Catalog

Non-standard setups in classical music may be interesting, but they are commonly faced with the problem of limited repertoire. The ARK Trio, formed by soprano Allison Charney, cellist Kajsa William-Olsson, and pianist Reiko Uchida, has found a way of circumventing this challenge by commissioning works from contemporary composers as well as re-arranging classics, and the result can be heard on their debut release, ARK RESOUNDING. The pieces presented here may be an eclectic mix of American history, Bachian and Schubertian influences, and timeless poetry, but they are all united by one common denominator: the bittersweet trials and tribulations of love.

On her second release on Navona Records, BRASS RAIL BLUES, Canadian composer and oboist Patricia Morehead showcases her ability to incorporate varying instrumentation into her compositions, from mezzo-soprano and chamber ensemble; to flute and piano; to mandolin, cello, and clarinet. Because of this variety, the composer creates a world of imagery, setting poems by such writers as Margaret Atwood, Anne Sexton, and Cathy Ann Elias in several of her pieces.

CADENCE, the new vocal music compilation from Navona Records, offers a set of inspired, emotive premiere recordings by composers Christopher J. Hoh, David Kirtley, Joanne D. Carey, and Timothy Kramer in works juxtaposing the ethereal and the earthy, the diaphanous and the muscular, and the serene and the agile.

CHAMBER WORKS OF ÉRIC TANGUY from Navona Records and composer Eric Tanguy delivers three world premiere recordings and a curated selection of the composer’s chamber pieces that demonstrates his illustrative style of punctuated modality. Brought to life by talented artists Ambroise Aubrun (violin), Cécilia Tsan (cello), Steven Vanhauwaert (piano), Martin Chalifour (violin), and Elissa Johnston (soprano), these seven pieces reflect many years of past collaboration amongst the performers resulting in a connection that is translated through thoughtful yet intense musical stylings. Tanguy’s ear-catching melodies and personalized compositions foster a sound quality that showcases the strengths and dexterity of the performers, all the while providing a stimulating and intimate listening experience.

Newly released from Navona is CONVERSATIONS WITH MY SOUL, a collection of new chamber works from acclaimed composer-pianist Bun-Ching Lam. The music sets in different languages the poetry of Shelley, Heine, Rimbaud, and Lasker-Shüller, as well as the poems of 9th Century Chinese mystic Han Shan and contemporary writer Etel Adnan. In a compositional voice The New York Times has called “alluringly exotic,” Lam incorporates baritone voice, piano, viola, flute, French horn, and harp to elucidate timeless works concerning life’s fundamental questions.

So many of us wonder about the big picture questions in life. Why are we here? What is the best I can do in my lifetime? COSMIC WHEEL OF THE ZODIAC, with lyrics by astrologer Benita Rainer, presents a cosmic rumination for meditation upon these great questions. These songs guide you through the labyrinth of the Cosmos, which, as perfectly attested to in “As above, so below,” is also the labyrinth of your mind; as what is without has its genesis in what is within.

There are great singers, and then there are great singers who break the mold, pushing both the musical and organizational boundaries of their craft. American mezzo-soprano Megan Ihnen impressively demonstrates her affiliation with the latter group on CURRENTS IN TIME, once more employing her formidable talents as both a 21st-century vocalist and impresaria to shine a light on a varied array of contemporary composers.

DEVISADERO features the original compositions of New Mexico-based composer Christopher Shultis. Through woodwinds, percussion and piano, Shultis is able to vividly describe the New Mexican wilderness and the significance of its beauty. Shultis' compositions invite the listener to experience not only the sound of the music, but what we see and think, and especially, how we breathe, as well.

FOUR QUARTETS OF SONGS & ARIAS, the debut Navona release by composer Roger Bourland, takes us on a touching journey by way of works for voice (Juliana Gondek) and piano (William Lumpkin). The album features four song cycles, each a four song set depicting a range of emotion and feeling.

HARMONY OF DISSONANCE brings together, juxtaposes, and intertwines the disparate singing styles of the regions of Dalmatia, which remain stylistically and performatively distant even today. While these musical worlds present seemingly irreconcilable musical and cultural differences, they are all connected by polyphonic singing, which forms the core of this collaboration between the Harmonija Dissonance Ensemble and the Jazz Orchestra of the Academy of Music in Zagreb.

Monika Gurak certainly is no ordinary songwriter: not just because of her academic background, but also because of her love of foreign cultures. Her linguistic fluency in English, Spanish, and Polish heavily influences her work on I LOVE YOU LIKE SPAIN from Navona Records: the songs are sung in English, but the music comes with a generous helping of both Iberian exoticism as well as Polish sensibility.

Navona Records presents JOYS ABIDING, an album of vocal duets by female composers including previously unpublished duets by British-American composer Rebecca Clarke, the text of which inspired the album title. The extensive track list of duets from the Baroque, Classical, and Romantic periods is performed by Dana Zenobi, soprano, Oliver Worthington, baritone, Chuck Dillard, piano/harpsichord, and David Murray, double bass. JOYS ABIDING aims to elevate the important work of female composers who have historically been excluded from the male-dominated classical duet canon.

KLEEMATION AND OTHER WORKS is the debut Navona release from Rockport-based composer Elizabeth Vercoe, featuring six of the composer's works for small ensemble and solo instruments. The title piece, Kleemation for flute and piano, draws its inspiration from five drawings by Swiss artist Paul Klee. Through her expertly crafted music, Vercoe effectively captures the moods and styles of the visual elements from which she works, ranging from wry humor to anxiety about the state of our world.

On LORD, HOW COME ME HERE?, composer Shawn Okpebholo turns the mirror of history on today’s society with his own work and a reimagined collection of spirituals by enslaved Africans and American folk hymns that draws upon music from the past to critique contemporary racial injustices in the United States and around the globe. An ensemble of mezzo-soprano (J’Nai Bridges), baritone (Will Liverman), piano (Paul Sánchez), cello, and flute poignantly bring Okpebholo’s music to life, from hopeful anthems celebrating community to laments between a mother and her Creator and hymns celebrating faith and hope over hate and fear.

Uruguayan-born American Sergio Cervetti is sure to please listeners with MORTAL DREAMS, his ninth album with NAVONA. Cervetti, who, on previous releases, has firmly established himself as one of the most unique voices in contemporary serious music, again delivers electro-acoustic compositions that can be counted as some of his best in the genre.

Composer Carl Vollrath and Navona Records presents OLD & NEW POETRY VOL II, a compelling musical-literary experience featuring the works of seminal poet William Blake and contemporary writer John Gracen Brown. An enticing follow-up to his 2021 release of the same title, Vollrath employs piano and clarinet with various vocal ranges in this recording, each an intimate setting reflecting his close relationship with the text itself. Deeply in tune to nature and captured from the lens of the human experience, Vollrath’s musical response to this poetic language shows his dedication to and passion for these works.

PREACH SISTER, PREACH showcases award-winning Katherine Jolly’s “agile, bright lyric soprano” voice (The New York Times) on a series of pieces that are distinctively individual in their inspiration while cohesively united by the passions of their composers.

One does not have to be religious to appreciate the depth, inspiration, and melodiousness of PSALMS, Eloise Hynes Stowe's new album from Navona Records. Scored for voice and piano, and occasionally supplemented by flute and violin, these psalms and hymns immediately demonstrate the literary and emotional grasp of the biblical texts and ecclesiastical interpretations.

British composer Robert Hugill’s new release QUICKENING is an enthralling and intimate showcase of contemporary art song. Across the album, Hugill demonstrates an exceptional sensitivity to text and melody, both of which shine through his clear and lyrical musical language. The four sets of songs on the album are consummate modern lieder, and one can easily imagine hearing them at a private vocal recital alongside the Romantic song cycles of the nineteenth century.

SHAKESPEARE'S MEMORY is the first offering Navona's The Shakespeare Concerts Series. A salmagundi of selections from composer Joseph Summer's The Oxford Songs, this album includes previously unreleased recordings spanning the life of the series. This first volume includes Summer's original chamber and vocal compositions set to Shakespeare's dramas and sonnets and the poetry of Milton and Yeats, performed by a slew of musicians: the Kalmia String Quartet, baritone Chad Sloan, soprano Andrea Chenoweth, mezzo-soprano Kellie Van Horn, tenor Justin Vickers, pianists Miroslav Sekera and Ian Watson, and harpist Lydie Härtelovä.