Catalog

From the serenity of the Smoky Mountains to the abstraction and boldness of Kandinsky's paintings, composer Paul Osterfield's debut solo Navona Records album SOUND AND FURY pulls inspiration from several experiences which the composer translates into refined, stimulating, and expressive chamber pieces.

Award winning composer Peter Knell offers a deep dive into a number of his inspirations and formative experiences through a variety of orchestrations in SOUNDSCAPES from Navona Records. Expressed through solo violin, violin and vocal duo, and string quartet, Knell’s work encompasses the poetry of Pablo Neruda, the art of Rolf Stein, landscapes of his youth, and more. Dive in and become immersed in the natural imagery and sensations both Knell and these performers bring forth.

Composer Ferdinando DeSena presents a selection of chamber works offering a mixture of musical elements. DeSena’s distinct musical style draws on all his diverse musical influences including jazz, popular, and classical avant garde. The popular and jazz fingerprints on his music are subtle, but can be found in his instrumentation and instrumental writing; on this album his combinations include the flute, guitar, sax and even harp and electronics to express unique sounds.

Continuing the mission of the original Capstone Records series by the Connecticut Composers, Inc., this debut Navona Records release of the same name, SPECTRA, highlights six contemporary composers from northeastern United States, who reflect the diversity and progression of today's music.

SPECTRA 2 unveils the works of six composers, each of whom tells a unique, memorable story. First up is Elizabeth R. Austin's B-A-C-HOMAGE, an intricately constructed tribute to the German Baroque composer. Based on Bach's name and his "Air on G" respectively, the first and second movement reflect upon the clarity of his work through the lens of Austin's decidedly modern tonal language.

SPELLS, a new retrospective collection highlighting the music of poet and composer Juli Nunlist, marks a touching journey through the earnest, romantic, and dramatic sounds of the late artist’s compositional language. The album’s works demonstrate Nunlist’s appreciation for tradition and grandeur, and are driven by her remarkable gift for melody and clear fascination with instrumental texture.

American composer Marty Regan specializes in composing music for traditional Japanese instruments, a fascination he has developed since 2000. Regan describes his Japanese-style compositions as, “hybrid musical soundscapes that reflect the age in which we live, an era based not necessarily on globalization, but of partnership based on global cultural interaction.” In contrast, SPLASH OF INDIGO features a complementary side of Regan’s output, containing only works for Western orchestral instruments and voice.

SPOON HANGING FROM MY NOSE, the debut album by composer J.A. Kawarsky, combines spirit and wit with compositions that dance between tender and strikingly agitated. With works for orchestra, some composed by Kawarsky and others originally by Brahms but arranged and reimagined by Kawarsky, the album as a whole is a triumphant entrance into the full album release for the composer.

STARRY NIGHT is the latest release from Hawaii-based composer John A. Carollo. This release features compositions that span a decade, including the concert band version of Transcendence in the Age of War, previously released on the Navona label. Carollo's skillful representations of fear, suffering and sadness, as well as enthusiasm and determination, are on full display as he takes us through the course of emotion. From orchestra pieces to works for saxophone quartet, Carollo is able to capture the essence of what it means to be human.

Composer Peter Dayton and Navona Records present STORIES OUT OF CHERRY STEMS, an album of original vocal chamber music with carefully curated texts spanning multiple centuries. Soprano Katie Procell and numerous selected performers navigate a persistent tension between simplicity and complexity delicately threaded throughout the program, providing a solid stage for the texts of notable poets Pablo Neruda, Oscar Wilde, and more. The strengths of vocal and instrumental chamber music merge into a cohesive powerhouse in this recording, brimming with sung stories that compliment Dayton’s compositional style.

Composer Michael J. Evans’ THE MUSIC OF ERICH ZANN is a startling and surreal musical interpretation of H.P. Lovecraft’s 1922 tale of the eponymous violist – a mysterious old man who seemingly protects himself from dark, magical forces by playing the viol. Evans is a gifted melodist, and his other PARMA Recordings and Navona albums showcase his predilections for the rich textures and harmonic language of late European Romanticism.

Richmond-based composer Elliott Miles McKinley's STRING QUARTETS features three of the composer's string quartets, commissioned by the Martinu String Quartet from Prague. These works span the first decade of the 21st century and show a progression of McKinley's compositional skill, marking him as an innovative composer early in the new millennium.

With her richly diverse background and commissions from the BBC Proms and The Royal Opera, one would expect that composer Eleanor Alberga’s Navona Records release would be nothing short of a showstopper. It is just that and more. The three pieces on her STRING QUARTETS 1, 2 & 3 offer a penetrating view into Alberga’s creative genius. The album pulls the absolute best from the gifted Ensemble Arcadiana.

Swiss composer Martin Schlumpf is a man of many talents. From his early practice of jazz bass and classical cello to academic writings on composition to formal education on clarinet, piano, conducting, theory, and composition-not to mention the decades of experience as a perform across a variety of genre - Schlumpf proves that the jack of all trades can be the master, as well. With SUMMER CIRCLE, Schlumpf combines his myriad influences to craft expressive, complex chamber pieces that marry the sophisticated intricacies of jazz with the studied nuance of modern classical.

Sergio Cervetti returns with an exciting collection of works on his sixth Navona Records release, SUNSET AT NOON. A diverse composer, his works range from instrumental and vocal music to electronic compositions, often reflecting his South American, French and Italian heritage. His vocabulary draws from an early interest in twelve-tone and minimalism, and his current approach is flexible and free of constraint. With SUNSET AT NOON, Cervetti focuses on keyboard-based compositions for half of the album, with a foray into chamber music on the other half.

With his new album SURSUM, composer Michael Slayton presents six compelling compositions, each performed by a different ensemble or solo performer. Despite the album’s varied & esteemed assemblage of performers, there lies a common thread throughout in both the form of Slayton’s distinguished composing style – dreamy but focused, and equal parts smooth and dissonant – as well as the imagery that the music conjures.

Within their varied appearances and sounds, the piano, vibraphone, and marimba make up a unique family. Nonetheless, key similarities bind them together, and SUSTAIN explores just that. The latest multi-composer release by Navona Records, SUSTAIN presents works for various keyboards that explore not only the abilities of each instrument, but the varied approaches from five different composers.

Two years after the release of SUSTAIN comes the long-anticipated follow-up, SUSTAIN VOL. 2. This fresh collection of works centered around the piano includes a range of contemporary compositional styles: tonal, atonal, and everything in between. This volume features a new cast of composers and performers, with contributions by Sarah Wallin-Huff, Karen Tarlow, Chen-Hsin Su, Bill Sherrill, Jim Puckett, Ron Nagorcka, Gordon Monahan, Kenneth A. Kuhn, Santiago Kodela, John Craven, and John A. Carollo. The album’s varied soundscapes and arrangements—including solo piano, piano and saxophone, and piano and strings—constantly surprise and delight the ear. A fitting sequel to the first installment, SUSTAIN VOL. 2 is steeped in the dynamic complexity piano music offers.

Throughout his lifetime, composer Sydney Hodkinson wrote over 250 works, covering a wide array of genres including educational literature, chamber arrangements, and large-scale orchestral pieces. SYDNEY HODKINSON: CHAMBER WORKS from Navona Records brings four live recordings of the late composer’s string quartets and a trio, Rogatio Gravis, to life with performances from the Benda Quartet and the Jupiter Quartet. With works written in dedication to family members, loved ones, and friends, this posthumous release serves as a perfect parting gift from Hodkinson — a musical display of his compositional prowess and kindness.

Alicia Terzian is a world-recognized, award-winning composer, conductor, and musicologist. She is on the faculty of the Fine Arts Academy of Chile and Spain and is the conductor of Grupo Encuentros, the official group of the International Encounters for Contemporary Music Foundation and the only permanent group in Latin America.