Artists

Ryan Homsey is a versatile, award-winning American composer, equally at home writing for instrumental and choral ensembles, theater, dance, and film. His background in classical, electroacoustic, and popular music draws inspiration from his history as a professional ballet dancer. Homsey’s works have been performed by JACK Quartet, PUBLIQuartet, Access Contemporary Music, ensemble mise-en, Duluth-Superior Symphony Orchestra’s Music to You String Quartet, Boston New Music Initiative, and the Orlando Contemporary Chamber Orchestra at such venues as the Taipei Cultural Center, the Museum of Natural History, the Metropolitan Museum of Art, HERE Arts, and National Sawdust.

Peter Homans received a BA in English from Washington & Lee University followed by two master's degrees in music from New England Conservatory with Don Martino (Composition) and then Ernst Oster (Theory) in 1974 and 1976. He received two fellowships to Tanglewood in '75 and '76, studying with Gunther Schuller, Betsy Jolas, and Oliver Knussen. During his stay, he won the first ever Aaron Copland Prize for Composition.

George Holloway is currently an assistant professor of composition in the department of ethnomusicology in Nanhua University, Taiwan. He was formerly Dean of Composition at Tianjin Conservatory of Music in China. In this role, George was the first foreign head of department in any Chinese conservatory. George has also taught at the Central Conservatory of Music in Beijing and the University of Southampton.

Dr. David Holdhusen is the Director of Choral Activities and the Douglas and Susan Tuve Distinguished Professor of Choral Music at the University of South Dakota. His responsibilities include serving as conductor for the Chamber Singers and teaching courses in conducting. In addition to his teaching duties, Holdhusen is currently the Chair of the Department of Music and Director of the university’s annual Choral Directors Institute as well as the USD Summer Music Camp. He is also the co-founder and Executive Director of the Vermillion Children’s Chorus.

“Full of charm and shapely allure” (Opera News) and “a tapestry of immense grace” (Textura) are some of the praises Christopher J. Hoh has received for his music. He grew up in Reading PA and was influenced as a young singer and accompanist by great works under conductors in Pennsylvania, New York, and Washington. He has been in Alice Parker’s composer seminar as well as workshops with Jean Berger, Daniel Moe, Robert Page, and Craig Jessop. 

Hendrik Hofmeyr, who has been described as South Africa’s most performed composer of Classical music, was born in Cape Town in 1957. He achieved his first major success as a composer in 1988 with the performance at the State Theatre of The Fall of the House of Usher, which won the South African Opera Competition and the Nederburg Opera Prize. In the same year, Hofmeyr, who was furthering his studies in Italy during ten years of self-imposed political exile, obtained first prize in an international competition in Trent with music for a short film by Wim Wenders. In 1992 he was appointed lecturer at the University of Stellenbosch, and in 1997 won two further international competitions, the Queen Elisabeth Competition of Belgium (with Raptus for violin and orchestra) and the Dimitri Mitropoulos Competition in Athens (with Byzantium for high voice and orchestra).

Born in Winnipeg, Canada, Sydney Hodkinson (January 17, 1934 – January 10, 2021) led an impressive career in conducting, composition, and music education, having received a bachelor’s and master’s of music from the Eastman School of Music, and a doctorate of musical arts from the University of Michigan in 1968.

Vincent Ho is a multi-award winning composer of orchestral, chamber, vocal, and theatre music. His works have been described as “brilliant and compelling” by The New York Times and hailed for their profound expressiveness and textural beauty, leaving audiences talking about them with great enthusiasm. His many awards and recognitions have included three Juno Award nominations, Harvard University’s Fromm Music Commission, The Canada Council for the Arts’ “Robert Fleming Prize,” ASCAP’s “Morton Gould Young Composer Award,” four SOCAN Young Composers Awards, and CBC Radio’s Audience Choice Award (2009 Young Composers’ Competition).

Pianist Russell Hirshfield has received critical acclaim for his original and powerful interpretive insights across a wide repertoire. He has performed in recitals regularly throughout the world, giving concerts across the United States, Brazil, China, Belgium, England, Serbia, Costa Rica, and South Africa, including recent performances at the Sheldonian Theater and Holywell Music Room in Oxford, and the Royal Flemish Academy in Brussels. His latest solo recording, ALEXANDER SCRIABIN: EARLY WORKS (Navona Records, 2020) has been programed in radio broadcasts in at least 20 countries. It features a brilliant program of Scriabin’s earlier, and lesser-known, works for solo piano.

Having been praised by the press as “precise and keenly projective” and demonstrating “the highest level of proficiency,” Japanese-Canadian pianist Yoko Hirota is considered one of the leading interpreters of contemporary piano repertory of her generation. Hirota received her doctoral degree in piano performance under Louis-Philippe Pelletier at McGill University. Grants from the Canada Council for the Arts allowed her to study in Europe, with Gabor Eckhardt in Hungary, Herbert Henck in Germany, and Florent Boffard in France.

For Edie Hill, writing music is an opportunity to research, learn, muse, reach down deep, and allow inspiration to come from the stuff of life. Her compositions are fueled by her experiences, passions, and curiosities.

Born in Detroit MI in 1970, Sean Hickey’s earliest music education began at age 12 with an electric guitar, a Peavey amp, and a stack of Van Halen records (the early ones of course). He studied jazz guitar at Oakland University, later graduating with a degree in composition and theory from Wayne State University. His primary instructors were James Hartway, James Lentini, and Leslie Bassett. After moving to New York, Hickey pursued further studies with Justin Dello Joio and Gloria Coates. His works include a symphony (Olympus Mons), concertos for clarinet, cello and mandolin, two string trios, a string quartet, a flute sonata, a woodwind quintet and trio, numerous pieces for solo instruments, church, theater and orchestral music.

Roaring onto the operatic stage in recent seasons, Melanie Henley Heyn made her Straussian and Wagnerian debuts as Salome & Brünnhilde, followed closely by a harrowing portrayal of Magda Sorel in Gian Carlo Menotti’s Pulitzer Prize-winning drama, The Consul. Singing a vast repertoire of music spanning the opera, concert, and folk worlds, her 33 divas recording project combining classic Wagner, Verdi, and Puccini roles with modern American opera heroines remains the No. 1 Most Funded Kickstarter for a Solo Classical Artist.

Matthew Hetz (b. 1957) is a native to Los Angeles where he still resides. His formal music studies began at age 16 with piano lessons, and composing has always been in the forefront. He began playing the violin in his 20s, and joined local orchestras, an experience of tremendous importance and influence for composing. His study of composition and music at California State University, Dominguez Hills in the 1980’s was at the height of atonality, with the dissolution of harmony as the accepted compositional practices.

Mara Helmuth was composes music and sonic spaces often involving the computer, focusing recently on environmental issues and wildlife. Her recordings include Irresistible Flux on Esther Lamneck’s Tarogato Constructions, from O on Open Space CD 33 Benjamin Boretz 9x9, Lifting the Mask on Sounding Out! (Everglade), Sound Collaborations, (CDCM v.36, Centaur CRC 2903), Implements of Actuation (Electronic Music Foundation EMF 023), and works included on Open Space CD 16 and the 50th Anniversary University of Illinois EMS collection. Scores are published in Open Space Magazine Issues 19-20 (from O), and Notations 21 (String Paths), edited by Theresa Sauer.

Matthew Heap, born in 1981, is an internationally-performed composer whose music has been featured in several American and English cities and on WQED and WCLV radio. He is also very involved in the theater community as an actor, director, and writer. Matthew received his B.F.A. from Carnegie Mellon University, M.M. from the Royal College of Music in London, and  Ph.D. from the University of Pittsburgh. He has studied with Leonardo Balada, Eric Moe,  Nancy Galbraith, Mathew Rosenblum, Amy Williams, and Timothy Salter.

Born in Hong Kong, Dr. Po Sim Head is a pianist, educator, and musicologist who has a strong passion for discovering lesser-known piano repertoire from Latin America. Head received a doctorate degree in piano performance and pedagogy from the University of Kansas under the instruction of Scott McBride Smith. Her thesis introduced a few piano compositions written by a Peruvian composer Francisco Pulgar-Vidal, some of which are included on her Navona Records release. Prior to her doctorate degree, Head received her master’s degrees in piano performance and musicology from the University of Missouri-Kansas City (UMKC) and earned a bachelor’s degree in music composition and production at Hong Kong Baptist University. 

Tyler Hay was born in 1994 in Kent and began learning the piano at the age of 6. He studied with the Head of Keyboard, Andrew Haigh at Kent Music Academy for three years before gaining a place to study at the Purcell School for Young Musicians in 2007 where he continued under Tessa Nicholson. He completed his studies as an ABRSM scholar at the Royal Northern College of Music in 2016 where he studied with the Head of Keyboard Graham Scott and Professor Frank Wibaut.

Patrick Hawkins holds degrees in performance from the Peabody Conservatory at Johns Hopkins University, East Carolina University, and Arizona State University. Post-graduate studies in music education were taken at California State University, Los Angeles, and at the University of Washington, Seattle. His major teachers have included Janette Fishell, Peggy Haas Howell, Kimberly Marshall, and Carole Terry (organ); Shirley Mathews, and Webb Wiggins (harpsichord); and Shuko Watanabe and Joseph Rackers (piano).

Growing up on a farm outside of Spartanburg SC, Dr. Phillip Chase Hawkins serves as Principal Trumpet with the Knoxville Symphony Orchestra, a position he has held since 2013. He is also a member of the cornet section in Fountain City Brass Band and is an active performer on historical instruments as a member of Kentucky Baroque Trumpets and Saxton’s Cornet Band. Hawkins can also be heard as a performing and recording artist for the Nashville Music Scoring Studio and Sound Lair Studio.