Catalog

Composer Monica Houghton has a musical and academic resume that is made even more exceptional by her experiences as a true citizen of the world. Her travels around the globe have led her to incorporate non-Western instruments and musical practices into several of her compositions as well as to find inspiration trekking through Peru, or by exploring the remote and desolate areas of the American West. On CHAMBER WORKS, her debut on Navona Records, Houghton incorporates these influences along with many others to deliver eight stunning performances showcased in a variety of musical configurations.

Composer Carl Vollrath and Navona Records presents OLD & NEW POETRY VOL II, a compelling musical-literary experience featuring the works of seminal poet William Blake and contemporary writer John Gracen Brown. An enticing follow-up to his 2021 release of the same title, Vollrath employs piano and clarinet with various vocal ranges in this recording, each an intimate setting reflecting his close relationship with the text itself. Deeply in tune to nature and captured from the lens of the human experience, Vollrath’s musical response to this poetic language shows his dedication to and passion for these works.

ON AN OVERGROWN PATH from pianist Jennifer Elowsky-Fox features music by composers Leoš Janáček and Larry Thomas Bell. Janáček gives the album its title piece, a programmatic work that evokes the composer’s memories from early 20th century Moravia. The piano cycle, performed with masterful sensitivity by Elowsky-Fox, blends the eastern and western cultural influences of the region. Based on hymn tunes included in Bell’s A Hymnbook for Congregational Singing, op. 169, Bell’s Piano Sonata No. 5, A Landscape of Small Ruins, op. 166, was composed in 2020 specifically for Elowsky-Fox. Her performances have been described in print as “buoyant”, “fun” and “gorgeous in all respects,” all sentiments that resonate in this Navona Records release.

Featuring cellist Thomas Mesa and pianist Michelle Cann, OUR STORIES from Navona Records aims to raise the voices of composers and performers from backgrounds traditionally underrepresented in classical music. Made possible by PARMA Recordings and a Sphinx MPower Grant, this release musically conveys a diverse mixture of themes and topics, from the intricacies and curiosities of human communication to fear-inducing information prevalent in the media, reflections on the acceptance of life's inevitable changes and losses, and more. Dive in and explore the masterful contemporary works of Andrea Casarrubios, Carlos Carrillo, Kevin Day, Sebastian Quesada, and Mario Oyanadel.

Santa Barbara-based composer Emma Lou Diemer (b. 1927) is a fixture in the Californian classical music community, having received commissions and performances from orchestras and ensembles throughout the state and worked throughout her career to advance the musical community.

On his latest Navona Records release, PARAGONIA, composer Michael G. Cunningham explores ways in which the orchestra can interact with itself on several levels. Counter Currents presents contrary phrases and themes simultaneously stated while TransActions portrays dimensions of density, emphasizing orchestral blur and presenting gestures and passages that prompt interplay between the sections of the orchestra.

On PARTS TO PLAY, critically acclaimed violinist Moonkyung Lee turns from the symphonic environment of the critically lauded label debut, TCHAIKOVSKY, on which she performed with the London Symphony Orchestra, to a more intimate setting, with only pianist Martha Locker as her partner on a selection of works that include both stunning solo performances and intricate yet simple duets.

Composer Michael Murray’s album PASSAGES brings the words of iconic 19th and 20th century poets to life through stirring music for solo soprano and instruments. Murray has selected poetry from the likes of Robert Louis Stevenson, William Butler Yeats, William Wordsworth, John Keats, and Walt Whitman, with poems detailing childhood adventure, hope, and tragedy. Celebrated soprano Genevieve Fulks performs throughout; most of the music heard on the album was written specifically with her voice in mind. Murray’s music has been lauded for its meticulously crafted yet ultimately approachable style. Through familiar themes and time-honored poetry, Murray invites listeners to engage with, and even be challenged by, this collection of thoughtful compositions.

The stories we tell, stemming from our experiences of people, places, and events, reveal how we understand and express the world around us. Composer Carl Vollrath presents works for clarinet and piano which depict his interpretations of past events and tones of past composers, oftentimes conveying them through ironic and spirited musical themes.

The 28th edition of the Society of Composers, Inc. release series and the 4th on Navona Records, PENDULUM extrapolates and elaborates on several themes relating to variation, transformation, repetition, and more.

Music represents a dialogue between composer and listener, channeled through performance and observation. Much like in spoken conversation, the works in PERCEPTIONS present us with the revealing perspectives of their composers as told through small ensembles. The listener is presented with music that entrances, enkindles, jars, lingers, connects, and engrosses–perceptions both highly incisive and deeply personal.

Allison Brewster Franzetti makes a charming return with PIANISTA, a new collection of recordings that the artist herself describes as a “rich musical tapestry.” Centered around Carlos Franzetti’s Minotaur in the Labyrinth suite, and supplemented with works by Kapustin and Salgán, PIANISTA colors itself in Franzetti’s signature style, a combination of jazz and tango alongside an always enticing homage to Argentinian sound, both folk and urban. These elements come together to drape PIANISTA in playful rhythms, warm harmonies, and the certain éclat only the pianista herself can deliver.

Maestro Kirk Trevor praises composer Lee Actor as "one of the refreshing new classical voices ... who can still use a traditional language with a freshness that makes the music alive and interesting." On his latest Navona Records release PIANO CONCERTO, Actor presents three orchestral works, performed by Trevor and the Slovak National Symphony Orchestra, that are engaging and tonal yet dramatic and modern.

It’s almost hard to believe that Andrew Anderson hails from Australia, given how deeply rooted he seems to be in the European High-Romantic tradition. The first quartet in particular is profoundly reminiscent of the virtuoso chamber works of Dussek and Hummel, with a dash of Dvořák for good measure. And yet, its sound is decidedly modern. Not only is the work stunningly well-proportioned, it effortlessly adheres to the classical sonata form – not in a rigid, miniaturized way of imitation, but completely naturally, as if it could only exist in this way and no other.

Navona Records is proud to present PIANO SONATA #4, a solo piano work by composer Eric Price fusing 19th and 20th Century elements with authentic touches of personal compositional style. Performed by the critically-acclaimed pianist Anna Kislitsyna, this piece stays true to the long standing traditions of the form, amplified with Price’s unique cascading lines that resolve in savory moments of authentic beauty. From highly technical displays of pianistic and compositional prowess to triumphant passages and more, Piano Sonata No. 4 offers an enticing look at Price’s musical footprint and Kislitsyna’s stunning interpretation.

Acclaimed pianist Anna Kislitsyna stuns on PIANO SPECTRUMS, a profoundly emotive selection of aesthetic contemporary pieces – and a world-class interpretation ranging from tender filigree to unbridled, seething virtuosity. Ten contemporary composers share their works on this album with an eclectic program, both in terms of styles and subject matters. All the more outstanding, then, is how Kislitsyna scintillates with her wonderful, singing touch and musical sensitivity, effortlessly unifying ten unique voices into an album that is greater than the sum of its parts.

Peter Dickson Lopez returns to Navona Records with his first solo release; PIECES FROM A DISTANT LAND, a touching solo piano memoriam to his late mother, who had once requested piano pieces for herself to play at church. A touching and emotionally prolific piece given a loving performance by Anna Kislitsyna, Lopez — an ever-experimental composer — channels the “Distant Land” of tonal music familiar to his childhood self and compositional roots, while still honoring the special and often haunting sound so intimate to his musical oeuvre. Those with an ear for the sonically experimental will instantly recognize Lopez’s salient touches while being treated to an especially graceful and compassionate tribute to the happy, hazy days of childhood, and the warm music that so often accompanies them.

Navona Records presents PINNACLE VOL. 2, a collection of contemporary chamber works by composers John A. Carollo, Edmund Cionek, Sarah Wallin Huff, Santiago Kodela, Adnan Marafi, Amintas Silva, Joseph T. Spaniola, and Kong-Yu Wong, that highlight the melodic, emotive, and dramatic styles offered by today’s chamber music. Throughout the album, the composers explore the cyclicity of life and nature.

Navona Records presents PINNACLE VOL. 3, a collection of contemporary chamber works by composers Alla Elana Cohen, Andrew Schneider, Dušan Bavdek, and Richard E Brown that highlight the melodic, emotive, and dramatic styles offered by today’s chamber music. This diverse assortment of repertoire spans numerous influences and orchestrations, delivering a range of sounds from somber and moving to sprightly and energetic. Leveraging raw thematic material and colorful musical portraits, the composers and performers in this edition of PINNACLE keep the fire burning while bringing a fresh and unique tone to the series.

Trombonist Deb Scott makes her PARMA debut with her new Navona release PLAYING FAVORITES, accompanied by pianist Ron Petti. She performs a variety of her favorite pieces that appeal to her background in jazz and to her considerable technical skill. She writes: “What I love about each one is its ability to engage a diverse audience making for enjoyable and exciting musical moments.”