer, a new work commissioned by the company.

Praised by The New York Times for her “thoughtful musicality” and “fleet-fingered panache,” Liza Stepanova has performed at the Berlin Philharmonie, the Weill and Zankel recital halls at Carnegie Hall; Alice Tully, Merkin, David Geffen, and Steinway halls in New York City; and at the Kennedy Center. She has appeared as a soloist with conductors James DePreist and Nicholas McGegan and live on WQXR New York, WFMT Chicago, and WETA Washington.

Dana Muller and Gary Steigerwalt have performed as duo pianists for more than three decades, creating programs that encompass the historical and stylistic gamut of the piano four-hand genre. As recitalists, they have performed extensively in the United States, South America and Scotland. Festival appearances range from presenting Beethoven’s complete four-hand works at the Beethoven Festival, Oyster Bay, Long Island, to performances at Bethlehem Musikfest (Pennsylvania), Music at Penn Alps (Maryland), and Sevenars Festival and Musicorda Festival (Massachusetts).

Elizabeth Start is a composer, cellist, arts administrator, and union officer, currently dividing her time between Kalamazoo MI and the Chicago area.

Michelle Batty Stanley is Associate Professor of Music at Colorado State University where she teaches flute and chamber music. Michelle is a regular performer in solo, chamber and orchestral settings. From early music to new music, Michelle is a passionate performer and strong advocate of the musical arts. She is a regular international artist and has enjoyed giving masterclasses from China to the U.S..

Ensemble Spinoza is a Montreal based early music ensemble. It was co-founded by Noémy Gagnon-Lafrenais and Christophe Gauthier in 2020. Acclaimed gambist Margaret Little joined the ensemble in 2021. The group specializes in the performance of 17th century baroque on period instruments. The ensemble’s mission is to uncover hidden gems of the repertoire and make them available to North Americans. Ensemble Spinoza stands apart through its profound artistic contemplation, embodying a pursuit of knowledge that echoes the philosophers from whom it draws its name.

Chi Young Song (he/him/his), violinist and educator, has engaged with audiences throughout Asia, North America, and Europe. A passionate collaborator in both orchestral and chamber music, Chi Young is frequently invited to lead and perform with various ensembles and orchestras throughout the United States. As a recitalist, he is committed to putting into dialogue the works of marginalized and underrepresented composers within traditional repertoire.

Pavel Šnajdr is a Czech conductor and composer. He is a graduate of the Janáček Academy of Music and Performing Arts (JAMU), Brno in composition (which he studied with Alois Piňos) and conducting (with Emil Skoták). Beyond working with symphony orchestras, he has been engaged by music theatres including the J.K. Tyl Theatre in Pilsen, the Prague State Opera and the Moravian Theatre in Olomouc, and currently conducts opera at the National Theatre in Brno.

When NINA SMEETS makes music, she fully expresses the feelings coming from her heart and soul. She combines a fresh, delicate, and clear sound with a full range of musical colors. Her ability to mesmerize the audience with pure, sincere, and touching performances makes her an artist of unconditional value. Smeets devotes herself fully to music. She’s not only a performer, but also a passionate composer. After the release of her solo piano book and album, Project Reborn, Smeets’s music was nominated for an award in 2016.

Jiří Skopal, choral conductor and music educator, was born on August 15, 1947 in Velké Losiny, Czech Republic. Skopal received his first music education from his father, Jan Skopal, a choral conductor of North Moravia’s Teachers’ Association. For his Master’s in Education, he studied in Olomouc from 1965 to 1969, and received his doctorate in 1973. In 1982, he was named Associate Professor at the Charles University in Prague, and in 1994 he became a full Professor.