Catalog

Pan-Fare, the album's starting point, is a rare modern classical piece for steel pan and a motley, jazz-inflected ensemble. Fun, energetic, and brimming with rhythmic imagination, it is set against an original percussive backdrop provided by, among others, a vibraslap, a marimba, and a Chinese opera gong.

Acclaimed piano four-hand duo Dana Muller and Gary Steigerwalt come together once more for IN YOUR HEAD, a collection featuring the work of six composers that highlights both fresh compositional talents and earlier successful works. Each piece demonstrates the unique synergy between the two performers. With twice the hands, twice the talent, and twice the interpretation, the piano is pushed to dynamic and sonoric extremes.

In MY SYMPHONIC POEMS, the two-disc album that is Mark John McEncroe’s fourth recording overall for Navona Records, the Australian composer explores worlds both internal and external. On each of the album’s ten tracks, McEncroe has crafted a musical painting, a work of art that describes, as it were, his reflections on the subject alluded to in its title.

SPECTRA 2 unveils the works of six composers, each of whom tells a unique, memorable story. First up is Elizabeth R. Austin's B-A-C-HOMAGE, an intricately constructed tribute to the German Baroque composer. Based on Bach's name and his "Air on G" respectively, the first and second movement reflect upon the clarity of his work through the lens of Austin's decidedly modern tonal language.

PARMA Recordings presents LEGENDS & LIGHT, a compilation album featuring works by composers Hans Bakker, Jan Järvlepp, Clive Muncaster, and Shirley Mier. Each has a different, unique story to tell, and the narratives are brought to life by the orchestra and string ensemble.

In MEZZANINE SEAT, Cunningham exhibits a mastery over all aspects of the orchestra, filling out every bit of space with breathtaking melody and harmony. The arrangements emote a sophistication that echoes J.S. Bach, one of Cunningham’s greatest inspirations. In the three-part composition Bach Diadem, Cunningham pays tribute to the famed composer and incorporates 18th-century orchestral influence in his compositions.

How can something as intimate as a musical moment shared between two people open up the door to endless possibilities? Discover the answer in ART FOR TWO, a collection of works by acclaimed composer Arthur Gottschalk and performed by Italian woodwind extraordinaires Sauro Berti and Mario Ciaccio, accompanied by the skilled hands of pianist Naomi Fujiya. In each piece, the performers call listeners into the moment as they traverse art music inspired by sources from traditional Jewish hymns to Frank Zappa.

With QUADRANTS, Navona Records presents six of today’s best modern string quartets that meld the old with the new, combining traditional forms with contemporary influences to present expressive, emotional works that both make and break the mold. QUADRANTS VOLUME 2 seeks to bring the emotive works of six contemporary composers together, with each work communicating both deeply personal and universal messages. These messages are made all the more potent when expressed through the multifaceted voice and intimate setting of the string quartet -- in this case, the acclaimed Boston group, the Pedroia String Quartet.

Be transformed by the haunting intensity of Brankovich’s performance in BLACK SWAN OF PIANO. Extending from the melancholic forms of 19th century composer Eric Satie to the dark, moving compositions of the pianist herself, this album invites listeners into the realms of the past, the war-torn images of her homeland, and a look into the immense possibilities for the musical future.

With her Navona debut I CLOSE MY EYES IN ORDER TO SEE, accomplished Canadian flutist Sara Hahn demonstrates her exceptional sensitivity for emotional nuance coupled with great virtuosic capability, but most of all: the healing power of music itself. Hahn, currently the Principal Flutist for the Calgary Philharmonic Orchestra, is rightly known for her refined and beautiful tone, and I CLOSE MY EYES TO SEE indubitably attests to this. But extraordinarily, there is even more to Hahn's musicianship: An exquisite ability to get right into the heart of a composition.

Greg d'Alessio's VEIL offers a cross-section through all the facets encompassing modern classical composition as well as an impressive portrait of the composer's unique voice and development over two decades. VEIL's chronological track order allows the listener to follow the progression of both the music and the man behind it. Veil and Thread are D'Alessio's early chamber works, very much reflective of the conviction and clarity characteristic of the young composer, built on a thoughtful yet passionate blend of traditional structure and instrumentation with experimental effects.

Kamyar Mohajer’s PICTURES OF THE HIDDEN honors the composer’s “four Grand Masters:" Johann Sebastian Bach, Persian poet Hafez, and his parents. In this album, Mohajer shares his artistic upbringing by combining his roots in Persian modality with his love of Western classical music.

SEVERAL TIMES is an impressive collection spanning over four decades of the composer’s career. Though artistic development is present throughout the larger timeline of the album, each composition demonstrates innovative approaches to time and repetition. These innovations reflect a desire to not only learn and understand time, but master it.

It should be no secret that Miami-based composer Ferdinando De Sena is a tour de force amongst electroacoustic composers. Just listening to SECRETS FOR FREE is all the proof you need. The EP boasts adventurous yet accessible compositions that balance real instruments with computer-generated sound. SECRETS FOR FREE is a testament to fans of either subgenre that the two approaches to classical music do not have to be mutually exclusive.

Navona Records proudly presents Flare, recordings by members of the Society of Composers, Inc. Now in its 32nd installment, it offers a veritable cross-section of some of the most original voices in composition today. The album opens with 19-year-old Vaibhav Mohanty's Rhapsody No. 1 (2017), traveling through elements of Western classical composition, jazz, and Indian traditional music with such well-proportioned naturalness and ease, it bears all the telltale signs of an instant repertoire classic.

On WHISPERING FRAGRANCE, his first solo album with Navona Records, composer Stephen Yip merges serenity with agitation, earthiness with sophistication and the mundane with the sublime. The result is an original creation that is unapologetically post-modern, yet deeply rooted in Chinese traditionalism.

In many ways, Walter Steffens' TWO CELLS IN SEVILLA is a work of polar opposites. Quasi-tonal but modern, traditional but minimalist, the German composer has created an opera uniting two historical protagonists as multi-faceted as the music itself.

The four works on UNEXPLORED, offer an expansive variety of musical genres while introducing listeners to previously unrecorded cello repertoire. Premiere recordings of works by Tchaikovsky, Cassadó, Rudnytsky, and Rimsky-Korsakov are presented by cellist Nada Radulovich and pianist Cullan Bryant.

Nicholas Vines presents HIPSTER ZOMBIES FROM MARS, his third PARMA Recordings album. This collection of three major piano works by Dr. Vines was recorded on location at Cornell University with artist Ryan MacEvoy McCullough at the piano. For all of the flash one might expect from the album title, Vines bypasses gimmickry in order to capture something sophisticated.

Since composer, conductor and musicologist Alicia Terzian founded Grupos Encuentros in 1978, the six-person group has garnered international acclaim for its success at bringing the music of avant-garde Argentinian and Latin American composers to the world. On 40 YEARS OF CONTEMPORARY MUSIC, their debut recording for NAVONA RECORDS, the group combines compositions from such well-known Latin American composers as Heitor Villa-Lobos, Alberto Ginaslera, and Terzian herself with works by an international array of composers that ranges from Anton Webern (Germany) to Luciano Berio (Italy) to Franz Schreker (Austria) to Pierre Boulez (France).